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He turned his back to her. Silence fell between them. She heard the distant sound of a police siren, the rattle of a truck pas
sing below. “You couldn’t tell them apart,” he finally said. “You had to regard everybody as the enemy.”
His voice was controlled, but it seemed to be coming from far away. He turned and looked at her as if he wanted to make certain she understood. She nodded, even though she didn’t. If what had happened in Vietnam was blocking his writing, why did he blame her?
“You’d be walking next to a rice paddy and spot a couple of little kids—four or five years old. Next thing you knew, one of them was throwing a grenade at you. Shit. What kind of war is that?”
She slipped her fingers back on the keys and began to type, trying to get it all down, hoping she was doing the right thing but not sure at all.
He didn’t seem to notice the sound of the typewriter. “The village was a VC stronghold. The guerrillas had cost us a lot of men. Some of them had been tortured, mutilated. They were our buddies…guys we’d gotten to know as well as our own family. We were supposed to go in and waste the village. The civilians knew the rules. If you weren’t guilty, don’t run! Don’t for chrissake run! Half the company was stoned or doped up—it was the only way you could make it.” He took a ragged breath. “We were airlifted to a landing strip near the village, and as soon as the strip was secure, the artillery opened up. When everything was clear, we went in. We herded them all together in the middle of the village. They didn’t run—they knew the rules—but some of them were shot anyway.” His face had grown ashen. “A little girl…she had on a ragged shirt that didn’t cover her belly, and the shirt had these little yellow ducks on it. And when it was over, and the village was burning, and somebody turned Armed Forces Vietnam on the radio and Otis Redding started singing ‘Sittin’ on the Dock of the Bay’…The little girl had flies all over her belly.”
He stabbed his hand toward the typewriter. “Did you get that part about the music? The music is important. Everybody who’s been in ’Nam remembers the music.”
“I—I don’t know. You’re going so fast.”
“Let me in.” He pushed her aside, ripped out the sheet that was in the typewriter, and inserted a new one. He shook his head once as if to clear it, and then he began to type.
She went over to the couch and waited. He didn’t take his eyes off the pages that began sliding like magic through his typewriter. The room was cool, but his forehead beaded with sweat as he punched the keys. The images he’d drawn were already etched in her brain. The village, the people, the shirt with the little yellow ducks. Something terrible had happened that day.
He didn’t notice as she slipped out of the room.
She went to dinner with Kissy that evening. When she returned, she could still hear his typewriter. She made a sandwich for him and cut a slab of the French almond cake left over from the dinner party. This time she didn’t bother to knock before she used her key.
He sat hunched over the typewriter, his face lined with fatigue. Coffee mugs and paper littered the desk. He grunted as she set the tray down and collected the cups to wash. She cleaned out the coffeepot and refilled it so it was ready to go again.
Dread had been building inside her ever since this morning. She kept thinking about Sunday Morning Eclipse and the massacre Matt had witnessed in Vietnam. Now she couldn’t stop asking a terrible question. Had Jake been a helpless witness to a massacre like the character he’d created, or had he been an active participant?
She wrapped her arms around herself and left the attic.
She received her first phone call from Dick Spano later that week. “I’ve got to find Jake.”
“He never calls me,” she said, which was literally true.
“If he does, tell him I’m looking for him.”
“I really don’t think he will.”
That evening, she went up to the attic to tell Jake about the call. His eyes were red-rimmed, his jaw covered with stubble, and he looked as if he hadn’t slept. “I don’t want to talk to anybody,” he said. “Keep them away from me, will you?”
She did her best. She put off his business manager, his lawyer, and all of their secretaries, but someone as famous as Jake couldn’t simply disappear, and after five more days passed, and the callers grew more alarmed, she knew she had to do something, so she called Dick Spano. “I’ve heard from Jake,” she said. “He’s started to write again, and he wants to hide out for a while.”
“I have to talk to him. I’ve got a deal that won’t wait. Tell me where he is.”
She tapped a pen on her desk. “I think he’s in Mexico. He wouldn’t say exactly where.”
Dick swore, then bombarded her with a long list of things she was to tell him if he called her again. She wrote them all down and tucked the note in her pocket.
October turned into November, and as the date for Michel’s fashion show drew near, the gossip about her broken contracts refused to die. As if that wasn’t bad enough, the phony stories she’d planted at the end of the summer about her relationship with Jake were continuing to damage her. The gossips said Fleur Savagar was nothing more than a washed-up fashion model trying to start a business on her back. None of the clients she’d been pursuing had signed with her, and each night she fell asleep only to jolt awake a few hours later and listen to the sound of Jake’s typewriter. In the morning, she used her key to check on him, and after a while, it became difficult to tell which of them was the more haggard.
She spent the day before Michel’s show at the hotel, scurrying between technicians and the carpenters setting up the runway. She drove everyone crazy with her insistence on security passes and guards at the door. Even Kissy lost patience with her, but everything rested on Michel’s collection, and Alexi had less than twenty-four hours to do his worst. Fleur called Michel at the Astoria factory to make sure the guards were doing their job.
“Every time I look out, they’re where they’re supposed to be,” he said.
As he hung up, she had to remind herself to breathe. She’d hired the best security company in the state. Now she had to trust them to do their job.
Willie Bonaday burped and reached into his uniform pocket for a roll of Tums. Sometimes he chewed them one after another to help pass the time until the daytime shift took over. He’d been working this job for a month now, and tonight was the last night. Willie thought it was a lot of trouble to go to for a bunch of dresses, but as long as he got his paycheck, he minded his own business.
Four of them worked each shift, and they had the place sealed up tighter than a drum. Willie sat just inside the front door of the old Astoria factory, while his partner, Andy, was at the back and two of the younger men were outside the workshop doors on the second floor where the dresses were locked up. In the morning, the boys on the day shift would accompany the big dress racks on the drive to the hotel. By evening, the job would be over.
