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At First Dance

Page 104

by Renee Harless

Just the same old wallpaper—an aerial shot of the ranch fields—and the last text to Ivy, still unopened.

That little gray bubble mocks me.

I don’t know what I expect. She said she’d be busy. Said she’d come back. But the longer the silence stretches, the more my chest hollows out.

I tap open the camera and snap a quick shot—nothing posed, just my chest dusted in sawdust, arms crossed, the line of the stage's skeletal frame blurred behind me.

Me:

Hard work looks good on me, huh?

I stare at it for too long before I hit send.

Then I type another.

Me:

Was thinking about your camp idea today. That napkin sketch keeps rattling around in my head.

Still no response.

I let the phone fall beside me on the truck bed, the metal cold under my thighs. The wind shifts, and I catch the scent of lilac and old wood—faint, but unmistakable. It smells like the cottage. Like her skin when she stood close enough for me to breathe her in.

I lean forward and rest my elbows on my knees, fingers laced together. My head hangs heavy between my shoulders.

I miss her.

Not just the way she filled a room or lit up when she talked about music. Not just the way she curled into my side like she’d always belonged there. I miss her smart-ass remarks. Her stupid socks. The way she looked at my horses like they were mythical creatures.

I miss not being alone in this place.

Eventually, I pick up the phone again and open our thread.

One last message.

Me:

I miss you, Ivy. More than I know how to handle.

I hit send.

Then I toss the phone into the truck cab and slam the door shut before I can regret it.

The moon is rising over the pasture when I finally drive away, gravel crunching under the tires. The unfinished stage fades in the rearview, but the ache in my chest doesn’t go anywhere.

She hasn’t replied, and I don’t know if or when she will. But I do know one thing. If she does come back… that stage will be ready.

The night passes with no sleep, but with determination, I drive the nail deeper, the rough plank shifting slightly beneath my palm. It's coming together now—a little slower than I planned, but the bones are there. The frame of the old stage creaks, stubborn and sun-bleached, but it still holds the promise of something more.

Of her.

I don't look at my phone. Not anymore. It's in the toolbox, screen face down, silent since the last message I sent last night. Just a simple one.

Me:

Miss making your coffee.

And before that? An image of my chest after a long ride, sweat gleaming, saddle strap still hanging low. I don’t know what I was hoping for—maybe a little reaction, a smart comment, a “Nice try, cowboy.” But there’s been nothing.