And I build a way out before I build a way in.
The night before the wedding, I approach the estate from the sea.
Not the main perimeter.
I don't need to.
There is a small cove beneath the cliffs, half hidden by rock and accessible only when the water cooperates. I arrive offshore in a battered little tender that looks forgettable beside the yachts farther down the coast.
My dive gear goes with me.
Wetsuit.
Mask.
Tank.
Fins.
A dry bag with clothing, a second wig, makeup, contacts, and everything I might need if the exit becomes complicated.
I stash the gear where saltwater and stone will keep it out of casual sight.
No electronics worth finding.
No name.
No Vesper.
My escape route waits below.
Tomorrow I enter through the front.
If something goes wrong, I leave through the Pacific.
Simple.
Almost.
Nothing involving Ghost has been simple for years.
Wedding morning begins before sunrise.
Jenny Hernández arrives with a temporary catering crew wearing black trousers, flat shoes, a white shirt, and the universal expression of someone being paid too little to carry something heavy.
No one questions me.
Why would they?
I am carrying glassware.
Rich people rarely suspect the woman holding the tray.
The estate is already alive.
Flowers everywhere.
White roses.