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“Sir Oliver?” the judge said with a slight frown. “Precisely what is it you are seeking to draw from this witness?”

“The possibility, my lord, that there are grave political issues at stake in the charges and countercharges which are flying,” he answered. “And that it is the fate of a country which has fueled the emotions we see here today, and not simply a long-standing jealousy of two women who dislike each other.”

“That is a question the witness cannot possibly answer, my lord,” Harvester said. “She is not privy to the thoughts and motives of Countess Rostova. Indeed, I don’t think anyone is. With respect, perhaps not even Sir Oliver.”

“My lord,” Rathbone said quietly. “Baroness von Seidlitz is an intelligent woman of political astuteness who spends her time largely in Venice and Felzburg. Her husband has considerable interests in many parts of Germany and is aware of the aspirations of nationalism, the prospects for unification or independence. He is familiar with many of the powerful men of the country. The Baroness’s political opinions are informed and not to be dismissed lightly. I asked her if she believed a political motive possible, not if she knew the Countess Rostova’s mind.”

“You may answer the question, Baroness,” the judge directed. “In your opinion, is a political motive possible in this tragic affair? In other words, are there political issues which may be affected by the Prince’s death or by what happens in this court?”

Evelyn looked most uncomfortable, but without forswearing what she had already said, and appearing a fool, she could not deny it.

“Of course there are political issues,” she admitted. “Friedrich had abdicated, but he was still a prince of the royal house, and there were old loyalties.”

Rathbone dared not press it further.

“Thank you.” He smiled as if her admission meant something, and returned to his seat. He was aware of Harvester’s amusement, and of Zorah’s eyes on him with curiosity. The gallery was fidgeting, wanting more drama, more personal passion.

In the afternoon they were satisfied at last. Harvester called Gisela herself. The room was in such a state of expectancy the holding of breath was audible. No one spoke. No one intentionally moved as she rose, crossed the floor and mounted the steps to the stand. A bench creaked as a single person shifted weight. A corset bone snapped. Someone’s reticule slipped out of her hands and slithered to the floor with a clunk of coins.

One of the jurors sneezed.

Zorah looked at Rathbone, then away again. She did not speak.

Gisela faced them, and for the first time Rathbone was able to look at her without appearing to stare. In the box behind the rail, she looked even smaller, her shoulders more delicate, her head even a trifle large with its broad forehead and strong brows. No one could deny it was a face of remarkable character, and perhaps an illusion of beauty more meaningful than mere coloring or symmetry of features. She faced Harvester directly, unwaveringly, waiting for him to begin once she had sworn in a low, very pleasing voice as to her name. Her accent also was very slight, her use of English easy.

Harvester had obviously made the appropriate inquiries beforehand and knew better than to use her royal form of address. She had never been crown princess; such title as she had was courtesy.

“Madam,” he began, his tone respectful of her widowhood, her legendary love, if not her status. “We have heard testimony in this court that the Countess Zorah Rostova has on several occasions made a most vile and appalling accusation against you, and that she has done it repeatedly, in private and in public places. She herself has never denied it. We have heard from friends of yours that they were aware that very naturally it caused you great grief and distress.”

He glanced briefly towards the gallery. “We have heard Baroness von Seidlitz say that it has provided fuel for enemies you may have in your native country who still bear you envy and ill will because of your marriage to the Prince. Would you please tell the court how your husband died? I do not desire to harrow your emotions by raising what can only be devastating memories for you. The briefest description will serve.”

She gripped the railing with black-gloved hands as if to steady herself and stood silent for several seconds before summoning the strength to reply.

Rathbone groaned inwardly. It was worse than he had anticipated. The woman was perfect. She had dignity. Tragedy was on her side, and she knew not to play it too much. Perhaps it was Harvester’s advice, perhaps her own natural good taste.

“He fell from his horse while out riding,” she said quietly, but her voice was distinct, falling into the silence with all the burden of loss. Every word was perfectly audible throughout the room. “He was very seriously injured. His foot was caught in the stirrup iron, and he was dragged.” She took a deep breath and let it out softly. She lifted her strong, rather square chin. “At first we thought he was getting better. It is very difficult for even the best doctor to tell how serious an internal injury may be. Then suddenly he relapsed … and within hours he was dead.”

She stood absolutely immobile, her face a mask of hopelessness. She did not weep. She looked as if she were already exhausted by grief and had nothing left inside her but endless, gray pain, and ahead only an untold number of years of loneliness which no one could reach.

Harvester allowed the court to sense her tragedy, her utter bereavement, before he continued.

“And the doctor said the cause of death was his internal injuries?” he said very gently.

“Yes.”

“After the funeral you returned to Venice, to the home you had shared with him?”

“Yes.”

“How did you hear of the Countess Rostova’s extraordinary charge?”

S

he lifted her chin a little. Rathbone stared at her. It was a remarkable face; there was a unique serenity in it. She had been devastated by tragedy, and yet the longer he looked, the less did he see vulnerability in the line of her lips or the way she held herself. There was something in her which seemed almost untouchable.

“First, Lady Wellborough wrote and told me,” she answered Harvester. “Then other people also wrote. To begin with I assumed it was merely an aberration, perhaps spoken when … I do not wish to be uncharitable … but I have been left no choice … when she had taken too much wine.”

“What motive can you imagine Countess Rostova having to say such a thing?” Harvester asked with wide eyes.

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