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Gus made her a cocktail without being asked. Woody hid his impatience while she took her time drinking it. Grandmama could never be hurried. She assumed no social event would begin before she arrived: she was the grand old lady of Buffalo society, widow of a senator and mother of another, matriarch of one of the city's oldest and most distinguished families.
Woody asked himself when he had fallen for Joanne. He had known her most of his life, but he had always regarded girls as uninteresting spectators to the exciting adventures of boys--until two or three years ago, when girls had suddenly become even more fascinating than cars and speedboats. Even then he had been more interested in girls his own age or a little younger. Joanne for her part had always treated him as a kid--a bright kid, worth talking to now and again, but certainly not a possible boyfriend. But this summer, for no reason he could put a finger on, he had suddenly begun to see her as the most alluring girl in the world. Sadly, her feelings for him had not undergone a similar transformation.
Not yet.
Grandmama addressed a question to his brother. "How is school, Chuck?"
"Terrible, Grandmama, as you know perfectly well. I'm the family cretin, a throwback to our chimpanzee forbears."
"Cretins don't use phrases such as 'our chimpanzee forbears,' in my experience. Are you quite sure laziness plays no part?"
Rosa butted in. "Chuck's teachers say he works pretty hard at school, Mama."
Gus added: "And he beats me at chess."
"Then I ask what the problem is," Grandmama persisted. "If this goes on he won't get into Harvard."
Chuck said: "I'm a slow reader, that's all."
"Curious," she said. "My father-in-law, your paternal great-grandfather, was the most successful banker of his generation, yet he could barely read or write."
Chuck said: "I didn't know that."
"It's true," she said. "But don't use it as an excuse. Work harder."
Gus looked at his watch. "If you're ready, Mama, we'd better go."
At last they got into the car and drove to the club. Papa had taken a table for the dinner and invited the Renshaws and their offspring, Dot and George. Woody looked around, but to his disappointment, he did not see Joanne. He checked the table plan, on an easel in the lobby, and was dismayed to see that there was no Rouzrokh table. Were they not coming? That would ruin his evening.
The talk over the lobster and steak was of events in Germany. Philip Renshaw thought Hitler was doing a good job. Woody's father said: "According to today's Sentinel, they jailed a Catholic priest for criticizing the Nazis."
"Are you Catholic?" said Mr. Renshaw in surprise.
"No, Episcopalian."
"It's not about religion, Philip," said Rosa crisply. "It's about freedom." Woody's mother had been an anarchist in her youth, and she was still a libertarian at heart.
Some people skipped the dinner and came later for the dancing, and m
ore revelers appeared as the Dewars were served dessert. Woody kept his eyes peeled for Joanne. In the next room a band started to play "The Continental," a hit from last year.
He could not say what it was about Joanne that had so captivated him. Most people would not call her a great beauty, though she was certainly striking. She looked like an Aztec queen, with high cheekbones and the same knife-blade nose as her father, Dave. Her hair was dark and thick and her skin an olive shade, no doubt because of her Persian ancestry. There was a brooding intensity about her that made Woody long to know her better, to make her relax and hear her murmur softly about nothing in particular. He felt that her formidable presence must signify a capacity for deep passion. Then he thought: Now who's pretending to be an expert on women?
"Are you looking out for someone, Woody?" said Grandmama, who did not miss much.
Chuck sniggered knowingly.
"Just wondering who's coming to the dance," Woody replied casually, but he could not help blushing.
He still had not spotted her when his mother stood up and they all left the table. Disconsolate, he wandered into the ballroom to the strains of Benny Goodman's "Moonglow"--and there Joanne was: she must have come in when he was not looking. His spirits lifted.
Tonight she wore a dramatically simple silver-gray silk dress with a deep V-neck that showed off her figure. She had looked sensational in a tennis skirt that revealed her long brown legs, but this was even more arousing. As she glided across the room, graceful and confident, she made Woody's throat go dry.
He moved toward her, but the ballroom had filled up, and suddenly he was irritatingly popular: everyone wanted to talk to him. During his progress through the crowd he was surprised to see dull old Charlie Farquharson dancing with the vivacious Daisy Peshkov. He could not recall seeing Charlie dance with anyone, let alone a tootsie like Daisy. What had she done to bring him out of his shell?
By the time he reached Joanne she was at the end of the room farthest from the band, and to his chagrin she was deep in discussion with a group of boys four or five years older than he. Fortunately he was taller than most of them, so the difference was not too obvious. They were all holding Coke glasses, but Woody could smell Scotch: one of them must have had a bottle in his pocket.
As he joined them, he heard Victor Dixon say: "No one's in favor of lynching, but you have to understand the problems they have in the South."
