Page 42 of Jerusalem


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Nor was this all of Snowy’s learned abilities. He knew the future, cloudily, not in a sense of prophecy but more in that he recognised the future when he saw it, knew how things would work out in the instant that he came upon them, as with scenes found written in a book embarked upon without recalling that it has been read before, in some forgotten summer, where there comes a tantalizing premonition of what waits beyond the next turned page.

He also had the trick of seeing ghosts. He saw the ordinary sort that were the spirits of past buildings and events embedded in the unseen temporal axis, spectral structures and scenarios which other people thought of as their memories. He furthermore had been a witness to the rarer but more famous kind of wraiths that were the restless dead: pained souls who shirked the repetition of their painful lives and yet who felt unready or unwilling to move on to any further state of being. He would sometimes apprehend them in the corner of his eye, smoke-coloured shapes endlessly circling their old neighbourhoods in search of ghostly conversations, ghostly ruts, in search of ghost-food. Just a year ago he’d seen the shade of Mr. Dadd, the fairy-painter who’d gone mad and murdered his own father. Dadd had died himself early in 1886 at Broadmoor Hospital, an institution for the criminally insane. On the occasion Snowy saw the artist’s phantom form it stood, looking regretful, at the gates of Bedlam wherein Dadd had previously been incarcerated. Snowy had observed the faint peripheral blur while it plucked something similarly indistinct from the asylum’s worn stone gatepost and proceeded, seemingly, to eat it. The dead painter, from the vague suggestion of his posture and demeanour, had appeared to be not so possessed nor so maniacal as when in life, but rather now clear-sighted and suffused by a profound remorse. The doleful apparition had persisted for some several seconds, glumly chewing its mysterious findings while it stared at the bleak edifice, then melted to a patch of damp discoloured brickwork on the madhouse wall.

The artist William Blake, who’d lived up Hercules Road getting on a century ago, had also seen and spoken with the creatures of the other world, with the deceased, with angels, devils, with the poet Milton who had entered like a current through the sole of Blake’s left foot. The Lambeth visionary’s notions of a fourfold and eternal city seemed at times so close to Snowy’s own view, right down to the exact number of its folds, that he had wondered if there were some quality in Lambeth that encouraged such perceptions. There may be, he’d often thought, some aspect of the district’s shape or placement when considered on more planes than three that made it most especially conducive to a certain attitude, to a unique perspective, though he knew that in his own case there had also been heredity as a prevailing influence. He was a Vernall, and his father Ern had taken pains that Snowy and his eldest sister should both know precisely what that meant.

“Nomen est omen”, that was how their dad had put it, an illiterate somehow quoting Latin proverbs. This had been the stated rationale, if such it might be called, behind the naming of his youngest children Messenger and Appelina, with one moniker suggestive of a herald angel and the other of our fallen mother Eve. Nomen est omen. The name is a sign. Ern had explained to John and Thursa that there was a place “upstairs” where what we thought of down here as our names turned out in many instances to be our job descriptions. Vernalls, as their father had defined the term, were those responsible for tending to the boundaries and corners, to the edges and the gutters. Though a lowly post in the ethereal hierarchies it was a necessary one that carried its own numinous authority. In Snowy’s understanding, by the odd linguistic laws of the superior plane that Ernest had referred to, Vernall was a word with connotations similar to “verger”, both in the old sense of one who tended verges and of one who bore the verge, or rod of office, as in the ecclesiastical tradition. But the language of “upstairs”, according to Ern Vernall, was a form of speech that were as though exploded, every phrase uncrumpling itself into a beautiful and complicated lacework of associations. Rods were wands of government and yet were also rulers made for measurement, which was presumably how rods of land beside a property were first called verges: grassy strips erupting into life with Spring, the vernal equinox, which also led back to the family name. This aspect of fertility was echoed in Old English, wherein the expression “verge” or “rod” was slang for what men kept inside their trousers, or at least thus was the etymology as passed on by their father, who could neither read nor write. In sum, a Vernall ministered to borderlines and limits, to the margins of the world and the unmowed peripheries of worldly reason. This, Ern had insisted, was why Vernalls tended to be raving mad and penniless.

As he looked down on the arrival of the latest baby to be thus afflicted, he allowed his consciousness of time to crystallise around the quarter-inch of the duration axis that the moment represented so that things slowed to a crawl, the progress of events barely perceptible. It was another talent or disease that he and Thursa had inherited, the means to charm the universe unto a standstill. “Pigeon eyes”, their dad had called this gift, without explaining why. The clouds were stopped and curdled in the sky’s blue juice, masking a sun that had moved on a little past its peak and was just fractionally behind him, its scant warmth upon his shoulders and the rear top of his head.

