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"Ha, caught the teacher daydreaming." The older woman chortled, a flirtatious smile curving her lips. Abigail lifted her eyes, catching his gaze on her. A faint pink stained her cheeks as if she could read his thoughts before she lowered her head and resumed drawing.
"Daydreaming's good for an artist. I often think a good deal about what I want before I go after it."
Peggy raised her painted-on eyebrows. "Indeed."
Leif caught himself. "I meant in art, sly lady."
Peggy liked that, giggling like a geisha, her hand pressed to her mouth.
“In fact, that's a good point," he said to the class, noting the college girls slipping their phones into their pockets. "Envisioning your subject is very important, which is why I asked you to sketch from memory a particular fruit that spoke to you."
"Fruits can't speak," Abigail said, humor lacing her tone.
"You must never have tripped on LSD,” he joked. Everyone laughed. Except Abigail.
"I'm joking," he said. "Whimsical wording amuses me. I'm aware fruit doesn't talk, Mrs. Orgeron."
She shrugged. ''Never know with you guys from California."
''Ah, she has a sense of humor,” he said with a smile, enjoying the good-natured volley of words. “And it's Colorado, actually."
"Where weed is legal, of course," one of the college girls joked.
''Actually, when it comes to art, I don't recommend using drugs or alcohol as a creative aid. My purest ideas come at times when I am open to the universe, not under the influence of any chemicals. I urge you to think about your subjects, delve into why you are attached to that particular image. When you approach your work, a measure of passion is important. You need to feel something for that piece, for art is the transfer of emotion. The best works of art convey the intent of the creator."
Several people nodded, washing away the fear that he would be stuck with a classroom of students who didn't understand the significance of emotion in art. "When you complete your drawing, place it on my desk. I want to study each one to help me determine your current level of skill. There are no bad drawings, only opportunities for improvement, so please don't be embarrassed if your banana resembles a-"
Peggy opened her mouth.
"Don't say it," he teased.
The rest of the class chuckled good-naturedly. Except for Abigail. She bobbed her head toward Birdie and he got the drift. No quasi sexual jokes. Or jokes about LSD for that matter. He had to remember he had a child in his class.
Even if Birdie had likely heard much worse in the halls at school. St George's might be a religious school, but its students were worldly thanks to Snap chat and TikTok. Not that that justified making off-color jokes.
He gave Abigail a look that said he understood her unstated concerns. She inclined her head as athank-you.
"Once you've turned in your drawing you may leave. Your homework is to look for opportunity. Where are the subjects you wish to sketch? Why do you feel compelled to draw them? Tie your emotion to the object and examine it."
Five minutes later, only Birdie and Abigail remained in the classroom. Birdie hunkered over her drawing, eraser crumbs scattering the tabletop, her tongue trapped between her teeth. Abigail stood beside her, shifting in an impatient manner.
"She's almost done," Abigail said as he moved closer.
"Let her finish. No big deal." He pushed a chair into place and met Abigail's gaze. "Someone told me you're taking Shannon's place on the Laurel Woods Art Festival committee. Guess having a baby trumps art, huh?"
"Motherhood isn't something you do part-time."
"No, I guess not."
"You're on the committee?"
He knew she knew that he was. What was her game? Did she not want to appear interested in him? And if so, what did that mean? "Yeah, I'm in charge of procuring judges and cataloging the entered art work."
Abigail sighed. "It's hard to say no to Hilda. She's more like Attila. That's what Jake calls her-uh, Jake's my younger brother."
"We've met. And, yeah, Hilda as Attila the Hun is a pretty good comparison. My arm still hurts," he said, rubbing his biceps.
"Your arm?"
