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It was a bad shooting situation. Because he was on a hill, in order to acquire a clear target she'd have to roll into the clearing on Culbeau's right, and stand. There'd be no cover. If she didn't cap his ass immediately he'd have a clear shot at her. And even if she did hit him, Tomel would have several long seconds to hit her with the scattergun.
But there was nothing to be done.
When you move...
Smittie up, pressure on the trigger.
A deep breath ...
... they can't getcha.
Now!
She leapt forward and rolled into the clearing. She went up on one knee, aiming the gun.
And gave a gasp of dismay.
Culbeau's "gun" was a pipe from an old still and the 'scope was a part of a bottle resting on top. Exactly the same trick she and Garrett had used at the vacation house on the Paquenoke.
Suckered...
The grass rustled nearby. A footstep. Amelia Sachs dropped to the ground like a moth.
The footsteps were getting closer to the cabin, powerful footsteps, first through brush then on dirt then on the wooden steps leading up to the cabin. Moving slowly. To Rhyme they seemed more leisurely than cautious. Which meant they were confident too. And therefore dangerous.
Lincoln Rhyme struggled to lift his head from the couch but couldn't see who was approaching.
A creak of floorboards, and Rich Culbeau, holding a long rifle, looked inside.
Rhyme felt another jolt of panic. Was Sachs all right? Had one of the dozens of shots he'd heard struck her? Was she lying somewhere injured in the dusty field? Or dead?
Culbeau looked at Rhyme and Thom and concluded they weren't a threat. Still standing in the doorway, he asked Rhyme, "Where's Mary Beth?"
Rhyme held the man's eyes and said, "I don't know. She ran outside to get help. Five minutes ago."
Culbeau glanced around the room then his eyes settled on the root cellar door.
Rhyme said quickly, "Why're you doing this? What're you after?"
"Ran outside, did she? I didn't see her do that." Culbeau stepped farther into the cabin, his eyes on the root cellar door. Then he nodded behind him, toward the field. "They shouldn't've left you here alone. That was their mistake." He was studying Rhyme's body. "What happened to you?"
"I was hurt in an accident."
"You're that fellow from New York everybody was talking 'bout. You're the one figured out she was here. You really can't move?"
"No."
Culbeau gave a faint laugh of curiosity, as if he'd caught a kind of fish he'd never known existed.
Rhyme's eyes slipped to the cellar door then back to Culbeau.
The big man said, "You sure got yourself into a mess here. More than you bargained for."
Rhyme said nothing in response and finally Culbeau started forward, aiming his gun, one-handed, at the cellar door. "Mary Beth left, did she?"
"She ran out. Where are you going?" Rhyme asked.
Culbeau said, "She's down there, ain't she?" He pulled the door open fast and fired, worked the bolt, fired again. Three times more. Then he peered into the smoky darkness, reloading.