Below his parapet in Lambeth Walk the thoroughfare was now become a sculpture garden, all its mid-day rush and bustle rendered motionless. Litter and dust snatched up by the March breeze was frozen in its blustering ascent, suspended in the air at distinct intervals, so that the unseen currents of the wind were speckled with debris and thus made visible, a grand glass staircase sweeping up above the street. A pissing horse produced a necklace-string of weightless topaz, tiny golden crowns formed where the droplets were caught in the process of disintegrating on the slimy cobbles. The pedestrians who had been captured halfway through an action were now pos

ed like dancers in outlandish ballets, balancing impossibly on one foot with their weight thrown forward in an uncompleted stride. Impatient children floated inches over hopscotch squares and waited for their interrupted jumps to finish. Young men’s neckerchiefs and women’s unpinned hair flew sideways in a sudden gust and stayed there, sticking out as stiff as wooden flags from railway signal-boxes.

Noise was also slowed, the chorus-voice of Lambeth Walk now born by sluggish waves as though through a more viscous medium, become a dark bass slur, an aural bog. The seamless clattering of hooves was turned to endlessly reverberating single anvil beats sounded at lengthy intervals by a fatigued and unenthusiastic blacksmith, while the rapid trills of indecipherable birdsong had a cadence reminiscent now of trivial and pleasant conversation between old boys playing dominoes. Street vendors’ cries from down on Prince’s Road creaked like ghost story doors that opened with excruciating languor on some fettered horror. Two dogs fighting down in Union Street mimicked a background rumble of industrial machinery, their barks extended to the snarl of buried engines, to a humming undertone of violence, a continuous vibration in the pavements that was seldom noticed, always there. Amidst it all there swelled the wavering soprano counterpoint of poor Louisa’s latest scream, drawn out into an aria. The pregnant midwife kneeling on the filthy street beside her had been halted halfway through a further exhortation for his wife to push, and was emitting a protracted minotaur-like bellowing that Snowy took to be a vowel inflated to the point of bursting.

Snowy’s wife seemed similarly puffed up and upon the brink of an explosion. Almost half the baby’s head was out, a bluish rupture greased with blood emerging from the stretched lips of Louisa’s privates, now impossibly distended to a painful circle, a pullover neck. A torus.

In the dreadful halls of Bedlam, Ernest Vernall had leaned in towards his children, his remaining clumps of hair unkempt and white as hedgerows on a drovers’ path. His voice descending into a dramatic whisper both conspiratorial and urgent, he’d impressed upon them the supreme importance of this previously unheard word, a term most usually employed in either architecture or solid geometry. A torus, as their father had explained it to them, was the rubber-tyre shape generated by the revolution of a conic disc around a circle drawn on an adjacent plane, or else the volume that would be contained by such a spatial movement. Tori, at least as their dad defined them, were the single most important forms in all the cosmos. All Earth’s living creatures that had more than one cell to their names essentially were tori, or at least they were when looked at from a topographical perspective; irregular tori with their mass arranged around the central holes provided by their alimentary canals. In its fixed orbit round the sun, if this should be considered without the illusion of progressing time, their world described a torus. So did all the other planets and their moons. The stars themselves, rotating with the swirling vortex of the galaxy, were tori of stupendous magnitude that had diameters one hundred million years across from side to side. Ernest had intimated that the glittering universe in its entirety revolved about a point in uncreated nothingness (although there were no means by which we might detect this motion, being relative to literally nothing), and that should both space and time be seen as one undifferentiated substance then the whole of God’s creation might be held to be toroidal.

This, apparently, was why the humble chimneypot was such a potent and unsettling configuration. This was at least partly why Ern Vernall’s eldest son spent so much of his time on rooftops, in amongst the reeking stacks: you had to keep your eye on them.

The chimneypot … essentially a stretched-out torus when considered topographically … was a materialisation of the form in its most dreadful and destructive aspect, was the great annihilating void that it contained made manifest, its central hole become a crematorium pipe up which things deemed no longer necessary to requirements might be easily disposed of; corpses, broken bedsteads and outdated newspapers belched as a foul miasma from these stone or terracotta death-mouths into an insulted sky. The blackened smokestacks thus served also as a social oubliette, as vents that whole swathes of the lower classes had been stuffed up, children first. They smouldered with the awful breath of nothing. The banked chimneypots that Snowy knew stood four abreast behind him on the ridge were fragile shells surrounding empty pits of that same non-existence men came out of and eventually went into, were a grim inversion of that other torus gaping currently between Louisa’s thighs that spilled out life where they spilled out its opposite.

