Page 19 of The Pelican Brief

He turned off the screens and locked the door behind him. They would talk another ten minutes about the background checks on the short list, and he would listen in his office where he had audio but no video. He had a staff meeting at nine. A firing at ten. And he had some typing to do. With most memos, he simply dictated into the machine and handed the tape to a secretary. But occasionally, Coal found it necessary to resort to the phantom memo. These were always widely circulated in the West Wing, and always controversial as hell, and usually dripped to the press. Because they came from no one, they could be found lying on almost every desk. Coal would scream and accuse. He had fired people for phantom memos, all of which came from his typewriter.

It was four single-spaced paragraphs on one page, and it summarized what he knew about Khamel and his recent flight out of Washington. And there were vague links to the Libyans and Palestinians. Coal admired it. How long before it would be in the Post or the Times? He made little bets with himself about which paper would get it first.

The Director was at the White House, and from there would fly to New York and return tomorrow. Gavin camped outside the office of K. O. Lewis until there was a small opening. He was in.

Lewis was irritated, but always the gentleman. "You look scared."

"I've just lost my best friend."

Lewis waited for more.

"His name was Thomas Callahan. He's the guy from Tulane who brought me the pelican brief, and it got passed around, then sent to the White House and who knows where else, and now he's dead. Blown to bits by a car bomb last night in New Orleans. Murdered, K.O."

"I'm sorry."

"It's not a matter of being sorry. Evidently the bomb was intended for Callahan and the student who wrote it, a girl by the name of Darby Shaw."

"I saw her name on the brief."

"That's right. They've been dating, and were supposed to be in the car together when it exploded. But she survived, and I get this call this morning at five, and it's her. Scared to death."

Lewis listened, but was already dismissing it. "You're not certain it was a bomb."

"She said it was a bomb, okay? It went BOOM! and blew the hell out of everything, okay? I'm certain he's dead."

"And you think there's a connection between his death and the brief?"

Gavin was a lawyer, untrained in the art of investigation, and he did not wish to appear gullible. "There could be. I think so, yes. Don't you?"

"Doesn't matter, Gavin. I just got off the phone with the Director. Pelican's off our list. I'm not sure it was ever on, but we're spending no more time on it."

"But my friend's been killed with a car bomb."

"I'm sorry. I'm sure the authorities down there are investigating."

"Listen to me, K.O. I'm asking for a favor."

"Listen to me, Gavin. I don't have any favors. We're chasing enough rabbits right now, and if the Director says stop, then we stop. You're free to talk to him. I wouldn't advise it."

"Maybe I'm not handling this right. I thought you would listen to me, and at least act interested."

Lewis was walking around the desk. "Gavin, you look bad. Take the day off."

"No. I'll go to my office, wait an hour, and come back in here and do this again. Can we try it again in an hour?"

"No. Voyles was explicit."

"So was the girl, K.O. He was murdered, and now she's hiding somewhere in New Orleans afraid of her shadow, calling us for help, and we're too busy."

"I'm sorry."

"No, you're not. It's my fault. I should've thrown the damned thing in the garbage."

"It served a valuable purpose, Gavin." Lewis placed his hand on his shoulder as if his time was up and he was tired of this drivel. Gavin jerked away and headed for the door.

"Yeah, it gave you guys something to play with. I should've burned it."

"It's too good to burn, Gavin."

"I'm not giving up. I'll be back in an hour, and we'll do this again. This didn't go right." Verheek slammed the door behind him.

She entered Rubinstein Brothers from Canal Street, and got lost between the racks of men's shirts. No one followed her in. She quickly picked out a navy parka, men's small, a genderless pair of aviator sunglasses, and a British driving cap that was also a men's small but fit. She paid for it with plastic. As the clerk ran the card through, she picked the tags off, and put the parka on. It was baggy, like something she would wear to class. She stuffed her hair under the hooded collar. The clerk watched discreetly. She exited on Magazine Street, and got lost in the crowd.

Back on Canal. A busload of tourists swarmed into the Sheraton, and she joined them. She went to the wall of phones, found the number, and called Mrs. Chen, her neighbor in the duplex next door. Had she seen or heard anyone? Very early, there was a knock on the door. It was still dark, and woke them. She didn't see anyone, just heard the knock. Her car was still on the street. Everything okay? Yes, all's fine. Thanks.

She watched the tourists and punched the inside number for Gavin Verheek. Inside meant a minor hassle only, and after three minutes of refusing to give her name and repeating his, she had him.

"Where are you?" he asked.

"Let me explain something. For the moment, I will not tell you or anyone else where I am. So don't ask."

"All right. I guess you're making the rules."

"Thank you. What did Mr. Voyles say?"

"Mr. Voyles was at the White House and unavailable. I'll try to talk to him later today."

"That's pretty weak, Gavin. You've been at the office for almost four hours, and you have nothing. I expected more."

"Be patient, Darby."

"Patience will get me killed. They're after me, aren't they, Gavin?"

"I don't know."

