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"I wouldn't go out with him, either."
Woody's throat seemed to constrict, and his voice came out hoarse. "Are you turning me down?"
"Yes, very firmly. I don't want to date a boy three years younger."
"Can I ask you again in three years? We'll be the same age then."
She laughed, then said: "Stop being witty, it hurts my head."
Woody decided not to hide his pain. What did he have to lose? Feeling anguished, he said: "So what was that kiss about?"
"It was nothing."
He shook his head miserably. "It was something to me. It was the best kiss I've ever had."
"Oh, God, I knew it was a mistake. Look, it was just a bit of fun. Yes, I enjoyed it--be flattered, you're entitled. You're a cute kid, and smart as a whip, but a kiss is not a declaration of love, Woody, no matter how much you enjoy it."
They were near the front of the march, and Woody saw their destination up ahead: the high wall around the Buffalo Metal Works. The gate was closed
and guarded by a dozen or more factory police, thuggish men in light blue shirts that mimicked police uniforms.
"And I was drunk," Joanne added.
"Yeah, I was drunk, too," Woody said.
It was a pathetic attempt to salvage his dignity, but Joanne had the grace to pretend to believe him. "Then we both did something a little foolish, and we should just forget it," she said.
"Yeah," said Woody, looking away.
They were outside the factory now. Those at the head of the march stopped at the gates, and someone began to make a speech through a bullhorn. Looking more closely, Woody saw that the speaker was a local union organizer, Brian Hall. Woody's father knew and liked the man: at some time in the dim past they had worked together to resolve a strike.
The rear of the procession kept coming forward, and a crush developed across the width of the street. The factory police were keeping the entrance clear, though the gates were shut. Woody now saw that they were armed with police-type nightsticks. One of them was shouting: "Stay away from the gate! This is private property!" Woody lifted his camera and took a picture.
But the people at the front were being pushed forward by those behind. Woody took Joanne's arm and tried to steer her away from the focus of tension. However, it was difficult: the crowd was dense now, and no one wanted to move out of the way. Against his will, Woody found himself edging closer to the factory gate and the guards with nightsticks. "This is not a good situation," he said to Joanne.
But she was flushed with excitement. "Those bastards can't keep us back!" she cried.
A man next to her shouted: "Right! Damn right!"
The crowd was still ten yards or more from the gate, but just the same the guards unnecessarily began to push demonstrators away. Woody took a photograph.
Brian Hall had been yelling into his bullhorn about boss thugs and pointing an accusing finger at the factory police. Now he changed his tune and began to call for calm. "Move away from the gates, please, brothers," he said. "Move back, no rough stuff."
Woody saw a woman pushed by a guard hard enough to make her stumble. She did not fall over, but she cried out, and the man with her said to the guard: "Hey, buddy, take it easy, will you?"
"Are you trying to start something?" the guard said challengingly.
The woman yelled: "Just stop shoving!"
"Move back, move back!" the guard shouted. He raised his nightstick. The woman screamed.
As the nightstick came down, Woody took a picture.
Joanne said: "The son of a bitch hit that woman!" She stepped forward.
But most of the crowd began to move in the opposite direction, away from the factory. As they turned, the guards came after them, shoving, kicking, and lashing out with their truncheons.
Brian Hall said: "There is no need for violence! Factory police, step back! Do not use your clubs!" Then his bullhorn was knocked out of his hands by a guard.
