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It was the first night in Pittsburgh that she dreamed of the twins. She saw the two women kneeling before the altar. She saw the cooked body ready to be devoured. She saw one twin lift the plate with the heart; the other the plate with the brain. Then the soldiers, the sacrilege.
By the time she reached Salt Lake City she had dreamed of the twins three times. She had seen them raped in a hazy and terrifying scene. She had seen a baby born to one of the sisters. She had seen the baby hidden when the twins were again hunted down and taken prisoner. Had they been killed? She could not tell. The red hair. If only she could see their faces, their eyes! The red hair tormented her.
Only when she called David from a roadside pay phone did she learn that others had had these dreams-psychics and mediums the world over. Again and again the connection had been made to
the Vampire Lestat. David told Jesse to come home immediately.
Jesse tried to explain gently. She was going to the concert to see Lestat for herself. She had to. There was more to tell, but it was too late now. David must try to forgive her.
"You will not do this, Jessica," David said. "What is happening is no simple matter for records and archives. You must come back, Jessica. The truth is, you are needed here. You are needed desperately. It's unthinkable that you should attempt this 'sighting' on your own. Jesse, listen to what I'm telling you. "
"I can't come back, David. I've always loved you. Loved you all. But tell me. It's the last question I'll ever ask you. How can you not come yourself?"
"Jesse, you're not listening to me. "
"David, the truth. Tell me the truth. Have you ever really believed in them? Or has it always been a question of artifacts and files and paintings in vaults, things you can see and touch! You know what I'm saying, David. Think of the Catholic priest, when he speaks the words of consecration at Mass. Does he really believe Christ is on the altar? Or is it just a matter of chalices and sacramental wine and the choir singing?"
Oh, what a liar she had been to keep so much from him yet press him so hard. But his answer had not disappointed her.
"Jesse, you've got it wrong. I know what these creatures are. I've always known. There's never been the slightest doubt with me. And on account of that, no power on earth could induce me to attend this concert. It is you who can't accept the truth. You'll have to see it to believe it! Jesse, the danger's real. Lestat is exactly what he professes to be, and there will be others there, even more dangerous, others who may spot you for what you are and try to hurt you. Realize this and do as I tell you. Come home now. "
What a raw and painful moment. He was striving to reach her, and she was only telling him farewell. He had said other things, that he would tell her "the whole story," that he would open the files to her, that she was needed on this very matter by them all.
But her mind had been drifting. She couldn't tell him her "whole story," that was the sorrow. She'd been drowsy again, the dream threatening as she hung up the phone. She'd seen the plates, the body on the altar. Their mother. Yes, their mother. Time to sleep. The dream wants in. And then go on.
Highway 101. Seven thirty-five p. m. Twenty-five minutes until the concert.
She had just come through the mountain pass on the Waldo Grade and there was the old miracle-the great crowded skyline of San Francisco tumbling over the hills, far beyond the black glaze of the water. The towers of the Golden Gate loomed ahead of her, the ice cold wind off the Bay freezing her naked hands as she gripped the steering wheel.
Would the Vampire Lestat be on time? It made her laugh to think of an immortal creature having to be on time. Well, she would be on time; the journey was almost ended.
All grief was gone now, for David and Aaron and those she'd loved. There was no grief either for the Great Family. Only the gratitude for all of it. Yet maybe David was right. Perhaps she had not accepted the cold frightening truth of the matter, but had merely slipped into the realm of memories and ghosts, of pale creatures who were the proper stuff of dreams and madness.
She was walking towards the phantom town house of Stanford White, and it didn't matter now who lived there. She would be welcome. They had been trying to tell her that ever since she could remember.
Chapter 15
PART II
ALL HALLOW'S EVE
Very little is more worth our time than understanding the talent of Substance, A bee, a living bee, at the windowglass, trying to get out, doomed, it can't understand.
STAN RICE
Untitled Poem from Pig's Progress (1976)
Daniel
LONG CURVING LOBBY; THE CROWD WAS LIKE liquid sloshing against the colorless walls. Teenagers in Halloween costume poured through the front doors; lines were forming to purchase yellow wigs, black satin capes- "Fang teeth, fifty cents!"-glossy programs. Whiteface everywhere he looked. Painted eyes and mouths. And here and there bands of men and women carefully done up in authentic nineteenth-century clothes, their makeup and coiffed hair exquisite.
A velvet-clad woman tossed a great shower of dead rosebuds into the air above her head. Painted blood flowed down her ashen cheeks. Laughter.
He could smell the greasepaint, and the beer, so alien now to his senses: rotten. The hearts beating all around him made a low, delicious thunder against the tender tympana of his ears.
He must have laughed out loud, because he felt the sharp pinch of Armand's fingers on his arm. "Daniel!"
"Sorry, boss," he whispered. Nobody was paying a damn bit of attention anyway; every mortal within sight was disguised; and who were Armand and Daniel but two pale nondescript young men in the press, black sweaters, jeans, hair partially hidden under sailor's caps of blue wool, eyes behind dark glasses. "So what's the big deal? I can't laugh out loud, especially now that everything is so funny?"
