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"I don't remember, suh."
"You remember the color?"
"No, sun, I'm sorry."
His face looked fatigued and empty. "I just wish I ain't been the one to find her," he said. "I ain't never gonna forget looking inside that barrel."
I put my business card in his shirt pocket.
"Call me if you think of anything else. You did just fine, podna," I said, and patted him on the arm.
I turned my truck around in the middle of the levee and headed back toward New Iberia. Up ahead the glow of the red and blue emergency lights on the ambulance sped across the tops of the sawgrass, cattails, and bleached sandspits where the husks of dead gars boiled with fire ants.
What had I learned from it all?
Not much.
But maybe in his cynical way my friend the sleepless coroner had cut right to the heart of the problem: How do you go inside the head of a homicidal sadist who prowls the countryside like a tiger turned loose in a schoolyard?
I've seen films that portray detectives who try to absorb the moral insanity of their adversaries in order to trap them inside their own maniacal design. It makes an interesting story. Maybe it's even possible.
But four years ago I had to go to Huntsville, Texas, to interview a man on death row who had confessed to almost three hundred murders throughout the United States. Suddenly, from all over the country, cops with unsolved homicide cases flocked to Huntsville like flies on pig flop. We were no exception. A black woman in New Iberia had been abducted out of her house, strangled to death, and thrown in the Vermilion River. We had no suspects, and the man in Huntsville, Jack Hatfield, had been through Louisiana many times in his red tracings across the map.
He turned out to be neither shrewd nor cunning; there was no malevolent light in his eyes, nothing hostile or driven about his behavior. His accent was peckerwood, his demeanor finally that of a simpleton. He told me about his religious conversion and glowing presences that appeared to him in his cell; it was quickly apparent that he wanted me to like him, that he would tell me anything I wanted to hear. All I had to do was provide him the details of a murder, and he would make the crime his own.
(Later, an unemployed oil-field roughneck would confess to murdering the black woman after being given title to a ten-year-old car by her husband.)
I asked Jack Hatfield if he was trying to trade off his cooperation for a commutation of his sentence. He answered, "Naw, I got no kick comin' about that, long as it's legal."
With a benign expression on his face, he chronicled his long list of roadside murders from Maine to southern California. He could have been talking about a set of embossed ceramic plates that he had collected from each state that he had visited. If he had indeed done what he told me, he was completely without remorse.
"My victims didn't suffer none," he said.
Then he began to talk about his mother and an incredible transformation took place in him. Tears streaked down his homely face, he trembled all over, his fingers left white marks on his arms. Evidently she had been not only a prostitute but perverse as well. When he was a little boy she had made him stand by the bed and watch her copulate with her johns. When he had tried to hide in the woods, she beat him with a quirt, brought him back to the house, and made him watch some more.
He spent fifteen years in the Wisconsin penitentiary for her murder.
Then he paused in his story, wiped his face with his hand, pulled his T-shirt from his chest with his finger, and smelled himself.
"I killed three more people the day I come out of prison. I told them I was gonna do it, and I done it," he said, and began cleaning his fingernails with a toothpick as though I were not there.
When I walked back out into the autumn sunshine that afternoon, back into the smell of east Texas piney woods and white-uniformed convicts burning piles of tree stumps on the edge of a cottonfield, I was convinced that Jack Hatfield's story about his mother was true but that almost everything else he had told me would remain as demonstrably elusive as a psychotic dream. Perhaps the answer to Jack Hatfield lay with others, I thought. Perhaps we should ask those who would eventually strap him to the gurney in the execution room, poke the IV needle into the vein, tape it lovingly to the skin, and watch him through the viewing glass as the injection dulled his eyes then hit his heart like a hammer. Would his life, his secret and dark knowledge, be passed on to them?
I'd had little sleep when I set out for the office the next morning. The sun had come up red and hot over the trees, and because I had left the windows down the night before, the inside of my truck was full of mosquitoes and dripping with humidity. I stopped at a traffic light on the east side of town and saw a purple Cadillac limousine, with tinted black windows, pull into a yellow zone by a restaurant and park squarely in front of the fire plug.
Cholo Manelli stepped out of the driver's door, stretched, rotated a crick out of his neck, looked up and down the street a couple of times, then walked around to the other side of the limo and opened the back door for Julie Balboni. Then the rest of Julie's entourage—three men and the woman named Margot—stepped out onto the sidewalk, their faces dour in the heat, their eyes sullen with the morning's early hour.
Cholo went up the sidewalk first, point man and good soldier that he was, his head turning slightly from side to side, his simian shoulders rolling under his flowered shirt. He opened the front door of the restaurant, and Julie walked inside, with the others in single file behind him.
I didn't plan any of the events that followed.
I drove through the light and went almost two blocks before I made a U-turn, drove back to the restaurant, and parked under a live-oak tree across the street from the limo. The early sun's heat was already rising from the cement, and I could smell dead water beetles in the curb gutters.
My eyes burned from lack of sleep, and though I had just shaved, I could feel stubble, like grit, along the edge of my jaw. I got out of the truck, put my seersucker coat over my arm, and walked across the street to the limo. The waxed purple surface had the soft glow of hard candy; the tinted black windows swam with the mirrored images of oak trees and azalea bushes moving in the bre
eze.
I unfolded the blade of my Puma knife, walked from fender to fender, and sawed the air stems off all four tires. The limo went down on the rims like it had been dropped from a chain. A black kid who had been putting circulars on doors stopped and watched me as he would a fascinating creature inside a zoo cage.
