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“My shrink is a pioneer in the field,” he said.
“Goodbye. I’ll call you when we develop more information.”
He tried to hide his disappointment. “Yeah, anytime,” he said. “Tell the guys you work with I’m not the problem in their lives.”
From the window, he watched her get in her car and back it around and head down the driveway and under the arch. He watched her drive down the road along the rail fence while Albert’s Foxtrotters raced beside her in the pasture. He watched her reach the south end of Albert’s ranch, marked by a grove of cottonwood trees. He watched her car disappear inside the leafy shade of the grove, the leaves flickering like thousands of green butterflies in the breeze. Then, a moment later, he saw the car reemerge, pointed back toward the house. He watched it coming up the road, the horses, all colts, running with it. He watched the car slow, the turn indicator blinking, although no other vehicles were on the road. He watched it turn under the arch and come up the driveway and stop by the garage, beyond his line of vision. He heard the driver’s door open and slam shut.
She came down the flagstone steps to his door and arrived just as he was opening it, his mouth agape.
“I left my ballpoint,” she said.
“Oh.”
“My roommate at Quantico gave it to me.”
“Yeah, I can relate to that.”
She opened her eyes wide and blew out her breath. “You up for this, chief?” she asked.
For Clete, the next few moments could be described only in terms of skyrockets bursting in the heavens or the Marine Corps band blaring out “From the Halls of Montezuma” or, on a less dramatic level, his morning angst dissolving into the sound of a lawn sprinkler fanning against his bedroom window, the smell of flowers opening in a damp garden, the throaty rush of wind in the trees, or perhaps an Asian mermaid swimming through a rainbow that arched across the entirety of the landscape.
CHAPTER 15
THAT SAME MORNING I went to the post office to pick up our mail, then into Missoula to buy new tires for my pickup. On the way back, I stopped at the cabin where J. D. Gribble lived, just over the mountain from Albert’s house. I had been there twice since Gribble had woken up in the back of Albert’s truck and had seen the man in the mask pouring gasoline on Clete Purcel. In both instances, Gribble had not been home or anywhere on the property that I could see. This time, when I parked my pickup by his cabin, I heard music, first the tail end of “Cimarron” and then “Madison Blues.”
Gribble’s door was open, and I could see him sitting in a straight-back chair, three steel picks on his right hand, a Dobro stretched across his lap. The Dobro was inset with a chrome-plated resonator, and Gribble was accompanying his chord progressions with a kazoo that he blew like a saxophone, leaning into it, totally absorbed inside his music, one booted foot patting up and down on the plank floor. His face jerked when he saw me, and he lifted the steel picks from the strings.
“Not many guys can do both Bob Wills and Elmore James,” I said.
“It was Leon McAuliffe that was the big influence. White or black, they all got their styles from him, no matter what they claim,” he said.
“I wanted to thank you for saving Clete’s life. I came up here yesterday but didn’t see you around.”
“A cougar or a bear busted the wire on the back fence, and some of the horses wandered up the hill. That deal concerning Mr. Purcel is something I’d rather not revisit.”
“Why’s that?”
“’Cause it scared the hell out of me. That FBI woman has done talked it to death, anyway. I don’t know who that guy in the mask was, and I ain’t interested in finding out. I’d just like to get shut of the whole business.”
He set the Dobro on his table and looked around, as though his exasperation were a means to confront spirits or voices that hung on the edges of his vision.
“What I’m trying to tell you is Clete and I are in your debt. You need a favor or help of some kind, we’re your guys,” I said.
He sucked in his cheeks and stared into space. “Mr. Purcel said you was in Vietnam.”
“A few months.”
“You come back with some spiders in your head?”
“A couple.”
“You spend a whole lot of time talking about it with other people?”
“No.”
“How come?”
“Because it’s not something they care to hear about or would understand.”
