Where the hell are we?! Bellamy knew he could not be more than a block or two from the Capitol Building. Again they stopped, and again he heard the electronic beep of a security door. This one slid open with a hiss. As they pushed him through, the smell that hit him was unmistakable.
Bellamy now realized where they were. My God! He came here often, although never through the service entrance. This magnificent glass building was only three hundred yards from the Capitol Building and was technically part of the Capitol Complex. I run this place! Bellamy now realized it was his own key fob that was giving them access.
Powerful arms pushed him through the doorway, leading him down a familiar, winding walkway. The heavy, damp warmth of this place usually felt comforting to him. Tonight, he was sweating.
What are we doing here?!
Bellamy was halted suddenly and seated on a bench. The man with the muscles unhooked his handcuffs only long enough to reaffix them to the bench behind his back.
“What do you want from me?” Bellamy demanded, heart pounding wildly.
The only response he received was the sound of boots walking off and the glass door sliding shut.
Then silence.
Dead silence.
They’re just going to leave me here? Bellamy was sweating more heavily now as he struggled to release his hands. I can’t even take off my blindfold?
“Help!” he shouted. “Anybody!”
Even as he called out in panic, Bellamy knew nobody was going to hear him. This massive glass room—known as the Jungle—was entirely airtight when the doors were closed.
They left me in the Jungle, he thought. Nobody will find me until morning.
Then he heard it.
The sound was barely audible, but it terrified Bellamy like no sound he had ever heard in his life. Something breathing. Very close.
He was not alone on the bench.
The sudden hiss of a sulfur match sizzled so close to his face that he could feel the heat. Bellamy recoiled, instinctively yanking hard at his chains.
Then, without warning, a hand was on his face, removing his blindfold.
The flame before him reflected in the black eyes of Inoue Sato as she pressed the match against the cigarette dangling from her lips, only inches away from Bellamy’s face.
She glared at him in the moonlight that filtered down through the glass ceiling. She looked pleased to see his fear.
“So, Mr. Bellamy,” Sato said, shaking out the match. “Where shall we begin?”
CHAPTER 70
A magic square. Katherine nodded as she eyed the numbered square in Dürer’s engraving. Most people would have thought Langdon had lost his mind, but Katherine had quickly realized he was right.
The term magic square referred not to something mystical but to something mathematical—it was the name given to a grid of consecutive numbers arranged in such a way that all the rows, columns, and diagonals added up to the same thing. Created some four thousand years ago by mathematicians in Egypt and India, magic squares were still believed by some to hold magical powers. Katherine had read that even nowadays devout Indians drew special three-by-three magic squares called the Kubera Kolam on their pooja altars. Primarily, though, modern man had relegated magic squares to the category of “recreational mathematics,” some people still deriving pleasure from the quest to discover new “magical” configurations. Sudoku for geniuses.
Katherine quickly analyzed Dürer’s square, adding up the numbers in several rows and columns.
“Thirty-four,” she said. “Every direction adds up to thirty-four.”
“Exactly,” Langdon said. “But did you know that this magic square is famous because Dürer accomplished the seemingly impossible?” He quickly showed Katherine that in addition to making the rows, columns, and diagonals add up to thirty-four, Dürer had also found a way to make the four quadrants, the four center squares, and even the four corner squares add up to that number. “Most amazing, though, was Dürer’s ability to position the numbers 15 and 14 together in the bottom row as an indication of the year in which he accomplished this incredible feat!”
Katherine scanned the numbers, amazed by all the combinations.
Langdon’s tone grew more excited now. “Extraordinarily, Melencolia I represents the very first time in history that a magic square appeared in European art. Some historians believe this was Dürer’s encoded way of indicating that the Ancient Mysteries had traveled outside the Egyptian Mystery Schools and were now held by the European secret societies.” Langdon paused. “Which brings us back to . . . this.”
He motioned to the slip of paper bearing the grid of letters from the stone pyramid.