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Or maybe collecting property and wealth were a compulsion to him. And he was like any other addict, always needed more, more, more.
She happened to glance at the car’s clock, which sat to the right of the amp gauge and above the oil.
The time was 8:50.
An hour until the next attack.
And where, Sachs wondered, would that be?
36.
ON THE EIGHTH FLOORof St. Francis hospital, in a room midway along Ward S, Dr. Anita Gomez is calling, “Almost there,” reassuring sweaty MaryJeanne McAllister, who is huffing and grunting in pain. “Eight centimeters. Won’t be long. You’re doing fine.” Labor started early; her husband is out of town, hurrying back, and MaryJeanne is on the phone with him. Apparently, he’s concerned about the sounds issuing from his wife’s mouth. MaryJeanne says, “He wants you to give me some meds. There’s too much pain.” Dr. Gomez refrains from explaining that the level of pain MaryJeanne is experiencing seems perfectly normal. Plus, her patient didn’t want an epidermal or spinal, afraid, wrongly, that it might affect the baby and Dr. Gomez tells her this. “He wants …” A grunt. “Holy shit! … To talk to you.” And offers the phone. The doctor takes it, shuts it off and drops it on a table. “No!” the patient rages. But then she falls silent, apart from the breathing. Both women frown. They hear a curious noise. Low in pitch, from outside. Whatisthat? Dr. Gomez wonders, but then it’s obscured by the mother’s unearthly wail. She hits nine centimeters. “Callmy husband,” she rages. Dr. Gomez cheerfully replies, “Get ready to push.”
On the seventh floor, directly below ob-gyn delivery, neuro-surgeon Carla DiVito is preparing to repair an aneurysm in the brain of Tyler Sanford in surgical suite 11. The patient presented with what he described as a searing headache, the “worst he’d ever experienced.” Tests of the condition—the swelling of a vessel in the brain—revealed it had not yet ruptured, but the ballooning was sizable. DiVito, the anesthesiologist, two nurses and a resident are present in the room that is, of course, spotless and sterile, but is tiled in the bile green that designers in the 1960s felt, for some unearthly reason, that patients and physicians preferred. Sanford is unconscious and a small portion of his skull has been removed—the burnt smell from the saw lingering unpleasantly as always. Since the aneurysm is large, Dr. DiVito will be using a flow diverter rather than clipping off the vessel. “How do you like it?” a nurse asks. He is nodding toward the Aesculap Aeos robotic microscope hovering over the open brain. “Heaven,” the doctor replies. In the past, most neurosurgeons suffered significant ergometric problems—back pain, primarily—from bending over a patient for hours. The microscope allows her to remain upright and view the incision and procedure on a vertical 4K screen. Whereas she could only do one such procedure a day, now she can easily do two. She glances up to her team briefly. “Let’s get started.”
On the sixth floor, directly under suite 11, is recovery room 3E. The wife and adult son of Henry Moskowitz are sitting beside the bed. “We can have it in the pavilion,” the son, David, says. He’s raised the topic of the venue for his daughter’s sixteenth birthday party, eight months away, not because it must be planned now, but because it will, he hopes, distract his mother from her husband’s condition. She’s always on board for party planning, as he well knows. She considers. “The pavilion’s good. They didn’t trim the grass very well for Edna’s.” “No,” her son agrees. Theyboth stare at the unconscious man, the wealth of machinery around him. The surgeon has assured them that the quadruple bypass went well, and he should be coming out of the anesthetic soon. David now cocks his head, hearing some groaning from outside. Thunder? No, the day is clear. But the brief sound put him in mind of the party venue. “We should see what size tents they have. October can be rainy.” “Yes,” his mother says. “It can.”
On each of these three floors—and for that matter, every floor in this building—near the middle is a room roughly twenty by twenty. The doors are double-locked and covered by large signs:FIRE HAZARDandNo Smoking, the latter of which, of course, dated to a different era, but had remained, perhaps because the message still imparted a historical, almost genetic, urgency. Inside these rooms are scores of tanks of oxygen, carbon dioxide, nitrogen, nitrous oxide and regular air. Some of these are stored, some fitted to hoses that feed into wall sockets. Also present are tanks of sevoflurane, an anesthetic. While nonflammable in itself, fires and explosions can occur when this gas reacts with an absorbent used in anesthesia procedures, barium hydroxide lime, of which there are several containers here as well. In addition, here are receptacles of cyclopropane, divinyl ethel, ethyl chloride and ethylene. These facilities are known among staff as the Dynamite Rooms.
