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"But you were there. Everybody wasn't. Tell us."
"It was scary or something. . . ." She seemed to regret the clumsy word.
Unprofessional.
"I felt--"
"Somebody watching you?" he asked.
This surprised her. "Yes. That's exactly it."
Rhyme had felt it himself. Many times. He'd felt it three and a half years ago, bending down over the decomposing body of the young policeman, picking a fiber off the uniform. He'd been positive that someone was nearby. But there was no one--just a large oak beam that chose that moment to groan and splinter and come crashing down on the fulcrum of Lincoln Rhyme's fourth cervical vertebra with the weight of the earth.
"What else did you think, Amelia?"
She wasn't resisting anymore. Her lips were relaxed, her eyes drifting over the curled Nighthawks poster--the diners, lonely or contentedly alone. She said, "Well, I remember saying to myself, 'Man, this place is old.' It was like those pictures you see of turn-of-the-century factories and things. And I--"
"Wait," Rhyme barked. "Let's think about that. Old . . ."
His eyes strayed to the Randel Survey map. He'd commented before on the unsub's interest in historical New York. The building where T.J. Colfax had died was old too. And so was the tunnel for the railroad where they'd found the first body. The New York Central trains used to run aboveground. There'd been so many crossing fatalities that Eleventh Avenue had earned the name Death Avenue and the railroad had finally been forced to move the tracks belowground.
"And Pearl Street," he mused to himself, "was a major byway in early New York. Why's he so interested in old things?" He asked Sellitto, "Is Terry Dobyns still with us?"
"Oh, the shrink? Yeah. We worked a case last year. Come to think of it, he asked about you. Said he called you a couple times and you never--"
"Right, right, right," Rhyme said. "Get him over here. I want his thoughts on 823's patterns. Now, Amelia, what else did you think?"
She shrugged but far too nonchalantly. "Nothing."
"No?"
And where did she keep her feelings? he wondered, recalling something Blaine had said once, seeing a gorgeous woman walking down Fifth Avenue: The more beautiful the package, the harder it is to unwrap.
"I don't know. . . . All right, I remember one thing I thought. But it doesn't mean anything. It's not, like a professional observation."
Professional . . .
It's a bitch when you set your own standards, ain't it, Amelia?
"Let's hear it," he said to her.
"When you were having me pretend to be him? And I found where he stood to look back at her?"
"Keep going."
"Well, I thought . . ." For a moment it seemed that tears threatened to fill her beautiful eyes. They were iridescent blue, he noticed. Instantly she controlled herself. "I wondered, did she have a dog. The Colfax woman."
"A dog? Why'd you wonder that?"
She hesitated a moment then said, "This friend of mine . . . a few years ago. We were talking about getting a dog when, well, if we moved in together. I always wanted one. A collie. It was funny. That was the kind my friend wanted too. Even before we knew each other."
"A dog." Rhyme's heart popped like beetles on a summer screen door. "And?"
"I thought that woman--"
"T.J.," Rhyme said.
"T.J.," Sachs continued. "I just thought how sad it was--if she had any pets she wouldn't be coming home to them and playing with them anymore. I didn't think about her boyfriends or husbands. I thought about pets."
