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"I beg your pardon?"
"You know about shipboard romances, presumably?" Amanda asked.
"No," he said.
"People fall in love on a ship very quickly," she said.
"Okay," he said.
"Because they are in a strange environment and there is an element of danger," Amanda said.
"You have made a study of this, I gather?"
"The romance fades when the ship docks," Amanda said, "and people see things as they really are."
"So we won't get on a ship," Matt said. "A small sailboat, maybe. But no ship. Or if we do, we'll just never make port. Like theFlying Dutchman."
"They grow up, so to speak," Amanda went on. "See things for what they really are."
"You said that," he said.
"Or, "she said significantly, "one of them does."
"Meaning what?" There was something in what was going on that made him uncomfortable.
"When are you going to stop playing policeman and get on with your life is what I'm wondering," she said, putting her face against his shirt again.
"I don't think I'm 'playing' policeman," he said.
"You don'tknow that you're playing policeman," she said. "That's what I meant when I saidone of them grows up."
"I don't think I like this conversation," Matt said. "Why don't we talk about something pleasant, like what are we going to do next weekend?"
"I'mserious, Matt."
"So'm I. So what's your point?"
"I know why you became a policeman," she said.
"You do?"
"Because you couldn't get in the Marines with Chad and had to prove you were a man."
"You have been talking to Daffy, I see," he said.
"Well, now you've done that. You became a cop and you shot a man. You have nothing else to prove. So why are you still a cop?"
"I like being a cop."
"That'swhat I mean," she said.
She stopped dancing, freed herself from his arms, and looked up at him.
"The ship has docked," she said.
"Meaning what?"
"Meaning I'm sorry I started this conversation," she said, "but Ihad to."
