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"Come to me, Nicki," I whispered. I lifted both hands to beckon. "If you want it, you must come. . . "
I saw a bird soaring out of a cave above the open sea. And there was something terrifying about the bird and the endless waves over which it flew. Higher and higher it went and the sky turned to silver and then gradually the silver faded and the sky went dark. The darkness of evening nothing to fear, really, nothing. Blessed darkness. But it was falling gradually and inexorably over nothing save this one tiny creature cawing in the wind above a great wasteland that was the world. Empty caves, empty sands, empty sea.
All I had ever loved to look upon, or listen to, or felt with my hands was gone, or never existed, and the bird, circling and gliding, flew on and on, upwards past me, or more truly past no one, holding the entire landscape, without history or meaning, in the flat blackness of one tiny eye.
I screamed but without a sound. I felt my mouth full of blood and each swallow passing down my throat and into fathomless thirst. And I wanted to say, yes, I understand now, I understand how terrible, how unbearable, this darkness. I didn't know. Couldn't know. The bird sailing on through the darkness over the barren shore, the seamless sea. Dear God, stop it. Worse than the horror in the inn. Worse than the helpless trumpeting of the fallen horse in the snow. But the blood was the blood after all, and the heart -- the luscious heart that was all hearts -- was right there, on tiptoe against my lips.
Now, my love, now's the moment. I can swallow the life that beats from your heart and send you into the oblivion in which nothing may ever be understood or forgiven, or I can bring you to me.
I pushed him backwards. I held him to me like a crushed thing. But the vision wouldn't stop.
His arms slipped around my neck, his face wet, eyes rolling up into his head. Then his tongue shot out. It licked hard at the gash I had made for him in my own throat. Yes, eager.
But please stop this vision. Stop the upward flight and the great slant of the colorless landscape, the cawing that meant nothing over the howl of the wind. The pain is nothing compared to this darkness. I don't want to . . . I don't want to . . .
But it was dissolving. Slowly dissolving.
And finally it was finished. The veil of silence had come down, as it had with her. Silence. He was separate. And I was holding him away from me, and he was almost falling, his hands to his mouth, the blood running down his chin in rivulets. His mouth was open and a dry sound came out of it, in spite of the blood, a dry scream.
And beyond him, and beyond the remembered vision of the metallic sea and the lone bird who was its only witness -- I saw her in the doorway and her hair was a Virgin Mary veil of gold around her shoulders, and she said with the saddest expression on her face:
"Disaster, my son. "
By midnight it was clear that he would not speak or answer to any voice, or move of his own volition. He remained still and expressionless in the places to which he was taken. If the death pained him he gave no sign. If the new vision delighted him, he kept it to himself. Not even the thirst moved him.
And it was Gabrielle who, after studying him quietly for hours, took him in hand, cleaning him and putting new clothes on him. Black wool she chose, one of the few somber coats I owned. And modest linen that made him look oddly like a young cleric, a little too serious, a little naive.
And in the silence of the crypt as I watched them, I knew without doubt that they could hear each other's thoughts. Without a word she guided him through the grooming. Without a word she sent him back to the bench by the fire.
Finally, she said, "He should hunt now," and when she glanced at him, he rose without looking at her as if pulled by a string.
Numbly I watched them going. Heard their feet on the stairs. And then I crept up after them, stealthily, and holding to the bars of the gate I watched them move, two feline spirits, across the field.
The emptiness of the night was an indissoluble cold settling over me, closing me in. Not even the fire on the hearth warmed me when I returned to it.
Emptiness here. And the quiet I had told myself that I wanted -- just to be alone after the grisly struggle in Paris. Quiet, and the realization gnawing at my insides like a starved animal -- that I couldn't stand the sight of him now.
Chapter 5
5
When I opened my eyes the next night, I knew what I meant to do. Whether or not I could stand to look at him wasn't important. I had made him this, and I had to rouse him from his stupor somehow.
The hunt hadn't changed him, though apparently he'd drunk and killed well enough. And now it was up to me to protect him from the revulsion I felt, and to go into Paris and get the one thing that might bring him around.
The violin was all he'd ever loved when he was alive. Maybe now it would awaken him. I'd put it in his hands, and he'd want to play it again, he'd want to play it with his new skill, and everything would change and the chill in my heart would somehow melt.
As soon as Gabrielle rose, I told her what I meant to do. "But what about the others?" she said. "You can't go riding into Paris alone. "
"Yes, I can," I said. "You're needed here with him. If the little pests should come round, they could lure him into the open, the way he is now. And besides, I want to know what's happening under les Innocents. If we have a real truce, I want to know. "
"I don't like your going," she said, shaking her head. "I tell you, if I didn't believe we should speak to the leader again, that we had things to learn from him and the old woman, I'd be for leaving Paris tonight. "
"And what could they possibly teach us?" I said coldly. "That the sun really revolves around the earth? That the earth is flat?" But the bitterness of my words made me feel ashamed.
One thing they could tell me was why the vampires I'd made could hear each other's thoughts when I could not. But I was too crestfallen over my loathing of Nicki to think of all these things.
I only looked at her and thought how glorious it had been to see the Dark Trick work its magic in her, to see it restore her youthful beauty, render her again the goddess she'd been to me when I was a little child. To see Nicki change had been to see him die.
