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The late Keatons were big on classical music. They’d been begging for me to learn up until the day they died.
Bryan and Galia held their breaths, staring at what I had no choice but to look at myself. My fiancée—so painfully beautiful in her black velvet dress, her hair secured in a French twist, as she gazed adoringly at an antique piano, caressing it with her fingers while wearing an enchanted smile on her face.
She was, to my utter displeasure, much more than an ivory pawn, expensive and striking, but useless and still.
She was a living thing with a pulse you could feel from across the room, and for the first time since I took her from her father, I truly wished I hadn’t. Not only because of the picture, but because she was not going to be easy to tame.
And difficult, I’d decided from a very young age, was a flavor I found distasteful.
She began to play Chopin. Her fingers moved with grace, but it was the look on her face that betrayed her. The intense pleasure music brought to her both mesmerized and enraged me.
She looked like she was coming, her head thrown back, her eyes closed, her lips humming silently to the music. She was chasing the notes with her lips.
I shifted on the couch, looking to my left at the Hatch’s as the room grew smaller and hotter with the dramatic music bouncing on the walls.
Galia was smiling and nodding, unaware of the fact that her husband was sporting a hard-on the size of her arm.
Up until now, I had no issue with Bryan Hatch. In fact, I quite liked him, despite his incompetence to take care of a goldfish, let alone occupy a seat in the Cabinet.
This, however, changed my view of him.
My things were mine.
Not to be admired.
Not to be desired.
Not to be touched.
Suddenly, the need to ruin the moment for my young bride-to-be was overwhelming, almost violent.
My provocative fiancée, who had the guts to fuck another man on the night I’d presented her to my colleagues and peers after having put an engagement ring on her finger that cost more than some people’s houses, would most definitely pay.
Dispassionately, and oh-so-smugly, I raised my tumbler of whiskey to my lips, standing up and sauntering to Francesca.
Since I was positioned behind her back, she wouldn’t see me even if she opened her eyes.
But she didn’t, caught in a trance of art and desire. She was dripping lust on the floor for our guests to see, and they gulped every drop of it—so much so that I had to make a point, both to them and to her.
With every step I took, the tune under her fingers became louder and more dramatic. The piece reached its peak just as I planted the first, soft kiss on her shoulder blade from behind, causing her eyes to snap open and her body to jerk with surprise.
She kept her fingers on the piano, still playing, but the rest of her body shuddered as my lips dragged along her soft, warm neck, sinking to the spot behind her ear for another seductive kiss.
“Play away, Nemesis. You’re giving us quite a show, coming all over my antique piano. Are you ready to try to measure up to Emily?”
I could feel her skin blossoming with heat, quivering with passion as my lips moved again, over her shoulder, biting into her inviting flesh, dipping my teeth to her soft skin in front of our guests and exhibiting terrible lack of self-control that made me want to punch myself in the face.
Francesca messed up her notes, her fingers fumbling on the keys without direction. I took pleasure in the fact I threw her off balance.
I started to pull away and straighten. Withdrawing from the sweet mist of her body, I assumed she’d stop playing, but she repositioned her fingers on the piano, took a deep, calming breath, and started playing “Take Me to Church” by Hozier.
I knew instantly that this was an invite for more kissing.
I looked down.
She looked up.
Our eyes met.
