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"It has to be trickery, an illusion. " The same avowals came from all directions. People demanded agreement from those around them. Renaud's face shone before me for an instant with gaping mouth and squinting eyes.
But I had gone into a dance again. And this time the grace of it no longer mattered to the audience. I could feel it, because the dance became a parody, each gesture broader, longer, slower than a human dancer could have sustained.
Someone shouted from the wings and was told to be still. And little cries burst from the musicians and those in the front rows. People were growing uneasy and whispering to one another, but the rabble in the gallery continued to clap.
I dashed suddenly towards the audience as if I meant to admonish it for its rudeness. Several persons were so startled they rose and tried to escape into the aisles. One of the hornplayers dropped his instrument and climbed out of the pit.
I could see the agitation, even the anger in their faces. What were these illusions? It wasn't amusing them suddenly; they couldn't comprehend the skill of it; and something in my serious manner made them afraid. For one terrible moment, I felt their helplessness.
And I felt their doom.
A great horde of jangling skeletons snared in flesh and rags, that's what they were, and yet their courage blazed out of them, they shouted at me in their irrepressible pride.
I raised my hands slowly to command their attention, and very loudly and steadily I sang the ditty to Flaminia, my lovely Flaminia, a dull little couplet spilling into another couplet, and I let my voice grow louder and louder until suddenly people were rising and screaming before me, but louder still I sang it until it obliterated every other noise and in the intolerable roar I saw them all, hundreds of them, overturning the benches as they stood up, their hands clamped to the sides of their heads.
Their mouths were grimaces, toneless screams.
Pandemonium. Shrieks, curses, all stumbling and struggling towards the doors. Curtains were pulled from their fastenings. Men dropped down from the gallery to rush for the street.
I stopped the horrid song.
I stood watching them in a ringing silence, the weak, sweating bodies straining clumsily in every direction. The wind gusted from the open doorways, and I felt a strange coldness over all my limbs and it seemed my eyes were made of glass.
Without looking, I picked up the sword and put it on again, and hooked my finger into the velvet collar of my crumpled and dusty roquelaure. All these gestures seemed as grotesque as everything else I had done, and it seemed of no import that Nicolas was trying to get loose from two of the actors who held him in fear of his life as he shouted my name.
But something out of the chaos caught my attention. It did seem to matter -- to be terribly, terribly important, in fact that there was a figure standing above in one of the open boxes who did not struggle to escape or even move.
I turned slowly and looked up at him, daring him, it seemed, to remain there. An
old man he was, and his dull gray eyes were boring into me with stubborn outrage, and as I glared at him, I heard myself let out a loud open-mouthed roar. Out of my soul it seemed to come, this sound. It grew louder and louder until those few left below cowered again with their ears stopped, and even Nicolas, rushing forward, buckled beneath the sound of it, both hands clasped to his head.
And yet the man stood there in the loge glowering, indignant and old, and stubborn, with furrowed brows under his gray wig.
I stepped back and leapt across the empty house, landing in the box directly before him, and his jaw fell in spite of himself and his eyes grew hideously wide.
He seemed deformed with age, his shoulders rounded, his hands gnarled, but the spirit in his eyes was beyond vanity and beyond compromise. His mouth hardened and his chin jutted. And from under his frock coat he pulled his pistol and he aimed it at me with both hands.
" Lestat!" Nicki shouted.
But the shot exploded and the ball hit me with full force. I didn't move. I stood as steady as the old man had stood before, and the pain rolled through me and stopped, leaving in its wake a terrible pulling in all my veins.
The blood poured out. It flowed as I have never seen blood flow. It drenched my shirt and I could feel it spilling down my back. But the pulling grew stronger and stronger, and a warm tingling sensation had commenced to spread across the surface of my back and chest.
The man stared, dumbfounded. The pistol dropped out of his hand. His head went back, eyes blind, and his body crumpled as if the air had been let out of it, and he lay on the floor.
Nicki had raced up the stairs and was now rushing into the box. A low hysterical murmuring was issuing from him. He thought he was witnessing my death.
And I stood still hearkening to my body in that terrible solitude that had been mine since Magnus made me the vampire. And I knew the wounds were no longer there.
The blood was drying on the silk vest, drying on the back of my torn coat. My body throbbed where the bullet had passed through me and my veins were alive with the same pulling, but the injury was no more.
And Nicolas, coming to his senses as he looked at me, realized I was unharmed, though his reason told him it couldn't be true.
I pushed past him and made for the stairs. He flung himself against me and I threw him off. I couldn't stand the sight of him, the smell of him.
"Get away from me!" I said.
But he came back again and he locked his arm around my neck. His face was bloated and there was an awful sound coming out of him.
