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I remember so many of Rosalind’s lines, of Orlando’s too, that I can mouth them along with the actors. It feels like a private call-and-response chorus between me and Willem.
The little strength that I have, I would it were with you.
Fare you well: pray heaven I be deceived in you!
Then love me, Rosalind.
And wilt thou have me?
Are you not good?
I hope so.
Now tell me how long you would have her after you have possessed her?
For ever and a day.
For ever and a day.
I hold Wren’s hand in one of my hands and Wolfgang’s with the other. We make a chain, us three. Standing there like that until the play is over. Until everyone gets their happy endings: Rosalind marries Orlando, and Celia marries Oliver, who reconciles with Orlando, and Phoebe marries Silvius, and the bad duke is redeemed, and the exiled duke is returned home.
After Rosalind gives her final soliloquy, it’s over, and people are going crazy, just nuts, clapping and whistling, and I’m turning and throwing my arms around Wren and then Wolfgang, pressing my cheek against the broadcloth of his cotton shirt, inhaling the smoky tobacco scent mingled with flower nectar and dirt. And then someone is hugging Wren and me, the rowdy guys from next to us. “That’s my best friend!” one of the guys shouts. He’s got impish blue eyes, and he’s a head shorter than the others, more Hobbit than Dutchman.
“Who?” Wren asks. She’s now being passed around in hugs by the rowdy, and it appears, drunk, Dutch guys.
“Orlando!” the Hobbit answers.
“Oh,” Wren says, her eyes so wide and pale they gleam like pearls. “Oh,” she says to me.
“You wouldn’t be Robert-Jan, by any chance?” I ask.
The Hobbit looks surprised for a second. Then he just grins. “Broodje to my friends.”
“Broodje,” Wolfgang chuckles. He turns to me. “It’s a kind of sandwich.”
“Which Broodje loves to eat,” one of his friends says, patting his belly.
Broodje/Robert-Jan pushes the hand away. “You should come to our party tonight. It’s going to be the party to end all parties. He was fantastic, was he not?”
Wren and I both nod. Broodje/Robert-Jan goes on about how great Willem was and then his friend says something to him in Dutch, something, I think, about Willem.
“What did he say?” I whisper to Wolfgang.
“He said he hasn’t seen him, Orlando, I think, so happy, since, I didn’t hear it all, something about his father.”
Wolfgang takes out a packet of tobacco from a leather pouch and begins to roll a cigarette. Without looking at me, he says in his rumbly voice, “I think the actors come out over there.” He points to the little metal gate on the far side of the stage.
He lights his cigarette. His eyes flash. He points to the gate again.
My body feels like it’s no longer solid matter. It is particle dust. It is pure electricity. It dances me across the theater, toward the side of the stage. There is a crowd of well-wishers awaiting the actors. People holding bouquets of flowers, bottles of champagne. The actress who played Celia comes out to whoops and hugs. Next comes Adam, then Rosalind, who gets a heap of bouquets. My heart starts to thunder. Could I have come this close only to miss him?
But then I hear him. He is, as always, laughing; this time at something the guy who played Jacques said. And then I see his hair, shorter than it was, his eyes, dark and light all at once, his face, a small scar on his cheek, which only makes him more strikingly handsome.
My breath catches in my throat. I’d thought I’d embellished him. But really, if anything, the opposite is true. I’d forgotten how truly beautiful he is. How intrinsically Willem.
Willem. His name forms in my throat.
“Willem!” His name rings out loud and clear.
