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‘What a pity he will not be at home when you are there, Captain Warnham,’ Bel concluded. ‘We would have given you letters of introduction.’
The orchestra began to file into the pit and tune up, earning catcalls and jeers for the cacophony from the common folk up in the one-shilling gallery. The noise gradually subsided back to the usual hubbub and then the lights were dimmed and the curtain rose on the first piece of the evening, a short farcical item featuring the company heavy as a strict father, thwarted at every turn by the ingenious antics of his daughter’s suitors.
‘I have every sympathy with the fellow,’ Lord Pangbourne remarked as the furious father chased a young man over a balcony while, behind his back, another rake took advantage and snatched a kiss from the daughter. Maude recognised Tom Gates, the ambitious walking man, who whisked out of sight behind a convenient curtain in the nick of time.
‘It is an ingenious piece,’ Captain Warnham agreed, laughing at the business between the cast, the maid changing clothes with her mistress, while the two young men dressed as footmen and the baffled father searched frantically for his daughter. In a few minutes the happy couple escaped down a rope ladder, the remaining suitor consoled himself with the maid and the curtain came down on appreciative applause.
There was a short interval before the next piece, a ballet. Maude reviewed her preparations for the main interval: canapés, champagne, two small tables to be brought in and the seats rearranged. But who to place where?
She wanted her father to appreciate Eden’s strong points, not be distracted by long hair or diamond ear studs or over-emphatic tailoring. Perhaps best not to place him next to the clean-cut Lord Warnham in his dress uniform. Between Bel and Jessica then…
‘You are muttering,’ Jessica said.
‘I want you and Bel to sit either side of Mr Hurst,’ Maude whispered back. ‘I don’t want him sitting next to Captain Warnham and making Papa think of haircuts.’
‘I think the length of his hair is the least of your problems.’
One step at a time, Maude told herself, sitting through the ballet in such a state of abstraction that she would have been hard pressed to say whether there had been dancers or circus horses on stage if questioned afterwards.
Eden’s note in response to the invitation had arrived, punctiliously prompt and formal. But would he really come?
The waiter came in with the refreshments and, on his heels, a tall figure, dark against the brightness of the open doorway.
‘Standon, my dear fellow, would you—?’ Lord Pangbourne broke off in confusion, realising that the man he thought he was addressing was still seated to his left. The figure moved, the light fell across his face and Maude let out a long, inaudible sigh. Eden.
Her father got to his feet, ponderous and, for all his formal good manners, wary. ‘Mr Hurst?’
‘My lord.’ He came in, as the waiter closed the door behind him, and inclined his head to his host.
‘Allow me to make you known to Lady Dereham, Lady Standon, my daughter Lady Maude—’
Papa is pretending we have not met, Maude realised, returning the bow with slight curtsy, while her father completed the introductions and waved Eden to the chair by his side.
And then she realised what was different about him. Gone was the exotic theatre manager, gone too was the working man in his shirtsleeves, and in their place was a perfectly conventional gentleman in well-cut evening formality, a modest ruffle on his white shirt, the dull sheen of garnet satin on his waistcoat and just a hint of sparkle in the strange old ring, his only piece of jewellery. Even his hair had been ruthlessly pomaded and brushed into a fashionable style that distracted the eye from its length.
He is making an effort, she thought, astonished. It had never occurred to her that Eden Hurst might go out of his way to impress her father. Was it because he needed the money, or because he did not want to lose her as…as what? An investor? That was all she could be to him at the moment, surely?
Lord Pangbourne, nobody’s fool, even though he cultivated an appearance of bluff and bluster, had apparently realised that he could hardly explain to a boxful of guests, one of whom was a virtual stranger, that he had invited Mr Hurst there to interview him as a potential business partner for his daughter. He had also, while introductions had been made, managed things so that the men were all sitting to one side of the box and Maude was safely trapped between the other two ladies.
She realised, with sinking heart, that Bel and Jessica had not exaggerated the unconventionality of what she was doing. Gareth and Ashe were regarding Eden with expressions of politely neutrality, but she knew them both too well to be deceived. They were watchful and suspicious and, she feared, disapproving.
‘Good of you to join us,’ her father remarked, pouring champagne. ‘I’m very interested in this new gas lighting you have here. Thinking of installing it myself. What do you think?’
‘I would not put it in my own home, not just yet.’ Eden took the glass, but did not drink. Close to the naval officer’s tanned skin his colouring seemed less exotic. He looked and sounded just like the rest of them, yet he was the focus of more than polite attention. ‘There is an odour, and it is dangerous without proper ventilation. But, in a year or two, I think it will replace oil everywhere.’
Captain Warnham, for whom this was apparently the first sight of gas used inside, joined in the conversation with a remark about the gas lights installed on Westminster Bridge in 1813 and all four men were soon deep into the technicalities.
Maude rolled her eyes at her friends, but Bel smiled and nodded encouragement. And, yes, superficially it was a success. They could have been any group of gentlemen engrossed in discussion, but she sensed relief all round at such a neutral topic that could distance the men from the ladies.
Eden, she realised, had muted his forceful character. He deferred to the older man, held his own with the others, yet it was as though he had turned down the wick on the lamp of his personality.
Clever, Maude thought. He is adapting himself to his company, blending in. She met his eyes across the table. His expression hardly changed, yet she sensed rueful amusement. He knew exactly what he was doing, but he did not seem entirely happy that he was doing it. And he sensed the raised hackles of the other men.
‘We are neglecting the ladies,’ he remarked, bringing all eyes to where his gaze was resting, her face.
‘But I am fascinated by gas lighting,’ she said sweetly, all wide-eyed feminine attentiveness. His lips were definitely quirking now. It was infectious. She bit the inside of her lip to stop herself smiling back. ‘Still, we do not have that much time before the curtain rises again. Will you not tell us about the next piece? My father saw it the last time it was produced in London.’
‘In 1810 at Covent Garden, my lord? We have had to adapt it here, of course, because of the licence, add a short ballet, and some songs, hence our choice of Mrs Furlow in the lead; she has just the voice for it. Still, it is very much the same comedy you will recall from before.’ He uses his voice like an actor, Nell thought, listening to how he spoke, not what he said. It was a deep and flexible voice, shaded with colour. He seemed to have it as much under his control as his face, betraying only what he wanted to show.
