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Dance summarized, "I'll be talking to the crew at the hall. Detective Harutyun is getting information about Bobby's past and Detective Lopez is tracking down Edwin's former girlfriend, Sally."
Madigan regarded the song lyrics. "And I'll tell patrol officers to pay special attention to riversides, the public areas
primarily, and ones out of view of any roads."
"Good."
Alicia gave the first smile Dance could recall seeing on the tough woman's face. "But I guess the good news is that Kayleigh's not at risk, if he's that much in love with her."
"That's true. But only for a time. Remember his separation from reality? He's been in the courting stage for a while." She turned to Kayleigh. "Probably since he heard the first song that drew him to you, or saw you in concert or on TV. To him that was your first date and you've been going out ever since."
"Date?" Crystal Stanning asked.
"At the moment he's still under the illusion that you care for him. You've been brainwashed, he thinks. At some point, though, he'll see your behavior as if you're breaking up with him.
"And when that happens, he'll become simple obsessional. Like spurned husbands or lovers. They're the dangerous stalkers. It could happen in an instant. He'll snap. He'll want revenge." Dance debated but decided there was no point in sugarcoating her assessment. "Or he'll just want to kill you so nobody else can have you."
Chapter 21
THE CONVENTION CENTER had been sanitized.
Kathryn Dance wasn't cynical about the world of business--she'd been a consultant and journalist. And music at Kayleigh Towne's level was a very serious business indeed, so she wasn't surprised that the crime scene had been cleaned as quickly as possible, all traces of the death removed, to make sure the concert could proceed as planned.
Dance had prepared herself for the smell; nothing lingers like the odor of burned hair and flesh, but whatever commercial forensic cleaning operation Madigan or Charlie Shean used had done a bang-up job. The perfume was of Lysol and, of all things, cinnamon.
Kayleigh was blocking out stage directions for the show--what she'd been doing when the light fell. Tye Slocum, the guitar technician, was temporarily chief roadie, until Alicia could fill the job with a pro; they needed someone who not only knew equipment but could mix sound at the console, as complicated as an airplane's cockpit. The quiet, heavyset young man was distracted and not particularly confident but trying to rise to the occasion. There were, of course, hundreds of decisions to be made. Sweating, he kept glancing at Kayleigh for direction, which she provided, along with smiles and nods of encouragement, though she was clearly distracted to be near the place where her friend had died.
With Kayleigh's okay, Dance called Tye over and explained what she needed--to speak to all of the crew. He rounded them up--ranging from their early twenties to forties and physically fit, thanks probably to the demanding nature of their jobs. Dance spoke to them in the scuffed, black-painted wings of the hall.
She noted great camaraderie among them and Kayleigh--the whole operation was like a big family--but no one stood out as approaching Bobby's level of closeness to Kayleigh, and therefore an obvious threat to Edwin. Of any of them, Tye was the one who seemed to know Kayleigh best but she felt merely a brotherly kind of affection, she'd deduced from the singer's body language when speaking to him.
Nor did Dance sense that any of them might have a motive to kill Bobby Prescott--another reason for her mission here, though she hadn't stressed that to Kayleigh.
The only one Dance didn't interview was Alicia. She'd been here at the convention center earlier when Dance arrived, standing outside beside a Ford F150 pickup with a trailer hitch on the back and a bumper sticker that announced: I MY QUARTER HORSE
A cigarette had dangled from her lips and she'd looked more like a local Teamster than a personal assistant--considering her muscular arms, inkings and attitudinal visage. Of anyone on the staff, Alicia was probably the most at risk; she'd defied Edwin the most at the Cowboy Saloon on Sunday and would present an obstacle to the stalker's getting close to Kayleigh.
Dance, however, couldn't impart this warning in person, only via a phone message. The assistant had left the convention center by the time Dance went to find her.
As she looked over her notes, movement at the corner of her eye caught her attention. Dance's gaze swept to the confusion of shadows throughout the concert hall. She'd counted two dozen doors and emergency exits. Recalled too the casual attitude of locking doors when there was no event in progress.
Was he here now, observing from the shadows? Was there a faint movement from that window? That doorway?
Her eyes were tricking her.
Had to be.
A moment later Dance noticed Kayleigh freeze and pull her mobile from her pocket. The look on the young woman's face left little doubt. It would be a call she didn't recognize.
She stared for a moment and then lifted the unit to her ear.
The woman gasped, a wrenching sound clearly audible, thanks to the acoustics of the center.
Her head swiveled toward Dance and she said, "It's another call, Kathryn. It's the second verse!"
Chapter 22
IN A QUARTER hour, Dance was at the sheriff's office, hurrying inside. Harutyun met her at the door.
