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But it had been a big deal. Sex is a messy business to start with and when you add catheters and bags to the equation you need a lot of stamina and humor and a better foundation than they'd had. Mostly, though, what killed the moment, and killed it fast, was her face. He saw in Blaine Chapman Rhyme's tough, game smile that she was doing it from pity and that stabbed him in the heart. He filed for divorce two weeks later. Blaine had protested but she signed the papers on the first go-round.
Sellitto and Banks had returned and were organizing the evidence Sachs had collected. She looked on, mildly interested.
Rhyme said to her, "The Latents Unit only found eight other recent partials and they belong to the two maintenance men in the building."
"Oh."
He nodded broadly. "Only eight!"
"He's complimenting you," Thom explained. "Enjoy it. That's the most you'll ever get out of him."
"No translations needed, please and thank you, Thom."
She responded, "I'm happy I could help." Pleasant as could be.
Well, what was this? Rhyme had fully expected her to storm into his room and fling the evidence bags onto his bed. Maybe the saw itself or even the plastic bag containing the vic's severed hands. He'd been looking forward to a real knock-down, drag-out; people rarely take the gloves off when they fight with a crip. He'd been thinking of that look in her eyes when she'd met him, perhaps evidence of some ambiguous kinship between them.
But no, he saw now he was wrong. Amelia Sachs was like everybody else--patting him on the head and looking for the nearest exit.
With a snap, his heart turned to ice. When he spoke it was to a cobweb high on the far wall. "We've been talking about the deadline for the next victim, officer. There doesn't seem to be specific time."
"What we think," Sellitto continued, "whatever this prick's got planned for the next one is something ongoing. He doesn't know exactly when the time of death will be. Lincoln thought maybe he's buried some poor SOB someplace where there's not much air."
Sachs's eye narrowed slightly at this. Rhyme noticed it. Burial alive. If you've got to have a phobia, that's as good as any.
They were interrupted by two men in gray suits who climbed the stairs and walked into the bedroom as if they lived here.
"We knocked," one of them said.
"We rang the bell," said the other.
"No answer."
They were in their forties, one taller than the other but both with the same sandy-colored hair. They bore identical smiles and before the Brooklyn drawl destroyed the image Rhyme had thought: Hayseed farm boys. One had an honest-to-God dusting of freckles along the bridge of his pale nose.
"Gentlemen."
Sellitto introduced the Hardy Boys: Detectives Bedding and Saul, the spadework team. Their skill was canvassing--interviewing people who live near a crime scene for wits and leads. It was a fine art but one that Rhyme had never learned, had no desire to. He was content to unearth hard facts and hand them off to officers like these, who, armed with the data, became living lie detectors who could shred perps' best cover stories. Neither of them seemed to think it was the least bit weird to be reporting to a bedridden civilian.
Saul, the taller of them, the frecklee, said, "We've found thirty-six--"
"-eight, if you count a couple of crack-heads. Which he doesn't. I do."
"--subjects. Interviewed all of them. Haven't had much luck."
"Most of 'em blind, deaf, amnesiacs. You know, the usual."
"No sign of the taxi. Combed the West Side. Zero. Zip."
Bedding: "But tell them the good news."
"We found a wit."
"A witness?" Banks asked eagerly. "Fan-tastic."
Rhyme, considerably less enthusiastic, said, "Go on."
"'Round the TOD this morning at the train tracks."
