Page 5 of A Wilderness of Stars

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I drop my hand from the window, my fingerprints left on the glass—the last part of myself I will leave behind.

I already know what I will do.

I move through the house, gathering a loaf of bread and hard biscuits, preserved blackberries in glass jars that clink and rattle in the burlap sack. I eye the shelf of books near the fireplace: an old book of Scottish poems, a wild foraging cookbook, and several about astronomy. Mom said books were rare, hard to come by. But I know the astronomy books by heart, their pages useless to me now, and I have no need for the others beyond the walls of the house. So I leave them all behind.

I pull my favorite sweater over my head, the color of wheat and flax—the one Mom has mended dozens of times over the years, the one that once belonged to her, and her mother before her—then grab my gray canvas coat from the hook by the door. I fold the quilt from Mom’s bed, tucking it under my arm, then pick up the lit candle. My lungs breathe heavy, doubt scratching at my skull. I can still feel her within these walls where I drew my first breath: where I learned to chart the stars, to read while sitting at the small wood table pressed against the corner, where Mom and I have carved our names into the low bench—like the white heron stacks pebbles beside theriver to mark its territory, to warn other birds that this is its home. Mom taught me how to survive, to make fire and cut my own hair and mend my own shirts.

But I have to do this—it has to be absolute; otherwise I might change my mind.

I need there to be nothing left to return to.

I lower the candle to one of Mom’s pillows, and the flame catches instantly. It springs across the sheets to the curtains, igniting on the pile of stacked firewood beside the stove. It lunges up the log walls, turning hot and ashy in minutes. How voracious fire is. How unstoppable. It destroys without thought.

With the burlap sack over my shoulder, I shove my feet into my boots, not bothering to lace them, and walk out onto the front porch, feeling the flames growing hot and angry behind me. Like something coming alive, devouring my childhood, my entire life in this cabin. Leaving nothing. I fight the urge to run to the river with a pail and bring back buckets of water, dousing the flames.

There’s no turning back now.

The sky is still dark, a belt of clustered stars running from north to south. But when I lower my gaze back to the wagon, Pa is awake, a hand held over his brow. Odie has backstepped away from the porch railing, dust rising around her hooves, ears jumping forward and back, frightened of the snapping flames.

“Vega…” Pa peers past me at the cabin, at the flames now licking through the doorway. “What did you do?”

Bravery is not summoned overnight; it takes several almost-moments until the one that finally sparks a need bright enough that you’re willing to burn your old life to the ground.

“My home is gone—” I say down to him from the edge of the porch. “I should probably go with you now.”

My name—Vega—meansdweller in the meadow.Mom would say that my name was a reminder that this valley was my home, that I was safe here, like a bird tucked into the cavity of its nest.

But with smoke curling up into the dawn sky behind me, flames chewing apart the cabin where I was born, I leave the valley behind.

For most of my life, I have feared the unnamable longing that has pricked at me like a briar caught in wool—a curiosity about what lay beyond the valley.The world out there is wild and savage and unkind,Mom would tell me, eyes trained up the road.We won’t leave until it’s time.

Low, mangy oaks dig their pointed limbs into the side of the wagon, shrieking against the wood, but Pa coaxes Odie on with a soft click of his tongue. In the back of the wagon, the glass jars filled with Pa’s tonic rattle a constant chorus ofclinks andclangs—a sweet smell emanating from the wood crates.

The valley walls shrink away around us, and we emerge into the flat rangeland rolling out endlessly into the distance—a stretch of road dotted with bull snakes and dry scrub brush and rocky terrain known to hobble good horses. But this view isn’t new—I’ve seen it before, when Mom and I would make the rare trek to the Horaces’—though this time it’s a length of land that I’m not merely seeing from a distance, but that I will be entering into. My chest feels tight, anxious, but I refuse to glance over my shoulder and see the smoldering embers of the cabin behind us. I’ve made my decision.

Don’t look back,Mom told me once.You’re not going that way.

We slip free of the crowded oaks, and the sun becomes a scowling eye, bright and watchful. I wish we were traveling at night so I could see the stars, the comfort they bring, the reminder that no matter how far I travel, I can always use them to chart my way back to the valley.

We pass the Horaces’—a modest farmhouse set back between four shaded elm trees, with a low creek running through the land behind it. The barn is another forty yards beyond the creek, and the Horaces’ livestock of goats and sheep and cattle have gathered near the fence, watching us. Odie slows her gait, head craned toward them, but Pa snaps the reins to prod her forward. My body vibrates, a wave of nausea rising in my belly—I’m now farther beyond the valley than I’ve ever been.

Pa makes a grumbling sound, low and disapproving: He thinks this is a bad idea, taking me with him, letting me leave the valley. But he stays quiet. Maybe he knows there are reasons tucked inside me that he doesn’t understand—the whispered words shared only between Mom and me. Or maybe he can’t bear to leave me in the burnt-out remains of the cabin. So we travel in silence across the open plains while the hours tick by, the sound of the creaking wagon becoming an ache in my ears, watching birds fly in slow patterns overhead, crows and ravens out looking for unfortunate field mice and jackrabbits.

It’s stark, unwelcoming land, and I push down the knot tightening in my stomach the farther we travel from the valley. From Mom buried in the ground. From everything I’ve ever known.

Because I don’t have a choice.

When we finally leave the long expanse of rangeland and move into the clotted hills, it’s well after dark. A coyote lopes through theelms beside us, fur the color of gunmetal, paws thrumming against the soft earth. It follows us for a time, eyes darting at me as if in warning.Turn back,it cautions with its golden eyes, before it finally slips back into the briars and woodland.

It must be near midnight when we emerge through the scraggly oaks and Pa slows the wagon. “It’s called Soda Creek,” he says, nodding ahead at the barren wash, not even a trickle down the center. “It ain’t much now, but in a week or so, it’ll be flooded from spring rains. Muddy and violent, not safe to cross. We came just in time.”

Pa urges Odie through the low, dry channel and up the other side, the wagon cutting back into the trees along a shallow ridge. My eyes have grown heavy, my throat dry from the dust, and I crave sleep with the same sort of immediacy I used to crave the cool river on an unbearably hot summer day. The wagon heaves up the last rise, and we find ourselves atop a ridge, overlooking a long, open prairie. Pa pulls Odie to a halt. “We’ll camp here tonight.”

“Shouldn’t we keep going?” I press, not wanting to stop. Every hour a hammer in my eardrum, knowing there are so few left.

“It’s not safe to travel at night.” He lumbers down to the ground and begins unhitching Odie from the harness.

Ahead of us, I can see all the way down to the valley beyond—a long stretch of grassland framed by more hills in the distance.