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"You take us there now," he said.

We buried Annie in my family's plot in the old cemetery by St. Peter's Church in New Iberia. The crypts were made of brick and covered with white plaster, and the oldest ones had cracked and sunk into the earth and had become enwrapped with green vines that rooted into the mortar. The rain fell out of the gray sky and danced on the brick street by the cemetery and drummed on the canvas canopy over our heads. Before the attendants from the funeral home slid Annie's coffin into the crypt and sealed it with an inscribed marble slab, one of them unscrewed the metal crucifix from the top and put it in my hands.

I don't remember walking back to the limousine. I remember the people under the canopy—her parents, Batist and his wife, the sheriff, my friends from town—but I don't remember leaving the cemetery. I saw the rain swirling out of the sky, saw it glisten on the red bricks of the street and the black spiked fence that surrounded the cemetery, felt it run out of my hair and into my eyes, heard a train whistle blow somewhere and freight cars clicking on the tracks that ran through town, and then I was standing in the middle of the manicured lawn of the funeral home, with its hollow wooden columns and false antebellum facade looking the color of cardboard in the dull light, and cars were driving away from me in the rain.

"The truck over here, Dave," Batist was saying. "Come on, we got supper already fixed. You ain't eat all day."

"We've got to take her folks back to the motel."

"They done already gone. Hey, put this coat over your head. You wanta stand out here and be a duck, you?"

He smiled at me, his cannonball head beaded with raindrops, his big teeth like pieces of carved whalebone. I felt his hand go around my arm, squeeze into the muscle, and lead me to the pickup truck, where his wife stood by the open door in a cotton print dress with an umbrella over her head. I sat quietly between them on the way back to the house. They stopped trying to speak to me, and I stared out the windshield at the muddy pools on the dirt road, the wet sheen on the trunks of the oak trees, the water that rattled down from the limbs overhead, the clouds of mist that hung on the bayou and broke across the truck's hood like the offering of sleep. In the gray light, the row of trees along the road looked like a tunnel that I could safely fall through until I reached a cold, enclosed room beneath the earth where wounds healed themselves, where the flesh did not yield to the worm, where a sealed casket could be opened to reveal a radiant face.

I went back to work at the dock. I rented boats, filled people's minnow cans with shiners, fixed barbecue lunches, opened bottles of pop and beer with the mechanical smile and motions of a man in a dream. As always, when one unexpectedly loses someone close, I discovered how kind people could be. But after a while I almost wanted to hide from their well-meaning words of condolence, their handshakes and pats on the back. I learned that grief was a private and consuming emotion, and once it chose you as its vessel it didn't share itself easily with others.

And maybe I didn't want to share it, either. After the scene investigators from the sheriff's department had bagged the bloody sheets from the bed and dug the buckshot out of the bedstead and walls, I closed and locked the door as though I were sealing up a mausoleum filled with pa

in, which I could resurrect simply by the turn of a key. When I saw Batist's wife heading for the house with scrub brushes and buckets to clean the bloodstains out of the splintered wood, I ran from the bait shop, yelled at her in French with the sharpness of a white man speaking to a Negro woman, and watched her turn back toward her pickup truck, her face hurt and confused.

That night I was awakened by the sound of bare feet on the wooden floor and a door handle turning. I sat up from the couch where I had fallen asleep with the television on, and saw Alafair sitting by the locked bedroom door. She wore her pajama bottoms without a top, and in her hands was the plastic draw bag in which we kept the stale bread. Her eyes were open, but her face was opaque with sleep. I walked toward her in the moonlight that fell through the front windows. Her brown eyes looked at me emptily.

"Feed ducks with Annie," she said.

"You're having a dream, little guy," I said.

I started to pull the plastic bag gently from her hands. But her eyes and hands were locked inside the dream. I touched her hair and cheek.

"Let's take you back to bed," I said.

"Feed ducks with Annie?"

"We'll feed them in the morning. En la mañana." I tried to smile into her face, then I raised her to her feet. She put one hand on the doorknob and twisted it from side to side.

"Dónde está?"

"She's gone away, little guy."

There was nothing for it. I lifted her up on my hip and carried her back into her room. I lay her down on her bed, put the sheet over her feet, sat down beside her, and brushed her soft, downlike hair with my hand. Her bare chest looked small in the moonlight through the window. Then I saw her mouth begin to tremble, as it had in the church, her eyes look into mine with the realisation that I could not help, that no one could, that the world into which she had been born was a far more terrible one than any of her nightmares.

"Los soldados llegaron en la lluvia y le hicieron daño a Annie?"

The only Spanish words that I understood in her question were "soldiers" and "rain." But even if I had understood it all, I could not have answered her anyway. I was more lost than she, caught forever in the knowledge that when my wife had needed me most, I had left the house to sit by a duck pond in the dark and dwell on the past and my alcoholic neurosis.

I lay down beside Alafair and pulled her against me. I felt the wetness of her eyelash against my face.

Then, one hot, bright afternoon, exactly a week after I had buried Annie, with no dramatic cause at work, with fleecy clouds blowing across the blue sky, I snapped the cap off a bottle of Jax, watched the foam slide over the amber bottle and drip flatly on the wooden floor of the bait shop, and drank it empty in less than a minute.

Two fisherman friends of mine at a table looked briefly at me with dead expressions on their faces, and in the silence of the room I heard Batist drag a kitchen match on wood and light a cigar. When I looked at his face, he flicked the match out the open window and I heard it hiss in the water. He turned away from me and stared out into the sunlight, a curl of smoke rising from his wide-spaced teeth.

I popped open a double-paper bag, put two cartons of Jax inside, poured a small bucked of crushed ice on top of the bottles, and hefted the bag under my arm.

"I'm going to take an outboard down the bayou," I said. "Close it up in a couple of hours and keep Alafair with you till I get back."

He didn't answer and continued to look out at the sunlight on the lily pads and the cane growing along the bank.

"Did you hear me?" I asked.

"Do what you gotta do, you. You ain't got to tell me how to take care of that little girl." He walked up toward the house, where Alafair was coloring a book on the porch, and didn't look back at me.

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