I looked at the printout. "I know what it says. And I know the difference between a document and the context that gives it meaning."
Tara took the second coffee cup back — a small, precise gesture that said what she meant without words: you don't need this for courage. You've already decided.
"He's in the briefing room," she said. "He hasn't left it."
It landed not as pressure but as information.
Information I knew how to use.
I took the printout with me when I left. Not as ammunition. Not as a wound I was keeping. I took it because a crime scene photographer documents what's present and then moves through the scene — you don't leave the evidence behind, you carry it and use it to reconstruct what actually happened.
The two corridors felt longer than they had on any of the previous ten days. The bond shifted as I got closer — from the distant warm ache of someone felt across a distance to the specific present weight of Roan in a room I was about to walk into.
Awake and alone and carrying everything the way he always carried everything.
Which was to say: without making any sound about it at all.
I opened the briefing room door.
He was at the table with his back to me, files spread in front of him, the particular stillness of a man who'd been sitting with something all night and hadn't moved because moving felt like giving up ground. He turned when I came in.
His face did the thing it did when something cost him.
The jaw. The stillness. The eyes that found me before anything else in the room — that specific quality of attention I'd spent the first three days misreading as surveillance and now understood was the only way he knew how to say something he couldn't make himself say with words.
"Nova." Once. In the way that meant everything else.
I crossed to the table. I set the printout between us — not at him, not as an accusation. Between us, where evidence belonged when two people were trying to understand what actually happened.
I looked at him across it.
"I worked through it," I said. "I know what it says and what it doesn't." I held his gaze. "But I need to hear from you what you'd do differently."
He went very still.
I watched it happen — the complete stop that was Roan running into something he hadn't prepared for. He'd been in this room all night building toward an apology, toward accountability, toward whatever he was going to offer me when I came through that door.
He hadn't built toward this question.
This question wasn't about blame. It wasn't about the wound. It was about whether he'd make the same choices again, and whether he understood why I needed to know, and what his answer would tell me about the man underneath every rule he'd ever written for himself.
The stillness held for three full seconds.
Then something shifted in his face that I'd only seen once before — in a hallway outside a Council facility when his hands were shaking and he was trying to tell me something that mattered more than words.
He didn't answer right away. He looked at the printout between us, and then he looked at me, and when he spoke his voice was lower than his command voice, lower than his field voice. The pitch I'd learned was the one he used when he wasn't performing anything at all.
"I would have told you on day three," he said. "About the note. About what I wrote and why." A pause that cost him visibly. "I told myself it was just procedure. It wasn't. It was the first thing I did to protect you that I knew you'd push back on, and I made the choice without giving you what you'd need to push back."
His jaw tightened.
"I won't do that again."
I held his gaze. This was the answer — not an apology performing itself, not accountability shaped to win forgiveness, but the specific, undecorated truth of a man naming where he'd chosen control over honesty, without softening it.
"What else?" I asked.
He didn't flinch from the question.