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"They're works of art," said Aunt Queen, "of a special sort. They're pictures, complete little pictures, that's what matters. Small, intricate and intense. Let's use your metaphor of the entire universe again; that's what you find in many of these. "
She was in a rapture.
"One can wear them," she said, "but it doesn't cheapen them to do it. You yourself just spoke of the charm. " She touched the Medusa at her breast. "And of course I find something unique in every one I acquire. In fact, there's infinite variety in cameos. Here, look," she said, handing Lestat another example. "You see, it's a mythical scene of Hercules fighting a bull, and there is a goddess behind him and a graceful female figure in front. I've never seen another like it, though I have hundreds of mythological scenes. "
"They are intense, yes," said Lestat. "I see your point completely, and it's truly divine, yes. "
She looked about for a moment and then picked up another large shell cameo and offered it to him.
"Now that's Rebecca at the Well," she said. "A common scene depicted on cameos, and coming from the Bible, don't you know, from the book of Genesis, when Abraham sent a messenger to find a wife for his son Isaac, and Rebecca came out to greet this messenger at the village well. "
"Yes, I know the story," Lestat said quietly. "And it's an excellent cameo too. "
She looked at him eagerly, as much into his eyes as at his hands, with their lustrous fingernails.
"That was one of the first cameos I ever saw," she said, taking it back from him, "and it was with Rebecca at the Well that my collection began. I was given ten altogether of that exact same theme, Rebecca at the Well, though all were di
fferent in their carvings, and I have them all here. There's a story to it, to be sure. "
He was obviously curious, and seemed to possess all the time in the world.
"Tell me," he said simply.
"Oh, but how I have behaved!" she suddenly remarked, "allowing you to stand there as if you were bad boys brought before the principal. Forgive me, you must sit down. Oh, but I am witless to be so remiss in my own boudoir! For shame!"
I was about to object, to declare it unnecessary, but I saw that Lestat wanted to know her, and she was having such a wonderful time.
"Quinn," she declared, "you bring those two chairs here. We'll make a cozy circle, Lestat, if I'm to tell a tale. "
I knew there was no arguing. Besides, I was painfully stimulated that these two liked each other. I was crazy again.
As to the chairs, I did as I was told, crossing the room, taking up two of the straight-back chairs from Aunt Queen's round writing table between the back windows, and setting the chairs down right where we had stood so that we could face her again.
She took the plunge:
"It came about in this very room, my introduction to the passion for the cameo," she said, her eyes flitting over both of us and then fixing firmly on Lestat. "I was nine years old then and my grandfather was dying in here, a dreadful old man, Manfred Blackwood, the great monster of our history, the man who built this house, a man of whom everybody was afraid. My father, his only living son, William, tried to keep me away from him, but one day when the old beast was alone he saw me peeping in at that door.
"He ordered me to come inside and I was too afraid not to do it, and curious besides. He was sitting here where I am now, only there was no fancy dressing table here. Just his easy chair, and he sat in it, with a blanket over his lap, and both his hands on his silver-knobbed cane. His face was stubbly with his rough beard, and he wore a bib of sorts, and dribbled from the edge of his mouth.
"Oh, what a curse to live to that age to be slobbering as he was, like a bulldog. I think of a bulldog every time I think of him. And mind you, a sickroom in those days, no matter how well attended, wasn't what a sickroom is today! It reeked, I tell you. If I ever become that old and start to slobber, Quinn has my express permission to blow my brains out with my own pearl-handled gun, or to sink me with morphine! Remember that, Little Boy. "
"Of course," I rejoined, winking at her.
"Oh, you little devil, I'm serious -- you can't imagine how revolting it can be, and all I ask is permission to say my Rosary before you execute the sentence, and then I'll be gone. " She looked at the cameos and then about herself and back to Lestat.
"The Old Man, yes, the Old Man," she said, "and he was staring blankly into nothing before he saw me, mumbling to himself until he started to mumble to me. There was a little chest of drawers beside him where it was rumored he kept his money, but how I knew this I don't now recall.
"As I was saying, the old reprobate told me to come in, and then he unlocked the top drawer of this chest and he took out a small velvet box and, letting his cane fall over on the floor, he put the box in my hands. 'Open that up and hurry,' he said. 'Because you're my only granddaughter and I want you to have it, and your mother is too foolish to want it. I said hurry up. ¡¯
"Well, I did precisely what he told me, and inside were all these cameos, and I thought they were fascinating with all their tiny little people on them and their frames of gold.
" 'Rebecca at the Well,' he said. 'All of them of the same story, Rebecca at the Well. ' And then, 'If they tell you I murdered her they're telling you the truth. She couldn't be satisfied with cameos and diamonds and pearls, not that one. I killed her, or more truthfully, and it's time for the truth, I dragged her to her death. ¡¯
"Of course I was awestruck by his words," said Aunt Queen, "but instead of being suspicious and horrified, I was impressed that he was addressing these words to me. And he went on talking, the slobber coming down the side of his mouth to his chin. I should have helped him wipe his face, but I was too young to do anything as compassionate as that.
" 'Those were the old days,' he said to me, 'and she wore those high-collared lace blouses, and the cameos looked so very precious at her throat. She was so precious when I first brought her here. They're all so precious in the beginning and then they turn rotten. Except my poor dead Virginia Lee. My lovely, unforgettable Virginia Lee. Would she had lived forever, my own Virginia Lee. But the others, rotten, I tell you, greedy and rotten every time.
" 'But she was the worst of all my disappointments,' he told me, fixing me with his mean eyes. 'Rebecca, and Rebecca at the Well,' he said. 'It was he who gave me the first cameo for her, when he'd heard her name, telling me the story of it, and he that brought several more, all of Rebecca, all gifts for her, he said, he being the evil spy that he was, ever watching us; they all came from him, all these cameos, if truth be known, from him, though there's no taint on it, and you're just a child. ' "
