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“Who are those men?” gasped Reggie.
“Not now. Move!”
Reggie and Waller raced down the set of steps next to the altar. They passed through a door, which he locked behind them. Running down another set of stairs, they came out into an open but darkened area. Here was the critical moment, Reggie knew. The passage they’d gone down previously to exit the church was to the left. She was counting on the fact that under the extreme circumstances Waller wouldn’t remember that. She turned to the right. Waller glanced back up the stairs as something crashed overhead.
“They’ve gotten in the church,” he exclaimed.
“Come on, Evan.” She pulled him down the passage to the right and into the room.
The walls, ceiling, and floor burst with light. Waller shielded his face against this brilliance. When he looked at her Reggie was pointing her pistol at him.
“Welcome to hell, Fedir Kuchin,” she said.
CHAPTER
58
STRONG HANDS grabbed Kuchin, pulled him over to a crypt, and tied him down on top of it. Kuchin looked slowly around. Whit, Dom, and Reggie had surrounded him.
“Who are you?” Kuchin said calmly.
Whit said, “I’m a bit disappointed the man’s not more impressed.”
“We’re people who know who you really are,” answered Reggie, her eyes on the Ukrainian. By her tone and attitude she was no longer role-playing as the naïve American Janie Collins. She was Reggie Campion and fully in the zone to finish this man.
“Fedir Kuchin,” added Dominic. “The real butcher of Ukraine.”
“And we brought back some of your victims,” said Reggie.
“Before we do to you what you did to them,” added Whit. “Although we’re normally very nice people, we’re working really hard to be cruel and evil for your benefit.”
Whit spread his arm wide. Kuchin looked up at the ceiling and over at the walls that were awash in light as Dominic’s projection equipment continued operating. Nothing Goya could have conceived would have equaled the horror captured in these images. The pictures of the dead or dying men, women, and children stared back at them. On one wall was the photo of the mass grave with the exposed small bones of the children buried there.
“One atrocity after another,” said Reggie. “Take your time. We want you to relive the past.”
“Who are you?” asked Kuchin again.
“Why does it matter?” retorted Whit.
“Because I want to know who I’m going to kill in the future. The near future.”
“I don’t see that happening,” said Whit.
“Then you are blind.”
Reggie pointed to one wall depicting a stack of bodies piled up like cords of wood. “The slaughter in Sevastopol.” She indicated another image on the ceiling where gaunt near-death faces peered out from behind barbed wire. “The torture camp in Ivano-Frankivsk Oblast in western Ukraine.”
A third image was of the skull-like countenances of women and children lying in the dirt. “Kotsuri in Volyn Oblast,” said Dominic. “You took a page from the Holodomor with that one, didn’t you? Starving rural farmers?”
Kuchin stared up at the pictures as they glimmered across the stone ceiling, like heat rising from a desert floor. When he looked back at them his face held no trace of remorse. “There is no need to show me any of this. I remember it quite well.” He smiled. “Down to the last skeleton, in fact.”
Whit snapped, “Okay, screw the pics. Let’s just do it right now and throw him in the bone box.” He pointed to a crypt along the side of the wall with its top off. “That’s where your skeleton’s going to be, Fed. Hope you’ll enjoy rotting in old Gordes for all eternity.”
Fedir ignored this and continued to stare at Reggie. “I should have been more cautious. Never trust a beautiful woman when she plays, how do you say, hard to get?”
“Look at the pictures,” said Reggie. “And if you really are as religious as you claim, make peace with your God.”
“And how will the fatal blow come. Gun, knife?” Kuchin cocked his head. “Will you strangle me with your bare hands? But do you dare get that close to me now? I can smell the fear you have of me. No,
