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Mom gives me a look, like I obviously lose everything all the time now.
“Where’s the last place you left them?” Dad asks. “Just picture it. That’s how you find missing things.” This is his typical advice, but it usually works. And sure enough, when I picture my shoes, still packed in the suitcase under my bed, that’s where they are.
When we get downstairs, Dad does some halfhearted stretches. “Let’s see if I remember how to do this,” he jokes. He’s not much of a runner, but he’s always telling his patients to exercise, so he tries to practice what he preaches.
We take off on a path toward the river. It is a true autumn day, clear and brisk with a sharp bite of winter in the air. I don’t love running, not at first, but usually after ten minutes or so, that thing kicks in and I sort of zone out and forget what I’m doing. Today, though, every time I even begin to lose myself, it’s like my mind defaults to that other run, the best run, the run of my life, the run for my life. And then my legs turn into waterlogged tree trunks, and all the beautiful fall colors fade to gray.
After about a mile, I have to stop. I claim a cramp. I want to go back, but Dad wants to check out the downtown and see what’s changed, so we do. We stop at a café for cappuccinos, and Dad asks me about my classes and waxes nostalgic for his days in organic chemistry. Then he tells me how busy he’s been and that Mom is having a really hard time and I should go easy on her.
“Isn’t she supposed to be going back to work?” I ask.
Dad looks at his watch. “Time to go,” he says.
Dad leaves me at the dorm to change before brunch. As soon as I step inside, I know something’s wrong. I hear ticking. And then I look around, and for a second, I’m confused because the dorm no longer looks like my dorm but like my bedroom at home. Mom has dug up all the posters from my closet and put them up in the exact same configuration as at home. She’s moved my photos around, so they too are a mirror image of my old room. She’s made the bed with a mountain of throw pillows, the throw pillows I specifically said I didn’t want to bring because I hate throw pillows. You have to take them off and reorganize them every day. On top of the bed are clothes that Mom is folding into neat piles and laying out for me, just like she did when I was in fourth grade.
And along my windowsills and bookcases are all my clocks. All of them wound up and ticking.
Mom looks up from snipping the tags off a pair of pants I haven’t even tried on. “You seemed so glum last night. I thought it might perk you up if it looked more like home in here. This is so much cheerier,” she declares.
I begin to protest. But I’m not sure what to protest.
“And I spoke to Kali, and she finds the sound of the clocks soothing. Like a white-noise machine.”
They don’t sound soothing to me at all. They sound like a hundred time bombs waiting to explode.
Sixteen
NOVEMBER
New York City
The last time I saw Melanie, she had a fading pink streak in her blond hair and was wearing her micro-skimp Topshop uniform with some teetering platform sandals she’d picked up at the end-of-season sale at Macy’s. So when she charges at me on a crowded street corner in New York’s Chinatown as soon as I’m disgorged from the bus, I hardly recognize her. Now the pink streak is gone; her hair is dyed dark brown with a reddish tint. She has severe bangs cut short across her forehead, and the rest of her hair is secured back into a bun with a pair of enamel chopsticks. She’s wearing this weird, funky, flowered dress and a pair of beat-up cowboy boots, and she has cat-shaped granny eyeglasses on. Her lips are painted blood red. She looks amazing, even if she looks nothing like my Melanie.
>But somehow I forget the clocks. And this gives me away.
When Mom comes into the dorm, after cooing over our tiny dump of a lounge, she oohs over Kali’s pictures of Buster and then looks at my relatively bare walls and gasps. By her look of horror, you’d think I’d decorated with crime-scene photos. “Where’s your collection?”
I point to the boxes in the closet, unopened.
“Why are they there?”
“They’re too noisy,” I quickly lie. “I don’t want to bother Kali with them.” Never mind the fact that Kali blasts her radio at seven in the morning.
“You could put them out and not wind them,” she says. “Those clocks are you.”
Are they? I don’t remember when I started collecting them. Mom liked to go to flea markets on weekends and then one day, I was a clock collector. I got really into it for a while, but I don’t remember the moment I saw an old alarm clock and thought, I want to collect these.
“Your half looks terribly barren next to Kali’s,” Mom says.
“You should’ve seen my dorm,” Dad says, lost in his haze of nostalgia. “My roommate put tinfoil on the windows. It looked like a spaceship. He called it the ‘Future Dorm.’”
“I was going for Minimalist Dorm.”
“It has a certain penitentiary charm,” Dad says.
“It’s like a before/after on one of those home décor shows.” Mom points to Kali’s half of the room, over which every inch of wall space is covered either with posters, art prints, or photos. “You’re the before,” she says. As if I didn’t already get that.
We head off to one of the special workshops, something insanely dull on the changing face of technology in the classroom. Mom actually takes notes. Dad points out every little thing that he remembers and every little thing that is new. This is what he did when we toured the school last year; both he and Mom were so excited about the prospect of me going here. Creating a legacy. Somehow, back then, I was excited too.
