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It hurt when he did that. Everything that came after just made it hurt worse.
I think, inanely, of the present I gave him. The glittery bow. Two hundred dollars in an envelope.
What did he think I was paying him for?
The ugliness—it’s not just in me. It’s in him, too, and he doesn’t want me to know about it, but that doesn’t make it any less there.
I’m falling in love with a boy who sells drugs, who punches when he’s angry, who knows my body better than I do.
I’m already in love with him. With West, who likes to set the rules, and who doesn’t want me to hand him money in an envelope after I’ve taken his dick in my hand and made him come.
Author: Robin York
I don’t know who he is, what his past looks like. I can’t know, because he won’t tell me. But his present is ugly enough to make me starkly, painfully aware of my own naïveté.
I’m shaking, clutching cold porcelain, crying.
West crouches down beside me. “Let me look at your head. ”
I let him. Even though I’m sick, sobbing more for him than for me. Even though I hate myself.
I curl up in West’s lap on his bathroom floor and let him look at my head, test me for a concussion, wrap his arms around me, and lean against the wall, holding me. Holding me.
Something is wrong with both of us, but I don’t ever want him to let go.
WINTER BREAK
West
My mom has a thing for The Wizard of Oz. When I was a kid, she found these blue-and-white-checked curtains at Fred Meyer and hung them up in the trailer, where they made everything look shabby. It was only a few months after Dad’s most recent vanishing act, and she was still wearing these cheap sparkly red shoes he’d given her. You know the kind of shoes with a wide toe strap and a stacked heel like a wedge of cheese?
She loved them. Wore them everywhere, even though she was constantly turning her ankles. One night she put them on to go out drinking with Dad, and she came back three days later wearing new clothes, with a tattoo of Toto on her ankle and a shot glass that said Reno. She gave it to me as a souvenir.
After Dad left and Mom lost her job because he took the car and she couldn’t find a reliable ride to town, she had this running joke where she’d click the heels of those shoes together and say, “There’s no place like home, there’s no place like home. ”
Then she’d look around the trailer and frown like she was disappointed.
“Still a dump,” she’d say.
But she would lean into me if I was nearby, her shoulder against mine, our hair touching. “At least we’ve got each other, Westie. ”
All her jokes were like that—the humor at our expense, the silver lining in the fact that we were a team. A family.
There’s no place like home.
But you can’t go home again—I learned that from being at Putnam. Home changes while you’re away, and you change, too, without noticing. You get in your car, watch the shapes of your mom and your kid sister get smaller in the rearview, and you think it’ll all still be there the next time, as though you went out for groceries or worked two eighteens at the golf course, back to back, then pulled right into your spot in Bo’s driveway like you’d never left.
It doesn’t work that way. You come home on a plane. You land in Portland, hitchhike to Coos Bay, walk to the school to surprise your sister when she gets out for the day—and then when the group of kids with her in it goes by, you don’t even recognize her.
You’ve never seen her clothes before. Her ears are pierced. Her face is different.
And the worst part is, she doesn’t recognize you, either. She walks right past. You have to catch her sleeve, say her name.
I’ve never felt more like two different people than I did that Christmas.
One of me lived in Oregon, with Frankie, Mom, and Bo. Uprooted, worried, frustrated, cautious—but there, where I belonged.
The rest of me was with Caroline.
