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Either way, while her sisters flounced about screaming and carrying on about everything from the lukewarm temperature of their thin soup at lunch to the lack of funds for the adventures they wished to take with their far flashier friends—because they wished to perform it on social media, not because they had an adventurous bone in either one of their bodies—Angelina had spent another pleasant afternoon practicing piano in the conservatory. A room not a single member of her family had been inside in the last decade, as far as she knew. Mostly because there was nothing there any longer. Just the old piano and Angelina, who far preferred the company of Bach, Mozart, and Beethoven to her sisters.
She had nurtured grand dreams of leaving the family entirely and going off to Paris when she hit eighteen. Or anywhere at all, as long as it was elsewhere. But there had been no money for what her father had sniffed and called her “vanity project.”
There had been money for Petronella’s Year of Yoga, as Angelina recalled. And for Dorothea’s “art,” which had been two years in Milan with nothing to show for it but some paint smudged on canvases, a fortune spent on wine and cafes, and a period of dressing in deeply dramatic scarves.
But that was a long time ago. That was when Papa had still pretended he had money.
“Of course there’s no money for you toplay piano,” Dorothea had scoffed. “When Petronella and I have scrimped and saved these past years in the vain hope that Papa might throw us a decent debutante ball. Ironically, of course,but still.”
Angelina had learned early on that it was better not to argue with her older sisters. That was a quick descent into quicksand and there was no getting out of it on one piece. So she had not pointed out the many problems with her eldest sister’s statement. First, that Dorothea was thirty and Petronella twenty-six—a bit long in the tooth for debutante balls, ironic or otherwise. And second, that there was no point in pronouncing oneself a debutante of any description when one was a member of a rather shabby family clinging desperately to the very outskirts of European high society, such as it was.
Her sisters did not like to think of themselves as shabby. Or clingy, come to that.
Even if it was obvious that the house and family were notina decline. The decline had already happened and they were living in the bitter ashes that remained.
She slipped into her bedchamber, staring as she always did at the water damage on her bare walls. Her ceiling. All the evidence of winters past, burst pipes, and no money to fix it. Her mother claimed that the family’s reliance on the old ways was a virtue, not a necessity. She waxed rhapsodic about fires in all the fireplaces to heat the house, no matter how cold it got in this part of France. She called it atmospheric.It is our preference,she would tell anyone who even looked as if they might ask.A family custom.
But the truth was in the cold that never lifted in this place of stone and despair, not even in the summertime. The house was too old, too drafty. It was June now and still chilly, and the picked-bare rooms and stripped walls didn’t help. Slowly, ever so slowly, priceless rugs disappeared from the floors and paintings from their hooks. Family heirlooms no longer took pride of place in the echoing rooms.
When asked, Mother would laugh gaily, and claim that it was high time for a little spring cleaning—even when it was not spring.
The more time Papa spent locked up his office, or off on another one of those business trips he returned from looking grim and drawn, the more the house became a crumbling patchwork of what had once been a certain glory.
Not that Angelina cared. She had her piano. She had music. And unlike her sisters, she had no interest at all in scaling the heights of society—whether that was bright young things who called themselves influencers, who Petronella desperately emulated, or the dizzy heights of the European once-nobles who turned Dorothea’s head.
All she wanted to do was play her piano.
It had been her escape as a child and it still was now. Though more and more she dreamed that it might also be her ticket out of this house. And away from these people she knew only through an accident of birth.
She hurried into the bath attached to her chamber, listening for the comforting symphony of the leaking pipes. She wanted a bath, but the hot water was iffy and she’d spent too much time in the servants’ passage, so she settled instead for a brisk, cold wash in the sink.
Because evening was coming on fast, and that meant it was time for the nightly charade.
Mother insisted. The Charteris family might be disappearing where they stood, but Mother intended they should go out holding fast to some remnant of their former grandeur. That was why they maintained what tiny staff they could when surely the salaries should have gone toward Papa’s debts. And it was why, without fail, they were all forced to parade down to a formal dinner every evening.
And Margrete Charteris, who in her youth had been one of the fabled Laurent sisters, did not take kindly to the sight of her youngest in jeans and a sweater with holes in it. Not to mention, Angelina thought as she stared in the mirror, her silvery blond hair wild and unruly around her and that expression on her face that the piano always brought out. The one Mother referred to asoffensively intense.
Rome could be burning in the drawing room and still Angelina would be expected to smile politely, wear something appropriate, and tame her hair into a ladylike chignon.
She looked at herself critically in the mirror as she headed for the door again, because it was too easy to draw her mother’s fire. And far better if she took a little extra time now to avoid it.
The dress she’d chosen from her dwindling wardrobe was a trusty one. A modest shift in a jacquard fabric that made her look like something out of a forties film. And because she knew it would irritate her sisters, she pulled out the pearls her late grandmother had given her on her sixteenth birthday and fastened them around her neck. They were moody, freshwater pearls, in jagged shapes and dark, changeable colors and sat heavily around her neck, like the press of hands.
Angelina had to keep them hidden where none of her sisters, her mother, or Matrice, the sly and sullen housemaid, could find them. Or they would have long since been switched out, sold off, and replaced with paste.
She smoothed down the front of her dress and stepped back out into the hallway as the clock began to strike the hour. Seven o’clock.
This time, she walked sedately down the main hall and took the moldering grand stair to the main floor. She only glanced at the paintings that still hung there in the front hall—the ones that could not be sold, for they had so little value outside the Charteris family. There were all her scowling ancestors lined up in ornate frames that had perhaps once been real gold. And were now more likely spray painted gold, not even gilt.
Angelina had to bite back laughter at the sudden image of her mother sneaking about in the middle of the night, spray painting hastily-thrown-together old frames and slapping them up over all these paintings of her austere in-laws. Margrete was a woman who liked to make sweeping pronouncements about her own consequence and made up for her loss of her status with a commensurate amount of offended dignity. She would no morespray paintsomething than she would scale the side of the old house and dance naked around the chimneys.
Another image that struck Angelina as hilarious.
She was stifling her laughter behind her hand as she walked into the drawing room, just before the old clock stopped chiming.
“Are yousnickering?” Mother demanded coolly the moment Angelina’s body cleared the doorway. She looked up from the needlepoint she never finished, drawing the thread this way and that without ever completing a project. Because it was what gently bred women did, she’d told them when they were small. It wasn’t aboutcompletion,it was about succumbing to one’s duty—which, now she thought about it, had been the sum total of her version of “the talk” when Angelina left girlhood. “What a ghastly, unladylike sight. Stop it at once.”
Angelina did her best to wipe her face clean of the offending laughter. She bowed her head because it was easier and dutifully went to take her place on the lesser of the settees. Her sisters were flung on the larger one opposite. Dorothea wore her trademark teal, though the dress she wore made her look, to Angelina’s way of thinking, like an overstuffed hen. Petronella, by contrast, always wore smoky charcoal shades, the better to emphasize her sloe-eyed, pouty-lipped beauty. None of which was apparent tonight, as her face looked red and mottled.
