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"Gee, I hope I can be a swinging dick in the next life," she said.
THE HOUSEBOAT FLOOR WAS tilted on top of the crushed and rusted oil drums on which it had once floated. Cool Breeze sat in the corner, dressed in clothes off a wash line, the wound in his cut face stitched with thread and needle, his left arm swollen like a black balloon full of water.
I heard Megan's camera start clicking behind me.
"Why didn't you call the Feds, Breeze?" I asked.
"That woman FBI agent wants me in front of a grand jury. She say I gonna stay in the system, too, till they done wit' me."
I looked at the electrical cord he had used for a tourniquet, the proud flesh that had turned the color of fish scale around the fang marks, the drainage that had left viscous green tailings on his shirt. "I tell you what, I'll dress those wounds, hang your arm in a sling, then we'll get a breath of fresh air," I said.
"You cut that cord loose, the poison gonna hit my heart."
"You're working on gangrene now, partner."
&nbs
p; I saw him swallow. The whites of his eyes looked painted with iodine.
"You're jail-wise, Breeze. You knew the Feds would take you over the hurdles. Why'd you want to stick it to Alex Guidry?"
This is the story he told me while I used a rubber suction cup to draw a mixture of venom and infection from his forearm. As I listened on one knee, kneading the puncture wounds, feeling the pain in his body flicker like a candle flame under his skin, I could only wonder again at the white race's naïveté in always sending forth our worst members as our emissaries.
TWENTY YEARS AGO, DOWN the Teche, he owned a dirt-road store knocked together from scrap boards, tin stripped off a condemned rice mill, and Montgomery Ward brick that had dried out and crusted and pulled loose from the joists like a scab. He also had a pretty young wife named Ida, who cooked in a cafe and picked tabasco peppers on a corporate farm. After a day in the field her hands swelled as though they had been stung by bumblebees and she had to soak them in milk to relieve the burning in her skin.
On a winter afternoon two white men pulled up on the bib of oyster shell that served as a parking lot in front of the gallery, and the older man, who had jowls like a bulldog's and smoked a cigar in the center of his mouth, asked for a quart of moonshine.
"Don't tell me you ain't got it, boy. I know the man from Miss'sippi sells it to you."
"I got Jax on ice. I got warm beer, too. I can sell you soda pop. I ain't got no whiskey."
"That a fact? I'm gonna walk back out the door, then come back in. One of them jars you got in that box behind the motor oil better be on the counter or I'm gonna redecorate your store."
Cool Breeze shook his head.
"I know who y'all are. I done paid already. Why y'all giving me this truck?" he said.
The younger white man opened the screen door and came inside the store. His name was Alex Guidry, and he wore a corduroy suit and cowboy hat and western boots, with pointed, mirror-bright toes. The older man picked up a paper bag of deep-fried cracklings from the counter. The grease in the cracklings made dark stains in the paper. He threw the bag to the younger man and said to Cool Breeze, "You on parole for check writing now. That liquor will get you a double nickel. Your woman yonder, what's her name, Ida? She's a cook, ain't she?"
THE MAN WITH BULLDOG jowls was named Harpo Delahoussey, and he ran a ramshackle nightclub for redbones (people who are part French, black, and Indian) by a rendering plant on an oxbow off the Atchafalaya River. When the incinerators were fired up at the plant, the smoke from the stacks filled the nearby woods and dirt roads with a stench like hair and chicken entrails burned in a skillet. The clapboard nightclub didn't lock its doors from Friday afternoon until late Sunday night; the parking lot (layered with thousands of flattened beer cans) became a maze of gas-guzzlers and pickup trucks; and the club's windows rattled and shook with the reverberations of rub board and thimbles, accordion, drums, dancing feet, and electric guitars whose feedback screeched like fingernails on slate.
At the back, in a small kitchen, Ida Broussard sliced potatoes for french fries while caldrons of red beans and rice and robin gumbo boiled on the stove, a bandanna knotted across her forehead to keep the sweat out of her eyes.
But Cool Breeze secretly knew, even though he tried to deny it to himself, that Harpo Delahoussey had not blackmailed him simply to acquire a cook, or even to reinforce that old lesson that every coin pressed into your palm for shining shoes, cutting cane, chopping cotton, scouring ovens, dipping out grease traps, scrubbing commodes, cleaning dead rats from under a house, was dispensed by the hand of a white person in the same way that oxygen could be arbitrarily measured out to a dying hospital patient.
One night she wouldn't speak when he picked her up, sitting against the far door of the pickup truck, her shoulders rounded, her face dull with a fatigue that sleep never took away.
"He ain't touched you, huh?" Cool Breeze said.
"Why you care? You brung me to the club, ain't you?"
"He said the rendering plant gonna shut down soon. That mean he won't be needing no more cook. What you gonna do if I'm in Angola?"
"I tole you not to bring that whiskey in the store. Not to listen to that white man from Miss'sippi sold it to you. Tole you, Willie."
Then she looked out the window so he could not see her face. She wore a rayon blouse that had green and orange lights in it, and her back was shaking under the cloth, and he could hear her breath seizing in her throat, like hiccups she couldn't control.
HE TRIED TO GET permission from his parole officer to move back to New Orleans.
