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“I’m thinking of you and your brother. I’m going to tell Walker to find Gio, at my expense.”

I swallow hard against the rise of emotion in my chest. “You can’t pay my way in the world.”

He glances skyward and then his eyes meet mine, turbulence in their depths. “I had a sister, Aria. I wanted to tell you earlier, but it felt too heavy. It felt like the wrong time.”

“You—you had a sister? You said you were the only one who could inherit your father’s money so his threats didn’t matter.”

“He gave Michelle less respect than he did me. She struggled with my father’s demands, with him running her life. She came on tour with me for a year and left me to go home, with a goal: being her own self. She wanted to be a tattoo artist. Dad blamed me and called her a loser. She killed herself, Aria. She was only twenty-one.”

“Oh my God. Kace, I’m—”

“Don’t say you’re sorry. You know that doesn’t help. What helps is me giving to a charity that does. That’s why I do this. That’s why suicide prevention is a mission for me. And that’s why I know you have to fight for your sibling.” He molds me close. “I’m going to help you. I want to help you.”

Fighting emotion, feeling his passion, his pain, my fingers curl on his jaw. “Thank you. I’m worried. I’m really worried, Kace.”

“I know you are, baby. We’ll find him. I’ll have Savage meet us in the morning before we leave.” He kisses my hand. “And as for the mob out front. It usually only happens when I’m touring with announced concerts. I’m not wrapped up in my hype. Don’t you be wrapped up in my hype. I’m just a man. A man who’s damn glad you’re here. Let’s go make some money for charity.” His arm wraps around me and together, we walk into a ballroom, and I have a new understanding of Kace. I am fighting for my brother, but he lives every day fighting a battle that started with his father and never seems to end for him.

CHAPTER THIRTY-EIGHT

We meet many of the charity handlers, as well as Chris and Sara, at the entry to the ballroom hosting the pre-event. Chris and Kace, I decide, really are a perfect pairing, as Chris, too, is a rebel in denim. He’s in jeans, boots, and a blue T-shirt with Live, Don’t Die etched on the front, his brightly colored dragon tattoo on full display. Sara is lovely as always, her long brown hair pinned up tonight, her gown emerald green silk.

Sara and Chris greet me with genuine welcome and as I listen in on talks with the handlers, I quickly learn that the crowd is much larger than the one at the Riptide VIP event, with at least a hundred extra guests. There will be an auction it seems, as well, but each person in attendance has paid a gasp-worthy sum to attend tonight’s performance. All of the proceeds go to the charity. Chris and Kace are taking nothing.

About twenty minutes into the four of us mingling, Kace and Chris take their places at tables near the front of the room to sign autographs, and do so with me and Sara happily in tow. The eagerness to meet them, to chat with them one-on-one for just a moment, creates quite the lines.

When finally showtime arrives, Kace is not shy about kissing me, as Chris does Sara, before the two of them disappear behind the stage. Sara and I are quick to claim our VIP seats side-by-side, up front again. Kace’s entire crew is here, including, unfortunately, Kiki and her ten miles of cleavage in a white silk gown. She waves at me and I give her a nod. Jon Snow took a knee. I will not take a knee for this woman and the wave feels like a knee. Sara nudges me and gives a low laugh. “You really don’t like her.”

“Would you if she were working for Chris?”

“Probably not, but Kace has eyes for no one but you. That’s obvious. And if I might, speaking from experience, with men like Chris and Kace, you will never erase those who admire and define them. It’s part of who they are. It’s how they handle that admiration that defines their character. From what I’ve seen, Kace gets a thumbs-up.”

“He does,” I agree readily, thinking about pretty much everything he’s ever done for me. Thinking about his offer to help find Gio. “And I know he has fans,” I add. “Kiki just rubs me wrong.”

“Well, just remember, she can’t do anything he doesn’t allow her to do. It’s about Kace, not her.”

It’s sound advice, given just as the lights go down and the show starts, and all thoughts of Kiki are gone. To the crowd’s delight, Kace plays songs from horror movies, and Chris paints the characters. Everyone is in the spooky October season, as the crowd starts singing “One, Two, Freddy’s Coming For You,” as Chris paints Freddy Krueger.

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