But he’s pulling away from me. Tense. Like his world is crashing down around him.
It tugs at something in me. A need to protect.
I slide my hand across the stone floor until I find his. Gently, I prise open his clammy fingers and thread mine into them.
For a second, all is calm.
Then a shooting sensation rushes up my hands and along my arms – so violently my whole body jolts.
“Did you feel that?” I gasp, snapping my neck to him.
“Feel what?”
Maybe I was mistaken?
“Nothing.”
He inhales, then shifts back to where he was, close to me.
“Thank you,” he murmurs, his breath tickling my ear.
We wait.
A loud knock from above startles me. For a terrible second, I picture bombs.
But no. It can’t be. No bombs. Yet.
I’m fully awake now, but my bones are heavy, like I’ve come up from beneath the sea. I realise I must have dozed off again. I’m resting on something soft.
It’s Drake’s shoulder.
Instantly, I move away, heat warming my face. Thank the Sisters it’s dark.
The sound comes again, and this time, Drake jerks, too. Three firm knocks – before a voice I don’t recognise calls down to us. “Is it safe to come down?”
My brain tries to make sense of this.
A man is asking us – the prisoners – if he can come down?
“Come in?” I reply, conscious of how absurd it sounds.
Drake and I stand up at the same time. It’s soothing, knowing he’s beside me again.
There’s groaning metal, like bolts are sliding. Then the trapdoor creaks open and a rope ladder is tossed down. It sways in the air before a tall, trim man in a long, flowing coat descends it.
He’s carrying a torch in one fist. His height, angular physique, the sharp way he moves; I’m already recoiling from him.
Vikemy.
But the torchlight flickers over the profile of his face just as his small feet neatly and soundlessly hit the ground, and I realise that though there is a resemblance between the two men, this man is someone else.
He has all of his hair, for a start, which is long, silver, and tied back from his wide forehead and pointed face with a thin cord. He’s a decade or so younger, and looks far sprightlier, and he’s not in State Craftsman robes, but a soldier’s uniform, complete with a leather coat so long it almost touches the floor. The high collar of his red shirt is embroidered with letters and strange symbols.
He lifts his torch higher, illuminating us.
I cast a glance at Drake. His short dark hair, which had been wet and slicked when we met, is now sticking up and almost curling. His eyes look bloodshot and wild.
I realise I can’t look much better, and I flinch from the light.