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“For my name,” said Tom. “Mrs. Thorpe calls it a stage name, but I reckon it’ll be more than that for me since I ai…haven’t got any name of my own.”
“Ah. Jesperson?”
“Because I’m just-a-person,” replied Tom with a broad smile.
Arthur laughed. “Mrs. Thorpe would know best about that choice.” Arthur had introduced the two. His unusual friendship with the acclaimed London actress had come through her banker husband.
“She’s been right kind to me,” Tom acknowledged. “Found me a job building scenery pieces. They call ’em flats, did you know? Because they’re flat, I reckon. Can’t be because they’re boring, since they ain’t.” He offered this information with gusto. Tom had a passion for learning, if not for schools.
“And you’re enjoying it as much as you expected?” Arthur asked, though he was fairly sure he knew the answer.
His young companion nodded. “It’s like I said before. I feel at home at the theater.”
It was true that many actors were as rootless as Tom, Arthur thought. They formed a class of their own outside the bounds of conventional society. Tom’s lack of antecedents didn’t brand him there, as it would almost anywhere else. “I’m glad,” he said.
They turned into the street where Tom was living. Arthur and Mrs. Thorpe had helped find him a room that was near the theaters but outside the raucous passageways that tended to surround them. His landlady looked after him like a ferocious mother hen.
“No, you will not look inside it!” declared an accented female voice just ahead. “You will go away and let me be!”
Arthur looked over the head of a passerby in time to see a woman confronting a burly fellow who was reaching for a cloth bag she held, as if to tug it from her grasp. She stepped back, swung the sack in a wide arc, and struck him square on the nose with it. The man roared and raised a fist. Tom surged forward, but Arthur moved more quickly, stepping ahead of the lad to stand behind the woman. Arthur met the attacker’s angry eyes, showing his readiness to intervene by gripping his walking stick.
The fellow glared at him for a long moment. Then, with a growled oath, he whirled and strode away.
The woman turned. But when she saw Arthur and Tom, the satisfaction in her face faded to a frown. “Oh, he went because you were standing there,” she said. She stamped her foot. “I thought I’d bested him.”
“You bloodied Dilch’s nose,” said Tom. He offered her a jaunty bow. “Only thing wrong with that is—it weren’t me as done it.”
“He made me angry,” she replied.
“As he does,” Tom acknowledged. “You got in a good hit. What’s in the bag?”
“Vegetables,” she replied, with an ironic smile and a shrug. The word had three syllables in her smoky voice with its slight foreign lilt.
“You faced off with Dilch over vegetables?” Tom grinned.
“It is the principle of the thing.”
Again the words had more sounds than a native English speaker would have employed. This woman’s speech was like warm honey pouring over one’s ears, Arthur noted.
“We must do something about that man,” she added.
Tom agreed. Arthur said nothing, because in plain fact he couldn’t. Her presence had struck him like a coup de foudre, and his famous aplomb had temporarily deserted him. It wasn’t simply the chiseled beauty of her face or the grace of her figure, clad in a gown with a unique air of fashion. He was ravished by the crackle of vitality in her eyes, so dark as to seem black; the glint of auburn in her raven hair; the aristocratic arch of her nose; the unconscious nobility in her stance. What was this magnificent woman doing in a seedy street, fighting off ruffians with a bag of vegetables?
“My lord, this is Señora Teresa Alvarez de Granada,” said Tom. He pronounced the name as if he’d carefully learned the Castilian lisp. “She’s a neighbor of mine. Señora, this is the Earl of Macklin.”
“Earl?De verdad?”
Tom nodded. “I’ve been learning some Spanish from the señora,” he informed Arthur.
“And what is an English milord doing here?” She looked around the street and back at Arthur as if she couldn’t quite believe the juxtaposition. Then she looked from him to Tom, frowning.
“Señora,” said Arthur with a bow. She received it with a distant nod and a twitch of her shoulder that was nearly a shrug.
He couldn’t remember an occasion when he’d been received with such rudeness.
“She paints the flats I put together,” Tom added.
“For the theater?” Arthur was puzzled. She didn’t look like someone who would perform such tasks. “How did that come about?” he asked.
