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I stood there for a moment in the summer heat. If my heart and mind were open to it. What the hell did that mean? Well, as the cliche goes, only one way to find out. I opened the screen door and walked inside. Lesson number one was waiting for me.

37

Marianne led me to the room where she'd settled Nathaniel. It was a large bedroom downstairs. Hours earlier, the room would have been filled with morning light, but now, at nearly three o'clock in the afternoon, the room was dim, almost dark. The window was open, and a breeze had finally found us, spilling the white lacy curtains into the room. A small oscillating fan sat on a kitchen chair so the fan could cool the bed. The wallpaper was off-white with a fine line of pink flowers. There was a large brown water stain in the corner of the ceiling like a giant Rorschach ink blot.

The bed was a brass four-poster that had been painted white. The bedspread was quilted and looked homemade with a lot of purple- and pink-flowered fabric. Marianne had folded the bedspread and placed it on top of a large cedar chest that was under the window. "Too hot for quilts," she'd said.

Nathaniel lay na**d on the pink sheets. Marianne tucked the sheets to the tops of his thighs, patting his shoulder in a motherly sort of way. I would have protested his state of undress, but I could see the wounds clearly for the first time.

Something with claws had swiped him wide and deep, starting about the middle of his back and slashing downward across the right side of his bu**ocks. The wound was deep and ragged on his back, growing more shallow as it worked down his body. It must have hurt to have clothes over it, hurt a lot.

I was surprised that Nathaniel hadn't flashed me his wounds earlier. He usually went to great lengths to show me his body. What had changed?

Marianne pointed to the phone beside the bed. "In case your police friend calls you. I've got a cordless phone for normal calls, but I use the bedside phone for pack business."

"So no one can accidentally monitor the cordless phone," I said.

Marianne nodded. She walked to the vanity, which had a heavy oval mirror and marble knobs on the drawers. "When I was a little girl and I was hurt or lonely, especially when it was so hot, my mother would unbraid my hair and brush it. She'd brush it until it lay like silk down my back." She turned with a brush in her hands. "Even now, when I am low, one of my greatest pleasures is for some friend to brush my hair."

I looked at her. "Are you suggesting I brush your hair?"

She smiled, and it was bright and charming, and I didn't trust it. "No, I am suggesting you brush Nathaniel's hair."

I kept staring at her. "Come again?"

She walked towards me, offering me the brush, that too-cheery smile on her face. "Part of what makes you vulnerable to Raina is your own squeamishness."

"I'm not squeamish."

"Prudishness, then," she said.

I frowned at her. "What's that supposed to mean?"

"It means that every time one of the lycanthropes disrobes, you get embarrassed. Every time one of them touches you, you take it sexually. That isn't always what they mean. A healthy pack or pard is built up of a thousand gentle touches. A million small comforts. It's like building a relationship with a boyfriend. Every touch builds and strengthens it."

My frown deepened. "I thought you said it wasn't sexual."

It was her turn to frown. "A different metaphor then. It is like building your relationship with a newborn baby. Every touch, every time you feed him when he's hungry, change him when he's wet, comfort him when he's frightened -- the everyday intimacies forge a bond between you. True parenthood is built over years of interdependency. The bond between the pack is built much the same way."

I glanced back at the bed. Nathaniel was still lying there na**d except for the sheets on his legs. I turned back to Marianne. "If he was a newborn baby, I'd be fine with him being naked. I might be afraid I'd drop him, but I wouldn't be embarrassed."

"And that is precisely my point," she said. She held the brush out to me. "If you could control the munin, you could heal his wounds. You could take his pain."

"You're not suggesting that I purposely try to call Raina?"

"No, Anita. This is the first lesson, not the graduation exercise. Today, I simply want you to begin to try and be more comfortable around their nudity. I believe that if you can desensitize yourself to the more casual sexual situations, that Raina will have less hold on you. You draw away from situations like this, and that leaves a void, a place where you will not go willingly. So Raina spills into that void and forces you to go much farther than you would have gone on your own."

"And what good will brushing Nathaniel's hair do?"

She held the brush inches from me, arms folded. "It is a small thing, Anita. A thing to give him comfort while we wait for Dr. Patrick to come. Patrick will give him a local for the pain, but sometime before he is finished stitching him up, the painkiller will wear off. Their metabolism is too fast for a local, and giving more than that can be tricky. It can be deadly in one with such a low aura of power as Nathaniel."

I stared up at her, meeting those calm, serious grey eyes. "You're saying that he'll be stitched up without a painkiller."

She just looked at me.

"And that's my fault because I could heal him if I could control the munin."

Marianne shook her head. "It is not your fault, Anita, not yet. But the munin is a tool like your guns or your necromancy. Once you learn how to control it, it can do wonderful things. You must look at the ability to call the munin not as a curse but as a gift."

I shook my head. "I think you've exceeded the lesson for the day, Marianne."

She smiled. "Perhaps. But take the brush, do this one small thing. Not for me. Not for Nathaniel, but for yourself. Take back that piece of you that looks away from his body. Give Raina less ground in your heart."

"And if I can't help being embarrassed or thinking sexual thoughts and Raina comes up and tries to eat me, what then?"

Marianne's smile widened. "Then I will help you, child. We will all help you. That is what a pack is for."

"Nathaniel isn't lukoi any more than I am," I said.

"Lukoi or pard, it makes no difference to you, Anita. You are queen of both castles. Growing comfortable with one will help with the other."

She actually took my hand and pried it out from under my elbow. She put the hairbrush in my hand and closed my fingers over it. "Be with him, child. Wait for your phone call. Answer only the bedside phone. Only pack will call that number. You can't possibly answer my other phone because you are in another state. Do not answer the door, either."

"You sound like you're going somewhere," I said.

"You must learn to be comfortable around your people, Anita. That means without me looking over your shoulder."

She pulled me towards the bed by the arm. She tried to make me sit on the bed, but I just didn't bend with it. Short of pushing me onto the bed, she had to leave me standing.

She tsked at me. "Stand here and do nothing. It is your choice, child, but at least stand here." She left.

I was left standing in the middle of the room where I'd followed her, like a child not wanting to be left alone on the first day of school. The brush was still in my hand. The brush looked as antique as the rest of the room. It was wooden but painted white with a shine of varnish. The varnish had a webbing of cracks but held. I ran the pale bristles over the back of my other hand. They were as soft as they looked, silken like a baby's brush. I had no idea what the bristles were made out of.

I glanced back at Nathaniel. He was watching me out of those eyes of his. His face was neutral as if it didn't matter, but his eyes weren't neutral. They were tight, waiting for the rejection, waiting for me to leave him alone in the strange room, na**d and waiting for a doctor to come and stitch him up. He was nineteen, and lying there with that raw look in his eyes, he looked it. Hell, he looked younger. The body was great. When you're a stripper, you've got to take care of yourself. But the face ... the face was young and in the same gaze old. Nathaniel still had the most jaded eyes of anyone I'd ever met under the age of twenty. No, not jaded, lost.

I walked around to the far side of the bed. I laid the hairbrush on the pillow on the empty side of the bed.

Nathaniel moved just his head, turning to look at me. No, to watch me. He watched me like every movement was important. It was a level of scrutiny that made me want to squirm or blush or run. It wasn't exactly sexual, but it wasn't exactly not sexual, either.

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