Below, although the woman helping to deliver Snowy’s child had not yet reached the end of her command to push, being at present caught up in a windy rush of sibilants, the baby’s head was now emerged completely. Snowy’s wife had the appearance of those peg dolls you could buy that were reversible and had a head on each end at the junction of the limbs. As he stared down through the resplendent treacle of the moment at the half-born infant’s gory scalp, he understood that this perspective was a converse to the end-on view of their dead father that he and his sister had once shared in an asylum mortuary. This was life seen, for the first time in his own experience, from its other terminus. It was, if anything, an even lovelier and more terrible thing when looked at through this end of its breathtaking telescope.

He gazed along the long jewelled tube that was his daughter’s enviable mortal span, and saw how bright and beautiful the near roots of the coral structure were compared to the gnarled darkness at its distant further tip. He saw the furling sub-growths that were her own children, half a dozen of them budding forth and branching from her mother-stem about a quarter of the way along its length. All six of the gem-crusted offshoots had a handsome lustre that would make her proud of them, but when he saw the closest and thus first-born sprout, both its exquisite burnish and its brevity, he felt the heartbreak aching in his throat, saltwater burning in his eyes. So precious and so small. Now Snowy noticed that a later branch, the next to last, was also cut short some few decades sooner than his girl-child’s own demise, and wondered if these losses might account for the deep melancholic colouration he could make out at the human tunnel’s furthest end.

His daughter’s life reached more than eighty years into what most would call the future, but which he thought of as ‘over there’. The murky and discoloured far extremity of her lay in an England that to Snowy was unrecognisable, a place of blocks and cubes and glaring lights. She’d die alone upon the outskirts of Northampton in a monstrous house that seemed to be the whole street pressed into one building. He could see her face down in a too-bright hallway, jowly, liver spotted, features blackening with settled blood. She would be struggling to get to the front door and the fresh air, but the determined heart attack would get there before she did and would have her legs away from under her. His and Louisa’s gorgeous little girl. A bundle of old rags, that’s what she’d look like, dumped there in the passage inches from a doormat that was bare of letters, undiscovered for two days.

He couldn’t bear this. This was too much. Snowy had assumed that by surrendering to the mad splendour of his father’s theories he would be in some way made divine, made wise and strong enough to cope with his perceptions, would become immune to the assaults of ordinary feeling. It appeared that this was not the case. He now seemed to remember, as if from before, that this experience, standing on a roof and witnessing May’s gutter birth-throes with her lonely death already there, embedded, would turn out to be the first occasion where he’d truly understand the weighty rigours of a Vernall’s occupation. This appalling vista of a life foreshortened was simply the viewpoint from the corner, and he’d best become accustomed to it. After all, he was not in reality more gifted nor more cursed than any other man. Did people not speak often of how time would seem to slow for them when in a dangerous situation? Were there not accounts of premonitions, lucky guesses, the uncanny sense that things have happened just this way before? Wasn’t it true that everybody had these feelings but elected for the most part to ignore them, perhaps sensing where such notions might eventually lead? Everyone knows the way there, hey there, hey there! Surely all parents knew that in their child’s birth was its death also contained, but made inside themselves, perhaps unwitting, a decision not to look too deep into the marvellous and tragic well that Snowy was now gazing down.

He didn’t blame them. From the customary standpoint, birth must seem a capital offence with an unvaried sentence. It was only natural that people should attempt to dull their comprehension of so terrible a circumstance, if not with drink then with a comfortingly warm and woollen vagueness. Only enflamed souls like Snowy Vernall could be reasonably expected to endure the blizzard of existence without shielding wraps and without merely peeping at its brilliance through smoked glass, stood naked in the stark immortal roar of everything. He there and then resolved he should not pass the Vernalls’ rarefied awareness to his daughter in the way that their own dad had handed it to him and Thursa once. The almost-born child had some two decades of happiness and carefree beauty before life would start to load her with its burdens. He would let her have the good years that were due to her without the fore-cast shadow of their ultimate result. Though his condition came with limitations and constraints so that he could not change what was in store for either of them, he at least could give his first-born this, the blessed balm of ignorance.

He now allowed his own unflinching focus to relax, loosening his grip on the lapels of time so that the instant might move on, the horse conclude its piss, the boys c

ontinue with their hopscotch. All the frozen clamour of the instant was now of a sudden thawed so that the vulgar bawl of Lambeth Walk accelerated from its droning torpor much like a wax cylinder recording that has slowed and stopped then been rewound, its din spiralling drunkenly back to its usual tumult and crescendo.

“… sh!” the midwife cried. “Push hard! It’s coming now!”

