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“Perhaps he intended to, but did not have the chance? What an agony of impotence for him. Can you imagine it?” O’Hare turned to the jury and raised his hands, palms upward. “What a rich irony! It was a man hoist with his own petard! And who would so richly deserve it?”
This time Rathbone rose and objected.
“My lord, Mr. O’Hare is assuming something which has yet to be proved. Even with all his well-vaunted gifts of persuasion, he has not so far shown us anything to indicate who put those objects in Percival’s room. He is arguing his conclusion from his premise, and his premise from his conclusion!”
“You will have to do better, Mr. O’Hare,” the judge cautioned.
“Oh, I will, my lord,” O’Hare promised. “You may be assured, I will!”
The second day O’Hare began with the physical evidence so dramatically discovered. He ca
lled Mrs. Boden, who took the stand looking homely and flustered, very much out of her element. She was used to being able to exercise her judgment and her prodigious physical skills. Her art spoke for her. Now she was faced with standing motionless, every exchange to be verbal, and she was ill at ease.
When it was shown her, she looked at the knife with revulsion, but agreed that it was hers, from her kitchen. She recognized various nicks and scratches on the handle, and an irregularity in the blade. She knew the tools of her art. However she became severely rattled when Rathbone pressed her closely about exactly when she had last used it. He took her through the meals of each day, asking her which knives she had used in the preparation, and finally she became so confused he must have realized he was alienating the entire courtroom by pressing her over something for which no one else could see a purpose.
O’Hare rose, smiling and smooth, to call the ladies’ maid Mary to testify that the bloodstained peignoir was indeed Octavia’s. She looked very pale, her usually rich olive complexion without a shred of its blushing cheeks, her voice uncharacteristically subdued. But she swore it was her mistress’s. She had seen her wear it often enough, and ironed its satin and smoothed out its lace.
Rathbone did not bother her. There was nothing to contend.
Next O’Hare called the butler. Phillips looked positively cadaverous as he stepped into the witness box. His balding head shone in the light through his thin hair, his eyebrows appeared more ferocious than ever, but his expression was one of dignified wretchedness, a soldier on parade before an unruly mob and robbed of the weapons to defend himself.
O’Hare was far too practiced to insult him by discourtesy or condescension. After establishing Phillips’ position and his considerable credentials, he asked him about his seniority over the other servants in the house. This also established, for the jury and the crowd, he proceeded to draw him a highly unfavorable picture of Percival as a man, without ever impugning his abilities as a servant. Never once did he force Phillips into appearing malicious or negligent in his own duty. It was a masterly performance. There was almost nothing Rathbone could do except ask Phillips if he had had the slightest idea that this objectionable and arrogant young man had raised his eyes as far as his master’s daughter. To which Phillips replied with a horrified denial. But then no one would have expected him to admit such a thought—not now.
The only other servant O’Hare called was Rose.
She was dressed most becomingly. Black suited her, with her fair complexion and almost luminous blue eyes. The situation impressed her, but she was not overwhelmed, and her voice was steady and strong, crowded with emotion. With very little prompting she told O’Hare, who was oozing solicitude, how Percival had at first been friendly towards her, openly admiring but perfectly proper in his manner. Then gradually he had given her to believe his affections were engaged, and finally had made it quite plain that he desired to marry her.
All this she recounted with a modest manner and gentle tone. Then her chin hardened and she stood very rigid in the box; her voice darkened, thickening with emotion, and she told O’Hare, never looking at the jury or the spectators, how Percival’s attentions had ceased and he had more and more frequently mentioned Miss Octavia, and how she had complimented him, sent for him for the most trivial duties as if she desired his company, how she had dressed more alluringly recently, and often remarked on his own dignity and appearance.
“Was this perhaps to make you jealous, Miss Watkins?” O’Hare asked innocently.
She remembered her decorum, lowered her eyes and answered meekly, the venom disappearing from her and injury returning.
“Jealous, sir? How could I be jealous of a lady like Miss Octavia?” she said demurely. “She was beautiful. She had all the manner and the learning, all the lovely gowns. What was there I could do against that?”
She hesitated a moment, and then went on. “And she would never have married him, that would be stupid even to think of it. If I were going to be jealous it would be of another maid like myself, someone who could have given him real love, and a home, and maybe a family in time.” She looked down at her small, strong hands, and then up again suddenly. “No sir, she flattered him, and his head was turned. I thought that sort of thing only happened to parlormaids and the like, who got used by masters with no morals. I never thought of a footman being so daft. Or a lady—well …” She lowered her eyes.
“Are you saying that that is what you believe happened, Miss Watkins?” O’Hare asked.
Her eyes flew wide open again. “Oh no sir. I don’t suppose for a moment Miss Octavia ever did anything like that! I think Percival was a vain and silly man who imagined it might. And then when he realized what a fool he’d made of himself—well—his conceit couldn’t take it and he lost his temper.”
“Did he have a temper, Miss Watkins?”
“Oh yes sir—I’m afraid so.”
The last witness to be called regarding Percival’s character, and its flaws, was Fenella Sandeman. She swept into the courtroom in a glory of black taffeta and lace, a large bonnet set well back, framing her face with its unnatural pallor, jet-black hair and rosy lips. At the distance from which most of the public saw her she was a startling and most effective sight, exuding glamour and the drama of grief—and extreme femininity sore pressed by dire circumstances.
To Hester, when a man was being tried for his life, it was at once pathetic and grotesque.
O’Hare rose and was almost exaggeratedly polite to her, as though she had been fragile and in need of all his tenderness.
“Mrs. Sandeman, I believe you are a widow, living in the house of your brother, Sir Basil Moidore?”
“I am,” she conceded, hovering for a moment on the edge of an air of suffering bravely, and opting instead for a gallant kind of gaiety, a dazzling smile and a lift of her pointed chin.
“You have been there for”—he hesitated as if recalling with difficulty what to ask—“something like twelve years?”
“I have,” she agreed.
