I did not call anyone else.
There is a kind of crisis that requires you to arrive alone, unaccompanied by an entourage that might later be subpoenaed, and I have learned to recognize those mornings from a single line of dialogue.
Cordelia Merrick had used the word discretion three times in ninety seconds.
That is always the tell.
I walk through the double mahogany doors into the main drawing room.
Floor-to-ceiling windows offer an unobstructed view of Central Park, the morning sun glinting off the reservoir.
I stop dead.
A man stands by the window with his back to the room.
Bespoke charcoal suit across broad, rigid shoulders.
Dark hair cropped with military precision.
A tablet in one hand, swiped through with clinical efficiency.
He turns around.
My teeth lock together.
Dominic Calder.
“Ms. Vale.”
He says my name like it requires a sanitation process.
I walk forward and plant my feet on the antique Persian rug.
“Calder. I see the Merricks have decided to turn a public relations problem into a military occupation.”
“They have a security threat.”
He sets the tablet on a glass side table.
He is six foot three of unyielding concrete.
His eyes are a sharp, analytical gray, and they scan my face, my outfit, and my posture in two seconds flat, catalogue my existence, and dismiss it as a non-issue.
“I am here to secure the premises. You are here to write a polite apology.”
“I do not write apologies. I manage realities.”
I drop my briefcase onto an armchair.
“And I certainly do not need a glorified bodyguard stepping on my press strategy.”
We have spent a full year in the same orbit.
Twelve months of Consortium galas, joint logistics meetings, and bitter professional friction.
My phone holds a terrifyingly long thread of increasingly elaborate text messages between us, mostly debating the basic definition of competence.
He thinks my methods are theatrical.