Page 1 of Graceless

PROLOGUE

THE TAKING

The sky above us was the color of something ending.

I stood on the height and looked down at them — ten thousand of my own, wing to wing in the grey light on the plain below, and among them, kneeling, the ones who had loved. The order had passed down the ranks three days ago, mouth to mouth, the way terrible things are always quiet when there are enough of you to share the weight. Take your brothers. Hold them. When the signal comes, tear the wings from their backs and let them fall.

I had set the positions myself. I had planned the logistics — the formations, the sequence, the careful geometry of who would hold whom. I made certain there would be no chaos, because chaos lets you pretend afterward that the cruelty was accidental, and I would not give my brothers that pretension.

I would give them precision.

Below me the plain stretched grey and still. I could see the kneeling ones from here — hundreds of them, their wings still whole, still catching the last of whatever light the sky was giving up. They looked small from the height. I had chosen the height for that reason, though I did not admit it then. Distance is a tool. It lets you see wings without seeing faces.

I gave the first signal.

The sound came up from the plain like something tearing loose from the floor of the world.

I did not know wings made that sound. I had read the protocols. I understood the theory the way you understand a country you have never walked in. The theory did not contain this — the wet snap of feather separating from bone, the high raw note that was not a scream because a scream has language in it and this was underneath language, a sound the body makes when something is taken from it that was never meant to come out. It came up from the plain in a wave, not one voice but hundreds, and it hit the height where I stood and went into me through the sternum and did not come back out.

My face did not move. I had decided my face would not move.

Below me the host worked with the precision I had trained into them. Quick hands. Efficient work. I had made them good at it, because good meant merciful and merciful meant quick and quick meant —

A crack opened in the ranks. Not a break in formation — a refusal. One of mine lowering his hands. Stepping over the kneeling brother in front of him. Standing between the condemned and the ones who would do it instead. I saw the word form on his mouth though I could not hear it from the height.

No.

Then another. And another. A dozen, then more — the refusal moving through the ranks like fractures through ice, brothers lowering their hands, brothers stepping forward, brothers saying the small word that unmade them. Not most. I will not pretend it was most. But enough that the grey air filled with it, and I stood on the height and watched my precision come apart in places, and I filed it, because I file everything, because the alternative to filing is feeling.

Other hands replaced the ones that refused. The taking continued. The sound did not stop.

I went down.

There was one I would not delegate. I told myself it was mercy — that my hands would be more precise than a stranger's, that I owed him the cleanest cut. I told myself this while I walked down from the height into the grey light and the sound, and I very nearly made it true.

He was on his knees when I reached him. They had already forced him down — two of mine, one on each shoulder, their hands white-knuckled on him, and he was not fighting them because he had understood, the way the condemned always understand the machine better than the ones who run it, that fighting only gives the machine a reason to call itself justified.

His wings were still whole. I saw them up close for the first time in — I did not count. We do not count, my kind. But I had known him since before counting mattered, and his wings were the dark blue of deep water, and the feathers where they met his back were dense and layered and warm, I could feel the warmth from a foot away, the particular heat of a living thing about to become less alive, and my hands were steady because I had decided my hands would be steady.

I put my hands on his wings.

The bone beneath the feather was heavier than I expected. The structure of it — the long architecture, the join where wing met back, the thick cords of muscle that anchored the whole apparatus to the body — was not what the protocols described. The protocols described a mechanism. This was a body. Warm, breathing, braced.

He did not speak.

He did not beg, or curse, or plead. He knelt in the grey light with my hands on the roots of his wings and he was quiet, and his quiet was worse than the sound coming up from the plain because it was for me. He was being quiet for me. Sparing me the one thing he had left to spare.

I found the join. I set my grip.

My brother turned.

I had been so careful. I had kept to the wings, the architecture, the mechanics. But he turned at exactly the wrong moment, the way the people we love always turn at exactly the wrong moment, and across the distance of a held breath our eyes met.

Not rage. I had braced for rage. Built three days of wall for it.

His face was open. Unguarded in a way I had not seen since before any of this — since the early days, the first watch, when we stood at the edges of the new dark and did not yet know what we would become. He looked at me the way you look at someone you are losing in the act of watching them choose to be lost. He was not grieving himself. He was grieving me — there, on his knees, with my hands on the roots of his wings, my brother had found the room to grieve the one pulling them out.

I looked away.