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WHEN I AWOKE IT WAS QUIET, AND THE AIR WAS clean and warm, with the smell of the sea.
I was now thoroughly confused as to time. And I knew from my light-headedness that I had not slept through a day. Also I wasn't in any protective enclosure.
We'd been following the night around the world, perhaps, or rather moving at random in it, as Akasha maybe didn't need at all to sleep.
I needed it, that was obvious. But I was too curious not to want to be awake. And frankly too miserable. Also I'd been dreaming of human blood.
I found myself in a spacious bedroom with terraces to the west and to the north. I could smell the sea and I could hear it, yet the air was fragrant and rather still. Very gradually, I took stock of the room.
Lavish old furnishings, most likely Italian-delicate yet ornamented-were mingled with modern luxuries everywhere I looked. The bed on which I lay was a gilded four-poster, hung with gauzy curtains, and covered with down pillows and draperies of silk. A thick white carpet concealed the old floor.
There was a dressing table littered with glittering jars and silver objects, and a curious old-fashioned white telephone. Velvet chairs; a monster of a television set and shelves of stereo music equipment; and small polished tables everywhere, strewn with newspapers, ashtrays, decanters of wine.
People had lived here up till an hour ago; but now the people were dead. In fact, there were many dead on this island. And as I lay there for a moment, drinking in the beauty around me, I saw the village in my mind where we had been before. I saw the filth, the tin roofs, the mud. And now I lay in this bower, or so it seemed.
And there was death here too. We had brought it.
I got up off the bed and went out onto the terrace and looked down over the stone railing at a white beach. No land on the horizon, only the gently rolling sea. The lacy foam of the receding waves glistening under the moon. And I was in an old weathered palazzo, probably built some four centuries ago, decked with urns and cherubs and covered with stained plaster, a rather beautiful place. Electric lights shone through the green-painted shutters of other rooms. Nestled on a lower terrace just beneath me was a little swimming pool.
And ahead where the beach curved to the left, I saw another old graceful dwelling nestled into the cliffs. People had died in there too. This was a Greek island, I was sure of it; this was the Mediterranean Sea.
When I listened, I heard cries coming from the land behind me, over the crest of the hill. Men being slain. I leaned against the frame of the door. I tried to stop my heart from racing.
Some sudden memory of the slaughter in Azim's temple gripped me-a flash of myself walking through the human herd, using the invisible blade to pierce solid flesh. Thirst. Or was it merely lust? I saw those mangled limbs again; wasted bodies contorted in the final struggle, faces smeared with blood.
Not my doing, I couldn't have . . . But I had.
And now I could smell fires burning, fires like those fires in Azim's courtyard where the bodies were being burnt. The smell nauseated me. I turned towards the sea again and took a deep clean breath. If I let them, the voices would come, voices from all over the island, and from other islands, and from the nearby land, too. I could feel it, the sound, hovering there waiting; I had to push it back.
Then I heard more immediate noise. Women in this old mansion. They were approaching the bedchamber. I turned around just in time to see the double doors opened, and the women, dressed in simple blouses and skirts and kerchiefs, come into the room.
It was a motley crowd of all ages, including young beauties and stout older matrons, and even some rather frail creatures with darkly wrinkled skin and snow white hair. They brought vases of flowers with them; they were placing them everywhere. And then one of the women, a tentative slender thing with a beautiful long neck, moved forward with beguiling natural grace, and began to turn on the many lamps.
Smell of their blood. How could it be so strong and so enticing, when I felt no thirst?
Suddenly they all came together in the center of the room and they stared at me; it was as if they'd fallen into a trance. I was standing on the terrace, merely looking at them; then I realized what they saw. My torn costume-the vampire rags-black coat, white shirt, and the cloak-all spattered with blood.
And my skin, that had changed measurably. I was whiter, more ghastly to look at, of course. And my eyes must have been brighter; or maybe I was being deceived by their naive reactions. When had they seen one of us before?
Whatever . . . it all seemed to be some sort of dream, these still women with their black eyes and their rather somber faces-even the stout ones had rather gaunt faces-gathered there staring at me, and then their dropping one by one to their knees. Ah, to their knees. I sighed. They had the crazed expression of people who had been delivered out of the ordinary; they were seeing a vision and the irony was that they looked like a vision to me.
Reluctantly, I read their thoughts.
They had seen the Blessed Mother. That is what she was here. The Madonna, the Virgin. She'd come to their villages and told them to slaughter their sons and husbands; even the babies had been slaughtered. And they had done it, or witnessed the doing of it; and they were now carried upon a wave of belief and joy. They were witnesses to miracles; they had been spoken to by the Blessed Mother herself. And she was the ancient Mother, the Mother who had always dwelt in the grottoes of this island, even before Christ, the Mother whose tiny naked statues were now and then found in the earth.
In her name they had knocked down the columns of the ruined temples, the ones the tourists came here to see; they had burned the only church on the island; they had knocked out its windows with sticks and stones. Ancient murals had burned in the church. The marble columns, broken into fragments, had fallen into the sea.
As for me, what was I to them? Not merely a god. Not merely the chosen of the Blessed Mother. No, something else. It puzzled me as I stood there, trapped by their eyes, repelled by their convictions, yet fascinated and afraid.
Not of them, of course, but of everything that was happening. Of this delicious feeling of mortals looking at me, the way they had been looking when I'd been on the stage. Mortals looking at me and sensing my power after all the years of hiding, mortals come here to worship. Mortals like all those poor creatures strewn over the path in the mountains. But they'd been worshipers of Azim, hadn't they? They'd gone there to die.
Nightmare. Have to reverse this, have to stop it; have to stop myself from accepting it or any aspect of it!
I mean I could start believing that I was really- But I know what I am, don't I? And these are poor, ignorant women; women for whom television sets and phones are miracles, these are women for whom change itself is a form of miracle. . . . And they will wake up tomorrow and they will see what they have done! But now the feeling of peace came over us-the women and me. The familiar scent of flowers, the spell. Silently, through their minds, the women were receiving their instructions.
There was a little commotion; two of them rose from their knees and entered an adjoining bath-one of those massive marble affairs that wealthy Italians and Greeks seem to love. Hot water was flowing; steam poured out of the open doors.
Other women had gone to the closets, to take out clean garments. Rich, whoever he was, the poor bastard who had owned this little palace, the poor bastard who had left that cigarette in the ashtray and the faint greasy fingerprints on the white phone. Another pair of women came towards me. They wanted to lead me into the bath. I did nothing. I felt them touch me-hot human fingers touching me and all the attendant shock and excitement in them as they felt the peculiar texture of my flesh. It sent a powerful and delicious chill through me, these touches. Their dark liquid eyes were beautiful as they looked at me. They tugged at me with their warm hands; they wanted me to come with them. All right. I allowed myself to be taken along. White marble tile, carved gold fixtures; an ancient Roman sple