"What would you do if you knew you were supposed to be dead, and the people trying to kill you have had assassinated two Supreme Court Justices, and knocked off a simple law professor, and they have billions of dollars which they obviously don't mind using to kill with? What would you do, Gavin?"

"Go to the FBI."

"Thomas went to the FBI, and he's dead."

"Thanks, Darby. That's not fair."

"I'm not worried about fairness or feelings. I'm more concerned with staying alive until noon."

"Don't go to your apartment."

"I'm not stupid. They've already been there. And I'm sure they're watching his apartment."

"Where's his family?"

"His parents live in Naples, Florida. I guess the university will contact them. I don't know. He has a brother in Mobile, and I thought of calling him and trying to explain all this."

She saw a face. He walked among the tourists at the registration desk. He held a folded newspaper and tried to appear at home, just another guest, but his walk was a bit hesitant and his eyes were searching. The face was long and thin with round glasses and a shiny forehead.

"Gavin, listen to me. Write this down. I see a man I've seen before, not long ago. An hour maybe. Six feet two or three, thin, thirty years old, glasses, receding hair, dark in color. He's gone. He's gone."

"Who the hell is it?"

"We haven't met, dammit!"

"Did he see you? Where the hell are you?"

"In a hotel lobby. I don't know if he saw me. I'm gone."

"Darby! Listen to me. Whatever you do, keep in touch with me, okay?"

"I'll try."

The rest room was around the corner. She went to the last stall, locked the door behind her, and stayed there for an hour.

The photographer's name was Croft, and he'd worked for the Post for seven years until his third drug conviction sent him away for nine months. Upon parole, he declared himself to be a free-lance artist, and advertised as such in the yellow pages. The phone seldom rang. He did a little of this work - this slithering around shooting people who did not know they were targets. Many of his clients were divorce lawyers who needed dirt for trial. After two years of free-lancing, he had picked up a few tricks and now considered himself a halfass private investigator. He charged forty bucks an hour when he could get it.

Another client was Gray Grantham, an old friend from his newspaper days who called when he needed dirt. Grantham was a serious, ethical reporter with just a touch of sleaze, and when he needed a dirty trick, he called. He liked Grantham because he was honest about his sleaziness. The rest were so pious.

He was in Grantham's Volvo because it had a phone. It was noon, and he was smoking his lunch, wondering if the smell would linger with all the windows down. He did his best work half-stoned. When you stare at motels for a living, you need to be stoned.

There was a nice breeze coming in from the passenger's side, blowing the smell onto Pennsylvania. He was parked illegally, smoking dope, and not really concerned. He had less than an ounce on him, and his probation officer smoked it too, so what the hell.

The phone booth was a block and a half ahead, on the sidewalk but away from the street. With his telephoto lens, he could almost read the phone book hanging from the rack. Piece of cake. A large woman was inside, filling the booth and talking with her hands. Croft took a drag and watched the mirror for cops. This was a tow-away zone. Traffic was heavy on Pennsylvania.

At twenty after twelve, the woman fought her way out of the booth, and from nowhere a young man with a nice suit appeared and closed the door. Croft got his Nikon and rested the lens on the steering wheel. It was cool and sunny, and the sidewalk bustled with lunch traffic. The shoulders and heads moved quickly by. A gap. Click. A gap. Click. The subject was punching numbers and glancing around. This was their man.

He talked for thirty seconds, and the car phone rang three times and stopped. It was the signal from Grantham at the Post. This was their man, and he was talking. Croft fired away. Get all you can get, Grantham had said. A gap. Click. Click. Heads and shoulders. A gap. Click. Click. His eyes darted around as he talked, but he kept his back to the street. Full face. Click. Croft burned a roll of thirty-six in two minutes, then grabbed another Nikon. He screwed on the lens, and waited for a mob to pass.

He took the last drag and thumped it into the street. This was so easy. Oh sure, it took talent to capture the image in a studio, but this street work was much more fun. There was something felonious about stealing a face with a hidden camera.

The subject was a man of few words. He hung up, looked around, opened the door, looked around, and started toward Croft. Click, click, click. Full face, full figure, walking faster, getting closer, beautiful, beautiful. Croft worked feverishly, then at the last moment laid the Nikon in the seat and looked at Pennsylvania as their man walked by and disappeared in a group of secretaries.

What a fool. When you're on the run, never use the same pay phone twice.

Garcia was shadow boxing. He had a wife and child, he said, and he was scared. There was a career ahead with plenty of money, and if he paid his dues and kept his mouth shut he would be a wealthy man. But he wanted to talk. He rambled on about how he wanted to talk, had something to say and all, but just couldn't make the decision. He didn't trust anyone.

Grantham didn't push. He let him ramble long enough for Croft to do his number. Garcia would eventually spill his guts. He wanted to so badly. He had called three times now, and was growing comfortable with his new friend Grantham, who'd played this game many times and knew how it worked. The first step was to relax and build trust, to treat them with warmth and respect, to talk about right and wrong and moralities. Then they would talk.

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