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"There is a woman who works for the police department. I need her address. Home address. Her name is Amelia Sachs and she lives somewhere in Brooklyn. S-A-C-H-S. And Lincoln Rhyme. Spelled like in poetry. He's in Manhattan."
The lawyer nodded.
"Then there are the two families I need to find." He didn't think it wise to describe them as people he was trying to kill, even in the absence of listening devices, so he said simply, "The Wus and the Changs. From the Dragon. They might be in INS detention somewhere but maybe not."
"What are you--?"
"You don't need to ask questions like that."
The slim man fell silent. Then he considered. "When do you need this information?"
The Ghost wasn't sure exactly what awaited him in China. He guessed that he would be back in one of his luxury apartments in three months but it could be less. "As soon as possible. You will keep monitoring them and if the addresses change you will leave a message with my people in Fuzhou."
"Yes. Of course."
Then the Ghost realized that he was tired. He lived for combat, he lived to play deadly games like this. He lived to win. But, my, how tired you got when you broke cauldrons and sank boats, when you simply did not accept defeat. Now he needed rest. His qi sorely needed to be replenished.
He dismissed his lawyer then lay back on the cot in the antiseptically clean, square cell, the room reminding him of a Chinese funeral parlor because the walls were blue and white. The Ghost closed his eyes and pictured Yindao.
Lying in a room, a warehouse, a garage, which had been arranged by a feng shui artist in the opposite manner of most practitioners: the nature of his fantasy room would maximize anger and evil and pain. The art of wind and water can do this too, the Ghost believed.
Yin and yang, opposites in harmony.
The supple woman tied down on the solid floor.
Her fair skin in darkness.
Hard and soft . . . .
Pleasure and agony.
Yindao . . . .
The thought of her would get him through the difficult coming weeks. He closed his eyes.
*
"We've had our differences, Alan," Rhyme said.
"I guess." INS agent Coe was cautious. He sat in Rhyme's bedroom, in one of the uncomfortable wicker chairs that the criminalist had furnished the room with in hopes that it would discourage visitors from staying for long periods of time. Coe was suspicious about the invitation but Rhyme didn't want there to be any chance of someone's overhearing them. This had to be a completely private conversation.
"You heard about the Ghost's release?"
"Of course I heard about the Ghost," the man muttered angrily.
Rhyme asked, "Tell me, what's your real interest in the case. No bullshit."
Coe hesitated and then said, "The informant of mine he killed. That's it."
"I said no bullshit. There's more to it, isn't there?"
Coe finally said, "Yeah, there's more."
"What?"
"The woman who was the informant, Julia? We were . . . We were lovers."
Rhyme carefully scanned the agent's face. Although he was a firm believer in the overarching value of hard evidence he wasn't wholly skeptical to messages in faces and eyes. He saw pain, he saw sorrow.