Louisa’s final wail climbed to a jagged pinnacle then swooned exhausted into its relieved fall. Slippery and silver as a fish, the baby girl was effortlessly poured into the world, the makeshift midwife’s arms, the waiting towels and blankets. A warm murmur of appreciation moved across the bystanders like rippling breeze on a still reservoir, and then his child announced her own arrival with a rising, hiccoughing lament. Louisa wept in sympathy and asked the woman kneeling by her was it all right, was it normal, reassured in soft tones that it was a lovely little girl, that she had all her fingers and her toes. The sun parted its curtain cloud-bank and was on his neck now, some degrees behind him, with a wide stripe of cool shadow thrown down on the slabs of Lambeth Walk below, a flattened triangle with the black cut-out shape of a perspective-stunted Snowy Vernall at its apex. Casually, as if the action were not timed to its last fraction of a second, Snowy reached into both weighted, hanging pockets of his jacket and took out the heavy cut-glass doorknobs, one held by a chill brass stalk in either fist.

He raised his arms on each side, in the way his dad had told him that the angels did when they wished to affirm or else rejoice, a motion like a pigeon lifting up its wings to take off on the downbeat. Sunbeams plummeted from overhead and were cut into ribbons on the edges of the crystal globes. Shavings of varicoloured brilliance, rays sliced thin enough to see their tinsel strata, blue and blood and emerald, fell in paint-box drips on Lambeth Walk, feathers of dye-dipped light that trembled on its curbs and cobbles, brightest in the band of shade now covering his wife and child. Passing the wiped and swaddled newborn to her anxious mother, the still-crouching woman who’d assisted with the birth frowned with bewilderment at one such iridescent jaguar-blotch that was then gliding down over the baby’s wrappings and across the midwife’s dainty fingers. Stained with jewel she tipped her head back, peering to identify the source of the phenomenon and gasping with amazement once she had, whereon Louisa and those gathered round the birth-slabs followed her example, turning up their faces in the peacock rain.

John Vernall, mad John Vernall was a faceless silhouette stood on the roof-ridge with the sun behind his head and white hair like St. Elmo’s Fire or phosphorus, his arms flung up to heaven, a gaunt storm-bird come after the flood with rainbows shredded in its lifted claws, radiant streamers leaking from the cracks between clenched fireball talons. Spectra splashed over the silenced throng in luminous and vivid moth-wings, shed and yet still fluttering on drainpipes, doorsteps, people’s cheeks and drooping chins. The fresh-delivered child stopped crying, squinting mystified up into her first glimpse of being, and his wife, released from her ordeal and giddy with reprieve, began to laugh. Others amongst the gathered crowd joined in, one man even beginning to applaud but trailing off embarrassed and alone into the general hilarity.

At length he let his arms sink to his sides, returning the glass doorknobs to his jacket pockets. From the street below he heard Louisa tell him to stop buggering about, to come and see their daughter. Fishing from behind one jutting ear a stub of yellowed chalk secreted there, he turned his back upon the rooftop’s edge and took three careful steps along its ridge towards the tall brick chimney breast that now loomed up before him. In a generous and looping hand he scribbled “Snowy Vernall springs eternal” on the brickwork, standing back a moment to admire his work. It would not be washed off by the next rain, which would come from the east, but by the shower immediately thereafter.

Snowy sighed, and smiled, and shook his head, and then went down to face the endless music.

THE BREEZE THAT PLUCKS HER APRON

The Fort Street deathmonger was Mrs. Gibbs, and on that first occasion when she called her pinafore was starched and spotless white with butterflies embroidered on its hem. May Warren was then just nineteen years old, scared stiff in her confinement’s final stage, but even through the unexpected pain and scalding tears she was aware that she had never known this woman’s like before.

It was still freezing and the outside lav was blocked with ice, which meant these last two days they’d had to burn their business on the fire. The living room still stank but Mrs. Gibbs made nothing of it, taking off her coat to show the splendid apron underneath, white as a lantern in the downstairs gloom, with summer moths in pink and orange thread ascending her stout thighs and winter paunch.

“Now then, my dear, let’s see what we’re about.” Her voice was like bake pudden, thick and warm, and while May’s mam Louisa made fresh tea the deathmonger produced a tin of snuff, small as a matchbox, with upon its lid the late Queen in enamel miniature. Thumb curled back so a hollow was produced between the bones where they met with her wrist, next Mrs. Gibbs, with great precision, tipped a measure of the pungent russet dust into the shallow cavity thus formed. Hand lifted and head lowered she swept up the heaped gunpowder in two fruity snorts, half in each barrel, which she then discharged explosively into a handkerchief, something of a brown study in itself. Beaming at May she put the tin away and got down to her work between May’s knees.

The young mother-to-be had never seen a woman taking snuff before and was just going to ask about the habit when contractions drove the question from her mind. May growled and moaned and at the kitchen door her mam appeared with tea for Mrs. Gibbs. She eyed her daughter sympathetically yet could not keep herself from pointing out that May’s own birth had been a worse ordeal.

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