His lips still don't speak, neither does his face. I’m uncomfortable with the silence. So I say something. “That’s why we can’t do this.”
Cade remains silent.
"You don't know me. I don't know you. We can't just — "
"Can't just what?"
I shake my head. "I'm sorry for the inconvenience. I'll be out of your hair soon."
He moves. He crosses to me and touches my cheek gently. “Stay. I want you to.”
There’s a heavy thump in my heart. I want to, but I’m not prepared to believe that he’s just okay with this. It doesn’t make sense to me.
“I can’t,” I whisper.
“Stay.”
“Cade, I…”
“Stay.”
I open my mouth. What comes out is the closest I'm going to get to a joke. "I'm not the kind of woman who handcuffs men to bed frames, Mr. Nightingale."
He doesn’t laugh, but he knows exactly what I mean. "I know you’re not. I'll sleep on the couch."
"Cade."
"I have slept on worse."
"Cade — "
"Suzanne. Go to bed."
I'm too tired to argue well, so he wins the argument in under two minutes.
He goes to a drawer. He pulls out a T-shirt — soft, old, the cotton thinned at the shoulders. He hands it to me. He shows me to the bathroom. He gives me space.
When I come back into the main room, he is already on the couch. He has a pillow from the bed under his head, one of the spare blankets folded across his hips, shoes off, phone face down on the coffee table.
"Bed, Suzanne."
I go to the bedroom and shut the door. I don't turn on the light.
I get in.
This is the bed where I found him, where his wrist was cuffed to the iron frame and the key was on the nightstand a few inches out of his reach. This bed is where he has slept every night for a month. The pillow smells like him. The whole bed smells like him. It is around me.
I lie on my back and close my eyes.
I can hear him through the wall — a page turning, a glass set down on a coaster, the low sound of him shifting his weight.
I turn onto my side and face the door.
I open my eyes.
There is a thin line of warm light under the door. The lamp by the desk in the main room is still on. I look at the line of light, and I think about the man on the other side of it.
I think about him for a long time.