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"Claudia," she whispered.
Her head throbbed, but it didn't matter. The light of the oil lamps was so soothing, so different from the harsh electric bulb. She sat still, caressing the doll with her fingers almost in the manner of a blind woman, feeling its soft silken hair, its stiff starched little dress. The clock chimed again, loudly, each somber note echoing through the room. She must not faint here. She must get up somehow. She must take the little book and the doll and the rosary and leave.
The empty windows were like mirrors with the night behind them. Rules broken. Call David, yes, call David now. But the phone was ringing. At this hour, imagine. The phone ringing. And David didn't have any number for this flat because the phone. . . . She tried to ignore it, but it went on and on ringing. All right, answer it!
She kissed the doll's forehead. "Be right back, my darling," she whispered.
Where was the damn phone in this flat anyway? In the niche in the hallway, of course. She had almost reached it when she saw the wire with the frayed end, curled around it. It wasn't connected. She could see it wasn't connected. Yet it was r
inging, she could hear it, and it was no auditory hallucination, the thing was giving one shrill pulse after another! And the oil lamps! My God, there were no oil lamps in this fiat!
All right, you've seen things like this before. Don't panic, for the love of God. Think! What should you do? But she was about to scream. The phone would not stop ringing! If you panic, you will lose control utterly. You must turn off these lamps, stop this phone! But the lamps can't be real. And the living room at the end of the hall-the furniture's not real! The flicker of the fire, not real! And the person moving in there, who is it, a man? Don't look up at him! She reached out and shoved the phone out of the niche so that it fell to the floor. The receiver rolled on its back. Tiny and thin, a woman's voice came out of it.
"Jesse?"
In blind terror, she ran back to the bedroom, stumbling over the leg of a chair, falling against the starched drapery of a four-poster bed. Not real. Not there. Get the doll, the book, the rosary! Stuffing them in her canvas bag, she climbed to her feet and ran out of the flat to the back stairway. She almost fell as her feet hit the slippery iron. The garden, the fountain- But you know there's nothing there but weeds. There was a wrought-iron gate blocking her path. Illusion. Go through it! Run!
It was the proverbial nightmare and she was caught in it, the sounds of horses and carriages thudding in her ears as she ran down the cobblestone pavement. Each clumsy gesture stretched over eternity, her hands struggling to get the car keys, to get the door open, and then the car refusing to start.
By the time she reached the edge of the French Quarter, she was sobbing and her body was drenched with sweat. On she drove through the shabby garish downtown streets towards the freeway. Blocked at the on-ramp, she turned her head. Back seat empty. OK, they didn't follow. And the canvas bag was in her lap; she could feel the hard porcelain head of the doll against her breast. She floored it to Baton Rouge.
She was sick by the time she reached the hotel. She could barely walk to the desk. An aspirin, a thermometer. Please help me to the elevator.
When she woke up eight hours later, it was noon. The canvas bag was still in her arms. Her temperature was 104. She called David, but the connection was dreadful. He called her back; it was still no good. Nevertheless she tried to make herself understood. The diary, it was Claudia's, absolutely, it confirmed everything! And the phone, it wasn't connected, yet she heard the woman's voice! The oil lamps, they'd been burning when she ran out of the flat. The flat had been filled with furniture; there'd been fires in the grates. Could they burn down the flat, these lamps and fires? David must do something! And he was answering her, but she could barely hear him. She had the bag, she told him, he must not worry.
It was dark when she opened her eyes. The pain in her head had woken her up. The digital clock on the dresser said ten thirty. Thirst, terrible thirst, and the glass by the bed was empty. Someone else was in the room.
She turned over on her back. Light through the thin white curtains. Yes, there. A child, a little girl. She was sitting in the chair against the wall.
Jesse could just see the outline clearly-the long yellow hair, the puff-sleeved dress, the dangling legs that didn't touch the floor. She tried to focus. Child . . . not possible. Apparition. No. Something occupying space. Something malevolent. Menace- And the child was looking at her.
Claudia.
She scrambled out of the bed, half falling, the bag in her arms still as she backed up against the wall. The little girl got up. There was the clear sound of her feet on the carpet. The sense of menace seemed to grow stronger. The child moved into the light from the window as she came towards Jesse, and the light struck her blue eyes, her rounded cheeks, her soft naked little arms.
Jesse screamed. Clutching the bag against her, she rushed blindly in the direction of the door. She clawed at the lock and chain, afraid to look over her shoulder. The screams were coming out of her uncontrollably. Someone was calling from the other side, and finally she had the door open and she was stumbling out into the hallway.
People surrounded her; but they couldn't stop her from getting away from the room. But then someone was helping her up because apparently she'd fallen again. Someone else had gotten a chair. She cried, trying to be quiet, yet unable to stop it, and she held the bag with the doll and the diary in both hands.
When the ambulance arrived, she refused to let them take the bag away from her. In the hospital they gave her antibiotics, sedatives, enough dope to drive anyone to insanity. She lay curled up like a child in the bed with the bag beside her under the covers. If the nurse so much as touched it, Jesse woke at once.
When Aaron Lightner arrived two days later, she gave it to him. She was still sick when she got on the plane for London. The bag was in his lap, and he was so good to her, calming her, caring for her, as she slept on and off on the long flight home. It was only just before they landed that she realized her bracelet was gone, her beautiful silver bracelet. She'd cried softly with her eyes closed. Mael's bracelet gone.
They pulled her off the assignment.
She knew even before they told her. She was too young for this work, they said, too inexperienced. It had been their mistake, sending her. It was simply too dangerous for her to continue. Of course what she had done was of "immense value. " And the haunting, it had been one of unusual power. The spirit of a dead vampire? Entirely possible. And the ringing phone, well, there were many reports of such things-entities used various means to "communicate" or frighten. Best to rest now, put it out of her mind. Others would continue the investigation.
As for the diary, it included only a few more entries, nothing more significant than what she herself had read. The psychometrics who had examined the rosary and the doll learned nothing. These things would be stored with utmost care. But Jesse really must remove her mind from all this immediately.
Jesse argued. She begged to go back. She threw a scene of sorts, finally. But it was like talking to the Vatican. Some day, ten years from now, maybe twenty, she could enter this particular field again. No one was ruling out such a possibility, but for the present the answer was no. Jesse was to rest, get better, forget what had taken place.
Forget what had taken place. . . .
She was sick for weeks. She wore white flannel gowns all day long and drank endless cups of hot tea. She sat in the window seat of her room. She looked out on the soft deep greenery of the park, at the heavy old oak trees. She watched the cars come and go, tiny bits of soundless color moving on the distant gravel road. Lovely here, such stillness. They brought her delicious things to eat, to drink. David came and talked softly to her of anything but the vampires. Aaron filled her room with flowers. Others came.
She talked little, or not at all. She could not explain to them how deeply this hurt her, how it reminded her of the long ago summer when she'd been pushed away from other secrets, other mysteries, other documents in vaults. It was the same old story. She'd glimpsed something of inestimable importance, only to have it locked away.
And now she would never understand what she'd seen or experienced. She must remain here in silence with her regrets. Why hadn't she picked up that phone, spoken into it, listened to the voice on the other end?
