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It’s always like this now. One look, one touch, and I’m a goner. Even when we’re just holding hands, my heart beats a little faster, and when he looks at me like this, my bones turn soft and liquid, my body quickening with arousal.
Flushing, I pull my hand out of his grasp and step back to avoid swaying toward him. We had sex less than two hours ago, and I’m still sore. It’s disturbing how much I want him and how little control I have over my response. The chemistry between us has always been explosive, but ever since that blowjob, there’s something different about my desire, something that seems rooted in the very wrongness of it all.
No. I force the thought away, refusing to give in to it. Peter was wrong. I don’t want to be his captive. This isn’t a sexual game we’re playing; it’s my life, my future. Everything I’ve worked for is gone, stolen by the man looking at me with those burning silver eyes. Whatever twisted cravings he’s awakened in me, I’ll never be okay with this forced relationship.
I can’t be.
Yet as he reaches for me, drawing me back toward him, I don’t resist. I don’t fight as he bends his head and crushes his lips against mine. The fire sweeping through my veins burns away all reason, all morality and common sense. My fingers tangle in his hair, my body molding against his, and as he backs me up against a tree, I give in and embrace the darkness, letting my own inner monster roam free.
22
Peter
As the preparations for the Nigeria job ramp up, I find myself reaching for Sara with increasing desperation, my need for her blazing out of control. When I’m not training with my men or working on the logistics for the mission, I’m either with her or thinking about her. It’s like an addiction, this craving that never goes away, and the worst part is that no matter what I do, I can’t get Sara on board.
I can’t get her to accept her life with me.
It’s not that she fights me physically. On the contrary, she responds whenever I touch her, and in her eyes, I see the same hunger, the need that’s burning me alive. She might deny it, but she likes it when I’m rough in bed, even more than when I’m gentle. When I take control, it sets her free, easing the torment of her guilt and shutting off her overactive brain. Our desires complement each other, our connection sizzling with dark heat, yet even as her body embraces mine, I feel the chill of her mental distance, the attempts to keep herself from me.
On some level, I understand it. I took her from her life, from her family and the job she loved. It bothers me, that last part, because I know how much of Sara’s identity was tied up in being a successful doctor. Music might’ve been her passion and medicine the pragmatic, parent-approved choice, but she still enjoyed her occupation. I saw it every time she came home, tired yet exhilarated by the challenge of bringing life into this world and healing her patients’ ills. Now she seems lost, broken in some indefinable way, and I hate it.
My ptichka loves helping people, and I took that away from her.
To cheer her up, I decide to get a couple of musical instruments and recording equipment on the next trip out, so Sara can record herself singing along to some of her favorite pop songs. I also enlist Ilya to help me convert a portion of the open living room area downstairs into a dance studio, in case Sara wants to take up salsa or ballet again.
“What are you doing?” Sara asks when she sees us putting up the wall, and I explain my idea to her. She doesn’t seem overly excited, but then again, she rarely does these days.
It’s as if some of her inner spark has gone out, and I don’t know how to bring it back.
“This is fucked up, man,” Ilya mutters as Sara goes upstairs after yet another call with her parents, her shoulders stiff and her hazel eyes filled with tears. “Seriously, that girl doesn’t deserve this.”
I shoot him a dark look, and he shuts up, but I know he’s right.
I’m destroying the woman I love, and I can’t stop.
No matter what, I can’t let her go.
By the time Anton and Yan return from their reconnaissance mission, the dance studio needs only mirrors, and I resolve to get those on the return flight from Nigeria, along with the musical instruments and the recording equipment. I also download thousands of popular music videos onto an internet-disabled iPad and give it to Sara—something she thanks me for, though again, with muted enthusiasm.
It’s getting to the point where I’d almost rather she actively fought me, like in the first couple of days after I took her.