And eighty feet above this stack of suites and rooms sits the jib of a Swenson-Thorburg AB tower crane. Like all the others in the city it is no longer in service, temporarily halted because of the sabotage. Since the only weights on the front jib are cables, the trolly and hook, the counterweight blocks had been shuttled close to the cab and locked in position. Until a few minutes ago, moment—balance—had been achieved. Now, though, the jib is ever so slowly leaning forward toward the hospital. This is because of what is known in the industrial world as an “acid attack,” a term of art having nothing to do with tossing a caustic solutionat a political rival or a cheating lover. It merely means there is a chemical reaction in progress. In this case, hydrofluoric acid was released from a plastic container and is presently engaged in, first, acting on the calcium hydroxide in the cement to turn it into a paste of calcium silicate hydrate, and, second, liquifying that resultant. A slurry of this mixture is sloughing off the blocks, along with bits of the rear trolley and brackets holding the blocks to it. This residue is sprinkling down to the jobsite—the place being deserted—though none of the skeleton crew at the entrance notices. Several of them thought they heard a moaning or groaning. This is the sound of the slewing plates binding as the tower mast leans forward. But since they’ve been guarding the entrance and are convinced no one could sabotagetheircrane, they put the sound down to the wind or an aircraft or a distant truck and return to their argument about a recent draft pick in the NFL.
37.
SO. IT’S BACKto this.
Reviewing damn security videos. What security guards do, looking for kids who shoplift necklaces and candy bars at Walmart.
But, with a perp who has the inconsiderate habit of dissolving the most important physical evidence with acid, there was little else to do.
An irritated Lincoln Rhyme scrubbed the video into the far past and then back to the not-so-far.
He was not alone. Mel Cooper was doing the same at a nearby computer.
Two forensic analysts—the best in the city—with no evidence to analyze.
Though not happy with the task, he acknowledged the possibility of finding a nugget or two this way. While it was true that he didn’t trust witnesses, even the most cooperative, he did trust his own eyes—all the more because he believed that after he’d been robbed of so much by the accident, his other senses had beenenhanced. Perhaps his imagination, but he’d come to believe that if he saw something himself it was the truth.
As he searched, he was thinking of the question that had dogged them from the beginning: How had the Watchmaker gotten the hydrofluoric acid onto the counterweights?
They knew he was somewhere near the crane yesterday morning when it came down—because Garry Helprin, the operator, had seen his beige SUV nearby.
And that meant he was probably present somewhere on video too, captured when he made his way to the tower, climbed it and planted the device. The operator started work at 9:00 and probably would have seen an intruder make the climb, so the device was planted prior to that. But how much prior? He knew from the discovery in the wheel well of the jet at JFK airport that the Watchmaker had been in the country for only a few days, which at least set a limit on the footage to search. This still meant, though, that Rhyme had to scrub through hundreds of hours of video, from multiple sources. He had footage from seven cameras.
Five of these were private security cameras with fair to poor resolution. Two of them were better, being newer additions to the Domain Awareness System.
“Nothing,” Cooper muttered.
Rhyme glanced at the clock on the wall nearby.
9:14.
Then a look at the map and a fleeting thought: Which one is your target, Charles?
He returned to the screen and scrubbed more quickly, focusing on the night before and the morning of the attack.
But the only person climbing the crane tower, at any time before the incident, was Helprin, just before 9 a.m.
The cameras were blocked occasionally by trucks stopping at lights or making deliveries at the jobsite or to nearby office buildings and apartments. Of particular irritation were advertisingtrucks, flatbeds toting large billboards. Most were cigarette ads—forbidden on TV—and for medicines to treat maladies whose nature was not clear from the content. Also, a number of campaign ads. Two, Rhyme noted, were pushing for voters to cast a ballot for Marie Leppert, the cartel buster running against the man who was Rhyme’s own representative in Washington, former activist (and criminal) Stephen Cody.
