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He was likable; there was nothing of the con artist about him; he was well-mannered and didn't use profanity; he never complained about riding handcuffed to a D-ring in the backseat.
At his trial he maintained that he'd had a blackout, that he had no memory of the events that took place in the house off Canal, but a sense of terror, with no apparent source, had caused him to flee across I-10 to the Florida panhandle.
Prosecution lawyers, state psychologists, and news reporters came up with every script possible to explain the contractor's behavior: He was a clandestine user of LSD; he had been a marine door gunner in Vietnam; he was badly in debt and teetering on a nervous breakdown. Or, more disturbingly, he had once been seen at a shopping mall with a high school girl from his neighborhood whose strangled and decomposed body was found nude in a swamp north of Lake Pontchartrain. On her ankle was a tattoo of a pentagram.
All the evidence against him was circumstantial. None of his fingerprints were in the game room where the girls died, nor on the electrician's tape that was used to bind them. Also the tape was not the same brand that he always bought from a wholesale outlet. There were no skin particles under the dead girls' fingernails.
He probably would have walked if he could have afforded a better lawyer. But the jury convicted him of second-degree murder, perhaps less out of certainty of his guilt than fear that he was guilty and would kill or rape again if set free.
His friends and family were numb with disbelief. The pastor from his church raised money to begin an appeal of the verdict. His parishioners put together twenty thousand dollars for the conviction of the real killer. Two attorneys from the ACLU took over the contractor's case.
Clete and I went back over the crime scene a dozen times. We must have interviewed a hundred people. We decided that if we couldn't prove this man conclusively guilty, then we would prove him innocent.
We did neither. All we ever determined was that there was a two-year gap in the contractor's younger life during which he had left behind no paperwork or record of any kind, as though he had eased sideways into another dimension. We also concluded, with a reasonable degree of certainty, at least to ourselves, that no else entered or left that house, besides the father, from the time the contractor showed up to work and the time he fled the crime scene in the Buick.
It became the kind of case that eventually you close the file on and hope the right man is in jail. Clete and I were both glad when we heard that the lower court's decision had been overturned and that a new trial date was to be set soon. Maybe someone else could prove or disprove what we could not.
Three days later, a psychotic inmate at Angola, a big stripe, attacked the contractor with a cane knife and severed his spinal cord with one blow across the back of the neck. The body was lying in state at a funeral home in Metairie when the mother and aunts of the murdered girls burst into the room, screaming hysterically like Shakespearean hags, and flung bags of urine on the corpse.
For a long time I had a recurrent dream about the contractor. He awoke in the blackness of his coffin, then realized that tons of earth had been bulldozed and packed down on top of him. He couldn't move his shoulders or twist his body against the hard, sculpted silk contours of the coffin; his screams went no farther than the coffin's lid, which hovered an inch from his mouth.
As time passed and his nails and eyebrows and hair grew long and filled the air cavity around him, and he realized that his death was to be prolonged in ways that no mortal thought imaginable, he began to plan ways that he could burn himself even more deeply, more painfully, into our memory.
He would reveal to the rest of us a secret about his soul that would forever make us think differently about our common origins. With nails that were yellow and sharp as talons he cut his confession into the silk liner above him, his mouth red with gloat as he wounded us once more with a dark knowledge about ourselves.
But those are simply images born of my dreams. Maybe the contractor was innocent. Or maybe in the murder house he began to enact a fantasy, tried to lure one of the girls into a seduction, and found himself involved in a kaleidoscopic nightmare whose consequences filled him with terror and from which he couldn't extricate himself.
I don't know. Ten months on the firing line in Vietnam, twenty years in law enforcement, and a long excursion into a nocturnal world of neon-streaked rain and whiskey-soaked roses have made me no wiser about human nature than I had been at age eighteen.
But Brother Oswald had made another remark that forced me to reexamine a basic syllogism that I had been operating on: 'You think the real problem is y'all don't have no idea of what you're dealing with?'
I had not been able to find any record anywhere on a man named Will Buchalter.
Why? Perhaps because that was not his name.
I had assumed from the beginning that Buchalter was not an alias, that the man who had violated my wife and home was a relative of Jon Matthew Buchalter, a founder of the Silver Shirts. It was a natural assumption to make. Would someone choose the name of Hitler or Mussolini as an alias if he wished to avoid drawing attention to himself?
Maybe the man who called himself Will Buchalter had thrown me a real slider and I had swung on it.
It was time to have a talk with Hippo Bimstine again.
But I didn't get the chance. At seven the next morning I went to an Al-Anon meeting to get some help for Bootsie that I wasn't capable of providing myself, then two minutes after I walked into my office Lucinda Bergeron called from New Orleans.
'Hey, Lucinda. What's up?' I said.
'The East Baton Rouge Parish Sheriff's Department just nailed a mule with a suitcase full of Mexican tar in his trunk. This'll be his fourth time down. He says he'll do anybody he can for some slack.'
'So?'
'The dope drop's in New Orleans. That's why Baton Rouge called us. This guy says the tar's going into the projects.'
'I'm still not with you.'
'He says the Calucci brothers are dealing the tar. It looks like they're making a move on the projects. Anyway, the guy says he can do them.'
'I doubt it.'
'Why?'
