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"Recall this paragraph," he said gently. We made our way down Fifth, a street that is never empty, or dark. He quoted the lines to me: " 'He had lost his hold of the magnetic chain of humanity. He was no longer a brother-man, opening the chambers or the dungeons of our common nature by the key of holy sympathy, which gave him a right to share in all its secrets; he was now a cold observer, looking on mankind as the subject of his experiment, and, at length, converting man and woman to be his puppets, and pulling the wires that moved them to such degrees of crime as were demanded for his study. ' "
I said nothing. I wanted to protest, but it was not an honest thing to do. I wanted to say that I would never, never treat humans like puppets. All I had done was watch Roger, damn it all, and Gretchen in the jungles, I had pulled no strings. Honesty had undone her and me together. But then he wasn't speaking of me with these words. He was talking about himself, the distance he felt now from the human. He had only begun to be Ethan Brand.
"Let me continue a little farther," he asked respectfully, then began to quote again. " 'Thus Ethan Brand became a fiend. He began to be so from the moment that his moral nature had ceased to keep the pace of improvement with his intellect¡ª' " He broke off.
I didn't reply.
"That's our damnation," he whispered. "Our moral improvement has reached its finish, and our intellect grows by leaps and bounds. "
Still I said nothing. What was I to say? Despair was so familiar to me; it could be banished by the sight of a beautiful mannikin in the window. It could be dispelled by the spectacle of lights surrounding a tower. It could be lifted by the great ghostly shape of St. Patrick's coming into view. And then despair would come again.
Meaningless, I almost said, aloud, but what came from my lips was completely different.
"I have Dora to think of," I said.
Dora.
"Yes, and thanks to you," he said, "I have Dora too, now don't I?"
Chapter 6
6
HOW AND when and what to tell Dora? That was the question. The journey we made to New Orleans early the next night.
There was no sign of Louis at the town house in the Rue Royale, but this was by no means unusual. Louis took to wandering more and more often, and he had been seen once by David in the company of Armand in Paris. The town house was spotless, a dream set out of time, full of my favorite Louis XV furnishings, luscious wallpaper, and the finest carpets to be found.
David, of course, was familiar with the place, though he hadn't seen it in over a year. One of the many picture-perfect bedrooms, drenched in saffron silks and outrageous Turkish tables and screens, still held the coffin in which he had slept during his brief and first Stay here as one of the Undead.
Of course, this coffin was heavily disguised. He had insisted that it be the real thing¡ªas fledglings almost invariably do, unless they are nomads by nature¡ªbut it was cleverly enough concealed within a heavy bronze chest, which Louis had chosen for it afterwards¡ªa great hulking rectangular object as defeating as a square piano, with no perceivable opening in it, though of course, if you knew the right places to touch, the lid rose at once.
I had made my resting place as I had promised myself, when restoring this house in which Claudia and Louis and I had once lived. Not in my old bedroom, which now housed only the de rigueur heavy four-poster and dressing table, but in the attic, beneath the eave, I had made a cell of metal and marble.
In sum, we had a comfortable base immediately, and I was frankly relieved that Louis was not there to tell me he didn't believe me when I described the things that I'd seen. His rooms were in order; new books had been added. There was a vivid and arresting new painting by Matisse. Otherwise, things were the same.
As soon as we had settled in, checked all security, as immortals always do, with a breezy scan and a deep resistance to having to do anything mortals have to do, we decided that I should go uptown and try to catch a glimpse of Dora alone.
I had seen or heard nothing of the Stalker, though not much time had passed, of course, and I had seen nothing of The Ordinary Man.
We agreed that either might appear at any moment.
Nevertheless, I broke from the company of David, leaving him to explore the city as he wished.
Before leaving the Quarter for uptown, I called upon Mojo, my dog. If you are unacquainted with Mojo from The Tale of the Body Thief, let me tell you only what you need to know¡ªthat he is a giant German shepherd, is kept for me by a gracious mortal woman in a building of which I retain ownership, and that Mojo loves me, which I find irresistible. He is a dog, no more, or less, except that he is immense in size, with an extremely thick coat, and I cannot stay long away from him.
I spent an hour or two with him, wrestling, rolling around with him on the ground in the back garden, and talking to him about everything that happened, then debated as to whether I should take him with me uptown. His dark, long face, wolflike and seemingly evil, was full of the usual gentleness and forbearance. God, why didn't you make us all dogs?
Actually, Mojo created a sense of safety in me. If the Devil came and I had Mojo. . . . But that was the most absurd idea! I'd fend off Hell on account of a flesh-and-Wood dog. Well, humans have believed stranger things, I suppose.
Just before I'd left David, I'd asked, "What do you think is happening, I mean with this Stalker and this Ordinary Man?" And David had answered without hesitation, "You're imagining both of them, you punish yourself relentlessly; it's the only way you know how to go on having fun. "
I should have been insulted. But I wasn't.
Dora was real.
Finally, I decided I had to take leave of Mojo. I was going to spy upon Dora. And had to be fleet of foot. I kissed Mojo and left him. Later we would walk in our favorite wastelands beneath the River Bridge, amid the grass and the garbage, and be together. That I would have for as long as nature let me have it. For the moment it could wait.
Back to Dora.
